10 Netflix movies you didn’t know were in their catalog

Netflix Movie Catalog it is full of content. A lot of it is often rated as average or low quality, especially when compared to platform gems. Rome or Irish–.

However, in this sea of ​​content There are many works of great quality that have probably gone unnoticed in the eyes of the vast majority.. Netflix movies that, while not instant hits, have a lot of value for one reason or another.

In this article we collect ten of these fantastic Netflix movies which you probably didn’t know, and that now that the holidays are approaching, you’re probably interested in seeing how you use your free time.

10 Netflix movies you can watch on the platform but didn’t know existed

“Nobody Knows I’m Here” by Gaspar Antillo (2020)

This is the first original feature of Chilean-origin Netflix. And also, in all likelihood, will open the doors to greater Latin America, putting a high load on the platform.

Jorge Garcia – who will you remember lost – gives a coherent and engaging performance, as a singer who loses his voice after early fame leads to a traumatic experience. With a solid script and a smart look at human nature at its most critical moments, the film is a triumph of resource-saving and the concept of suspense. drama and even some moments of humor from a new perspective.

“Circus of Books” by Rachel Mason (2019)

A quiet Jewish couple, a daughter with a talent for documentaries, and a hardcore gay porn bookstore on a busy street in West Hollywood. If you’re wondering how this combination can work, we recommend this touching documentary – yes, touching, but also teasing, sweet and very outrageous – about sex life in the 70s and 80s in the US, but especially big unpredictable events. . projects that end up proving the world is stranger than it looks.

“Half of Everything”, Alice Wu (2020)

It’s destined to be a queer classic, and also a great Netflix movie, full of poignant moments on universal themes like first love, revealing sexuality, and even seeing that stranger in the mirror staring into your eyes, a reflection of when we become teenagers. All in one package a modern reinterpretation of the classic dilemma of Cyrano de Bergerac (no big nose).

Rookie Leah Lewis plays Ellie Choo, a precocious high school student who finds herself in an unexpected love triangle with soccer player Paul (Daniel Deemer) and popular girl Astaire (Alexis Lemire). While it looks like a harmless teen comedy, it’s actually a reflection on identity, the pain of alienation, and youthful loneliness.

“Seriously Lonely” by Katlejo & Retabile Ramaphakela (2020)

This South African romantic comedy has the good sense to make fun of all the clichés of genre films and take them to the next level. From thinking about monogamy, love and friendship with blurred boundaries, the need for comfort, sex drive, the fear of being alone and finding a place in the world of film sports like Thoroughly study a large number of topics which generally apply to adults of all ages. Simple but effective. This is your natural choice if you love romantic comedies.

“His House”, Remy Wicks (2020)

Emigration is a sensitive issue in most countries, and Weekes’ debut film combines a foundation of pain from loss and exile with an effective horror story that is arguably one of the genre’s best in recent years. This Netflix movie It has a complex rhythm, slow and of delightful metaphorical beauty. — so maybe at times you feel bewildered — but at the end and beyond the ghosts that haunt his characters, there is pain, sharp and pressing, of guilt. And it certainly has one of the most beautiful and complex ending scenes of any genre of film in recent years.

1922 Zach Hilditch (2017)

On our list, there could not be a film adaptation of the works of horror master Stephen King. But believe it or not, this film is not just another terrifying vision of the supernatural in the midst of the everyday level.

Actually, 1922meditate especially on greed. And it does so in terms of the hatred and resentment that can arise in the midst of domestic and everyday coexistence. Of course, there are moments that will make you jump, several dozen rats and a lot of creepy shadows in the corners, but the real monster of the game does not come from another world: a husband deep in America, as cruel as a man.

“6 Balloons” Margie-Lewis Ryan (2018)

This reflection on the expansion is one of the toughest movies in the Netflix catalog. It went unnoticed, perhaps because of the unkind portrayal of drug addicts, the world around them, and, above all, the fact that his script has no immediate redemptive purpose.

Lewis Ryan’s take on the world of drugs lacks the dramatic nuance found in other productions. And her rudeness is surprising, especially when she emphasizes a painful thought: addiction is inseparable from everyday life. and not parallel to it, it is intertwined and completely tangled in the conditions of life as a powerful concept of identity.

“Alex Strangelove” by Craig Johnson (2018)

Sexual orientation continues to be a subject of debate, especially at a time when it is no longer perceived as taboo. In this film, Alex Strangelove will make you analyze how love, sex and the way we perceive ourselves has evolved over the decades.

“All the Bright Places” by Brett Haley (2020)

Based on the novel of the same name by Jennifer Niven and starring Elle Fanning and Justice Smith as troubled teenagers who form a romantic relationship, the film does not reinvent teen romance but takes it to a less superficial level. Everything revolves around a deep search for the reasons that make us love, believe and build a version of reality in accordance with our expectations.

There is something touching about the idea that love is a look into the futureand a form of inner growth, but above all a series of questions – almost all unanswered – about our individuality in the midst of a world that tends to analyze the subject on the basis of the collective and the homogeneous.

Barry Vikram Gandhi (2016)

The first African American President of the United States is a historic milestone that is still debated in a country where racism is a social wound of considerable proportions. And Devon Terrell’s performance as Barack Obama, very young and in full swing, about his views on race, government, and the United States is a reflection of how the country understands its heroes, its symbols, and especially its great historical cracks. Perhaps the best biography of a unique man who is still a fundamental part of American politics.