Spilled blood, sadistic torture, nightmarish horrors. Modern films devote much of their interest to the study of cruelty. Moreover, to do it in a way that allows us to reflect on the darkness of human nature through the script’s scariest scenes and most depraved twists. Gradually, evil in modern cinema has become more obvious, uncomfortable and, primarily focused on interrogating and irritating the viewer.
This is not something random. Since its inception, the cinematic world has delved into the most painful and unique places of the mind. From noir and its ability to tell stories of characters with gray morals to the most brutal and gritty films. The truth is that the seventh art is not limited to narrating the most brilliant and attractive aspects of collective behavior. At the same time, it has great interest and is therefore hidden behind the everyday. Through the shadows of seemingly ordinary men and women. This is what makes a movie that explores violence so terrifying and at the same time head-on.
To analyze the topic, we leave you with five of the most violent films that you can see on streaming. From a brutal portrait of a serial killer to a twisted obsession that turns into the worst form of violence. The entire collection covers some of the most sinister titles that dissect human behavior until they find its most depraved and vile side. Perhaps the only element that brings these disparate stories and their less obvious backstories together.
Jack’s house
Jack (Matt Dillon) has been obsessed with perfection and death since childhood. Which pushes him into a spiral of cruelty, violence and cruelty that exceeds any limits and measures. Director Lars von Trier chronicles the life of a serial killer over the course of twelve years, without skimping on any of the horrifying or painful details. So Jack’s housefeatures the protagonist’s insane childhood in which he brutally mutilates animals. to early adulthood when he kills with his bare hands.
The result is a film that is as repulsive as it is brutal, as it paints a portrait of a criminal who lacks empathy and humanity. Jack becomes increasingly unstoppable as he enjoys killing as an act of power and a way to satisfy his dark, bloody instinct. Therefore, the director devotes time and interest to in demonstrating his crimes in disturbing, bloody and ultimately sadistic detail.
Featuring some of the most disturbing scenes in modern cinema, the film is an ode to evil in all its dimensions. But especially to the cruel idea that anyone can be a monster, despite their ordinary appearance. The most disturbing message this unclassifiable film leaves behind is. Not suitable for sensitive people.
I’ll spit on your grave
In the 1970s, a particularly twisted and violent subgenre of horror cinema emerged called Rape and revenge. As the name suggests, these were stories in which the protagonist suffered severe sexual violence and then achieved justice. with his hand. Often in the darkest, most revealing and graphic ways.
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In 2010, director Steven R. Monroe returned to the idea with a particularly violent film that re-emphasizes sexual violence. Jennifer (Sarah Butler) is a writer who decides to spend some time in an isolated cabin to complete a literary project alone. What she doesn’t suspect is that a group of criminals are stalking her and will end up attacking her in the most obscene and heartbreaking horror films from the early 2000s.
After being tortured, humiliated and left for dead, Jennifer returns from the dead to exact revenge on each of her attackers. Of course, scenes of violence proliferate, including gouging out eyelids and eyes, on-camera castration and close-up filming. A whole selection of horrors for the annals of violent cinema.
Requiem for a Dream
Based on Hubert Selby Jr.’s 1978 novel of the same name, this violent horror-fest is uncomfortable and extremely gritty no matter how you look at it. Not only does it analyze addiction from a harsh perspective, which makes each of its episodes almost repulsive. At the same time, he reflects on the loss of humanity during a thorough dissection. degradation of mind and body in extreme situations.
But what’s most poignant about Darren Aronofsky’s film is its exploration of its characters’ descent into horror. From Sarah Goldfarb (Ellen Burstyn) in complete emotional and spiritual collapse, to the atrocities committed by Marion Silver (Jennifer Connelly) that drive her to madness. nothing is missing in this disturbingly brutal portrait of suffering, longing and depravity.
In its iconic final scene, in which the lives of all the characters dissolve into oblivion, the film reaches its lowest point as it deals with existential suffering. And this turns it into a void of meaning, which makes the final scene even more depressing. A brutal classic for those who want to know the worst sides of human beings.
Dogville
Another Lars von Trier film on this list that has become a classic of the gruesome and violent. It has to do with several elements that come together in this depressing, twisted, and brutal tale of human nature. On the one hand, the experimental atmosphere of the film, recorded without scenery and staging in a single setting, which turns the production into a rare realistic landscape.
On the other hand, the way the director delves into everyday evil. And it’s all through Grace (Nicole Kidman), a fugitive on the run from pursuing gangsters in an isolated Colorado town. But what begins as a story about humility and the need for empathy soon turns into a head-on look at violence. physical abuse, sexual abuse and emotional manipulation.
In a series of increasingly unpleasant scenes, Grace endures all sorts of humiliations and horrors until she is finally rescued and demands brutal revenge. But while this is happening, the film is mired in vile and increasingly disgusting levels of horror and nastiness.
In one place in Canada
This Kevin Smith film may seem like a tongue-in-cheek, sinister satire about curiosity about mystery, until the script unleashes all the demons. This is by turning the script into a series of horror stories that get weirder, more violent, and more twisted as the story progresses. Much more when you accept what it seems an innocuous premise and transform it into a harsh vision of obsessions and desires.
Wallace (Justin Long) podcaster who must travel across a pessimistic and gloomy North America to interview an old man who promises him an intriguing story. What he doesn’t realize is that this man is keeping a secret that will force him to commit the worst horrors. Including an attempt to transform the animal into the body of the victim. A premise that is becoming more and moreelaborate and gruesome, culminating in a shocking final scene.
Source: Hiper Textual