Two tombs, New Thriller Netflix, a reasonable solution is required from the very beginning. And this is not to stretch the plot so many current series. With three episodes, he reaches a balance that will envy many similar productions. The merit is not by chance, but as a result of a solid transmission. So, Agustin Martinez, combines efforts with Jorge Diaz and Antonio Merkero to create a difficult story in which each scene, This is important. Everything, under the sober direction of Kike Maíllo.
In fact, the series takes into account this feeling of urgency from the first episode, which opens from the scene of a corpse wrapped in sheets, which is clear. The history of atypical revenge covers not only the reason that leads to the search for justice with its own hand. In addition, the context of broken characters, to the limit of sanity and, as a rule, is going to succumb to despair. Thus, the conspiracy, far from thought about violence or fear, is actually A thorough study of human nature. Of course, subject to the worst situations.
For this, the script follows Isabelle (Kiti Manver), a grandmother who decided to discover the truth behind her granddaughter. It is, although it is obvious that his search for truth – later, justice – will have to face all kinds of dark figures. Which includes ambiguous Juan (Alvaro Morte), the key part in the investigation. With Frigiliana – the city of Malaga, visual charm, contrasts with the dark background of the plot – as a background, the surprise of two tombs. Especially for its combination The picturesque environment and criminal tension, which provide a conspiracy with anxious and perverted air.
The premise that goes from smaller to more
Two tombs This begins with the premise, which seems simple, despite the tragedy that covers. Marta (Zoya Arnao) and Veronica (Nadia Vilaplana), two teenagers, disappear after the party. Two years later, the authorities archive the case, not finding the slightest sign of what happened. This emptiness is unbearable for Isabelle, a grandmother of one of the girls who refuses to accept official silence. So he decides to act Alone turned into an impromptu researcher who challenges prejudices and restrictions.
Later Juan, the father of another young woman, a criminal with outstanding accounts and dubious methods. Both allied, despite mutual distrust. The miniserial plays with a connection between an ordinary woman and a man associated with organized crime. What, in principle, seems in a desperate search, ultimately becomes a plot of revenge. The dynamics of these two characters embodies the essence of history: to what extent personal pain can become gasoline to make extreme decisions. Thus, the figure of the grandmother breaks mold, because it is not Secondary or decorative character, but the absolute main character of the Crusade.
Frigiliana appears as an idyllic place as a space full of hidden tension. The direction makes every corner of people perceive ambiguous, almost saving in secrets that residents are silent. The result is a compact story that is interested in deepening its characters as a terrifying situation through which they experience. This combination largely explains why such a brief offer He had so many echo in the audience: he does not waste time and focuses on the main thing.
A story that exceeded the boundaries
Phenomenon Two tombs This is not explained only by his technical account or distribution. The key is also at a public reception. Just a week after the premiere in Netflix, the mini -series scored 8.6 million global glances, according to records FlixpatrolThe figure that has made it non -bargolophone production, more visible at the moment on the platform. This answer confirms the volume of Spanish fictions in a catalog saturated with international offers, and, by the way, strengthens the idea that the stream transmission today is a demonstration, as powerful as unpredictable.
This specific story and only three chapters will be placed above large -wagon productions in key countries, shows that the audience is looking for intensity more than the duration. In its own way, this technique also emphasizes the public appetite to the stories where the intimate drama and Thriller They intersect without art. The digital mouth did everything else: Two tombs He jumped from a local recommendation to the global phenomenon in a matter of days.
Something, which shows that a short story can have more emotional weight than many endless productions. Besides the fact that it seemed Thriller disappearance This becomes a rude portrait about the memory, justice and limits of the duel.
Source: Hiper Textual
