Horror films evolve along with their fans. Thus, its most famous themes change from generation to generation. Movies like Tell me or a series like Fall of the House of Usher, explore violence, fear and the supernatural from a modern perspective. Especially when the genre is aimed at a younger audience and with interests quite different from those hitherto maintained, terrifying arguments.
However, the group of films goes beyond this transformation. Some have become classics, thanks to their technical and visual innovations, their approach to complex topics, and even their ability to transgress moral boundaries. Each of them went down in the history of the seventh art as a milestone that can hardly be surpassed.. At the same time, to make it clear that the most terrifying arguments are often timeless and can be analyzed in different periods to understand their meaning. An achievement that few directors, actors and subjects manage to achieve.
We leave you with five classic horror films that you can stream right now. From an adaptation that completely changed the theme of haunted objects and artifacts, to a piece of visual art that still amazes today. The collection covers a variety of themes, topics and perspectives, but they all point to the same goal. Analyze the darkness—moral, intellectual, and spiritual—of a culture like a monster with a human face.
Exorcist (Max)
The 1973 film directed by William Friedkin was uncomfortable, frightening and unpleasant. in classic horror films almost from the premiere. Based on the novel by William Peter Blatty, the film explores much more than just the events surrounding the exorcism. It also occurs in faith, loss and moral devastation as manifestations of evil.
The plot focuses on Regan McNeil (Linda Blair), a 12-year-old girl whose behavior becomes increasingly frightening. Without a plausible explanation Regan He becomes a dark being suspected of murder.
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His mother, Chris McNeil (Ellen Burstyn) seeks medical and psychiatric help for her daughter. But traditional treatments cannot solve the problem. Finally, Chris enlists the help of a priest. Damien Karras (Jason Miller) is already an experienced exorcist, Lankester Merrin (Max von Sydow). The debate thus boils down to a grim vision of the blasphemous, the blasphemous and the sacred. Innovative in its special effects, staging and theme. The film surprised me with its rudeness and violence.
Carrie (Prime)
Brian De Palma received an interesting honor adapt Stephen King’s first published novel. And also delve into the topic of supernatural violence from a completely different angle. Instead of a creature or monstrous entity, the center of the horror is a young woman with psychic abilities who has been abused and traumatized.
History tells how Carrie White (Sissy Spacek), a shy and introverted teenager, struggles to cope with bullying at school. And also with his fanatically religious and repressive mother (Piper Laurie). Carrie He is the object of constant ridicule and harassment from his peers. Until his life changes dramatically when he discovers that he has telekinetic powers.
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After suffering public humiliation at her prom, a young woman takes revenge in a scene that has gone down in horror film history. Like the book, the plot uses themes of bullying, repression and anger as context for his character.. A narrative twist that still surprises with its relevance.
Christina (Filmin)
It’s not just houses and places that can be haunted. This is what the film adaptation of Stephen King’s 1983 novel of the same name demonstrated. Director John Carpenter tells the story a car possessed by an evil and irresistible force.
The plot focuses on Arnie Cunningham (Keith Gordon), an outcast high school student who acquires 1958 Plymouth Fury In a bad condition. Fascinated by the car and turned into a symbol of teenage rebellion, he calls it Christine. How Arnie He spends more time in the car and becomes obsessive and violent. Gradually, the plot connects the influence of the entity living in the car and how it influences its owners.
Possessing a unique dark humor, the film was one of the first to touch on the theme of teenage angst that turned into a target of paranormal phenomena. Although the film was not a big box office success at the time, it has gained cult status over the years.
Night of the Living Dead (Prime)
George A. Romero’s subversive and socially charged 1968 work brought the zombie genre to the big screen. But besides this, he knew how to combine a horror story with considerations and criticism of North American culture.
The plot follows a group of people taking refuge in an abandoned farm while they are besieged by hordes of the living dead. The director imagined the reanimated corpses as clumsy creatures, bewildered by violence. With a realistic and raw approach to violence and horror, It is considered a masterpiece of low-budget cinema.
Additionally, the director tackled difficult topics such as racism and mistrust among survivors, using his monsters as context. The feature film marked a “before” and “after” in the depiction of zombies in cinema. In fact, it established many of the conventions that were used in later films and television series.
Radiance (Max)
This is an adaptation of Stephen King’s book. This is one of the few works that its author does not like.. Not only did Stanley Kubrick change the central plot enough to approach evil differently than in the book. In addition, he took liberties with his character Jack Torrance, one of the author’s favorites due to its autobiographical origins. What caused famous confrontation over the end result.
But overall the plot is very similar to the book. The script tells the story of Jack (Jack Nicholson), a writer and former teacher who suffers from alcoholism. In the midst of a family and personal crisis, he becomes the caretaker of the Overlook Hotel during the winter. To make his stay less harsh, the administration allows him to stay put with his wife Wendy (Shelley Duvall) and son Danny (Danny Lloyd). But as winter sets in and the family finds themselves isolated in the hotel, Jack begins to lose his mind to the dark, supernatural forces that haunt him.
The film explores themes of madness, isolation, violence and the corrupting influence of the hotel. When Jack goes crazy, the glow, the psychic powers that his son Danny possesses, becomes stronger and reveals the horrors of the hotel’s past.
Source: Hiper Textual
