In an interview for American cinematographerSteven Spielberg said the first time he presented a film ET Alien was in a short image. I wasn’t sure what this creature would look like, although I already had sketches thanks to Matches in the third stage. But he will be friends with a little boy. And that both will “do the impossible.” That together they will take a bicycle – the same American symbol of youth – and fly. “Flying was the first thing I saw,” Spielberg said of his first great vision of what would become his most famous film. “Both of them lifted off the ground and escaped danger by pedaling hard.”

The scene has certainly become one of the most recognizable shots in cinema. Also on the label of Spielberg’s own production house Amblin. But besides this, in a symbol of a completely new approach to sci-fi cinema. To embody something more powerful than the simple idea of ​​a cinematic work. “I wanted to show that we can all be moved,” he told Variety. “And this goodness is not exclusive to the human race.” ET ET is a look at childhood, a film free from cynicism, interested in moving through the amazing. Spielberg, who made his name on Shark and his first failure was in 1941, he tried something new with a story about a space guest.

ET Alien is a modern fairy tale. Constructed as a deep allegory about differences and unconditional friendship. Spielberg created an adventure that is fantastic and simple, but at the same time deeply meaningful. A metaphor for the little pains of childhood, the mystery, pain and great adventures of childhood. A credit that has allowed him to revolutionize how adventure films, fantasy and emotional intimacy are supposed to be. Especially when in the early 1980s. science fiction continued to be considered a minor genre. And one that had little to do with the idea of ​​cinema, destined to surprise and connect the public in many ways.

Cycling, space refugee and the beauty of innocence

ET Alien was a modest project, far smaller and more personal than any of the directors’. Already one of Hollywood’s most representative figures at the height of the revolution, Spielberg wanted to innovate. And his story is about a cosmic being who takes refuge in the home of a group of children. was the quintessence of innocence. But it was also his most personal story. One that summed up his apprehension and surprise he felt about cinema’s ability to engage in a dialogue with emotion.

“We are all inspired. I am inspired all the time, but my (real) inspiration is the sum of all my parts. And all my roles began in 1947 when I was born in Cincinnati, Ohio. I accumulated the dust or pollen of my experience before being an alien”, counted for American cinematographer. “I imagined what my group of friends and I would do with an alien.” On this occasion, Spielberg dismissed the idea of ​​a technological miracle or danger. “The alien is a child who finds children. He is a kind being who finds a benevolent gang.”

Maybe for this reason, alien suffers, is considered part of popular culture. The film translates the need to consider the emotional part of an irrational but irreplaceable dimension of the collective mind. But it is also a grandiose fantasy, a pipe dream of generations. “My parents imagined monsters in the forest, and I imagined an alien,” Spielberg said. For the director, who had already brought his curiosity to the mysteries of the cosmos to its apotheosis, the return to the small was embarrassing. “FROM Matches in the third stage Everything was great,” he explained. “Nose alien everything was small. Everything was tiny, a secret.”

Spielberg worked with a team that envisioned the suburbs of his childhood as cute, ramshackle environments. Also with the cast of children who were to embody the tenderness of a time alien to fear. Henry Thomas was cast as Elliot, the protector of the titular alien, due to his “joy”. But it was the choice of a very young Drew Barrymore that set the exact tone for the piece. “She didn’t know it wasn’t real,” Spielberg said of the aliens, “so her fear and love was genuine.”

The first shot was of Gerty (Barrymore) meeting an alien in a toilet. And this cry, wide-open eyes, the utter naivety of the scene, became important in understanding the impact of the film. “I got chills watching this whole scene because I knew we were making history,” said Allen Davio, director of photography on the film.

A long time ago, ET Alien looking for a home

ET El Extraterrestre is a cultural mirror game that reflects this inherent innocence, a tiny epic that has provoked an unprecedented phenomenon. It’s not just that Spielberg built a modern fable with his own symbols and mythology. He also developed a manifesto of pure, essential ideas in a cinematic era as yet undefined. Spielberg, along with George Lucas, knew how to recreate the prospect of a new world yet to be built and endowed him with extraordinary beauty. Emotions that are still intact four decades after the premiere.

This is an emotional film. Precisely from the first scenes: a masterful play of shadows and light in the midst of an exciting fantasy perception. And also at the end, in which tenderness becomes a means of communication and a language. alien This is a film of characters that retains an undeniable freshness in its approach to the depths of the simplest feelings.

For Spielberg, childhood is not only a symbol of purity, but also a much more complex idea. This audacity of adventure, the emotional risk, is as extraordinary as it is spontaneous. Speech that persists despite the passage of time and the possible wear and tear of visual discourse. In other words, Spielberg analyzes ideas about the arguments that support his ideas, about what drives and what excites. He does it from the point of view of amazement, from that childish look that arises when opening. This makes it unforgettable and pure.

ET. “Alien” has become an icon of a small intimate movie and, perhaps, one of the most famous works of the science fiction writer. Also, part of the history of cinema. Meanwhile, the film is a celebration of kindness and the content of cinema as a spiritual spectacle. Without a doubt, his great legacy for the future.

Source: Hiper Textual

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