Dangerous animals, Director Sean Burn mixes in the same unusual story, obsession, blood and digital sharks. To do this, the argument is focused on evil tasser, a serial killer played by Jai Courtney, whose fixation with shades becomes the engine of the whole story. From the first scene, the film makes it clear that he does not seek to compete with the classic, such as Shark (1975) Stephen Spielberg, but in order to take the excessive spirit of the works of Videoclub, which exploited deadly creatures in impossible areas. Yes, in the style of a non -classified saga SharknadoBut much more perverted.
In fact, the film is self -appropriate in its state B, with black humor, grotesque death and characters, which seem to be intended for feeding shows. Especially his hungry main characters. Dangerous animals He does not intend to rethink the squeal of murderous sharks – the Earth, already saturated with unsuccessful or auto -reproaching sentences, but it restores something From the entertainment that used these tapes projected at midnight marathons.
In addition, Dangerous animals This has a gloomy and wild sense of humor, which explodes in the rarest and crazy moments. The combination makes the tape, not trying to become a milestone of the entertainment cinema, has a rare balance between two genres. On the one hand, wild, bodily and very direct horror, with headdered heads and chewing hands. On the other hand, the tension, well built between a twisted serial killer and everything that he will do to get it. Something, which makes the tape a rarity in the current horror films.
Misleading the premise, which is ultimately amazing
For this, the script is focused on the beginning of two young tourists played by her Newton and Liam Grainka, in the middle of the adventure, which soon turns into a nightmare. What begins as an exciting diving experience with sharks is ultimately becoming an ideal trap for Tucker (Courtney) to show his true face. The character is represented as someone charismatic, With an eccentric touch that hides its predatory nature.
In one of the most absurd, but memorable sequences, he tells how he survived the attack in childhood, while sings with childhood enthusiasm. This contradiction between horror and humor works as a statement of intentions: Burn wants the audience to hesitate between discomfort and laughter. The script does not spend too much time to deepen the victims, and this shows Because his function is simply nourishes a bloody narrative.
However, at the height of this predictable structure, marshmallows (Hassi Karrison) appear, an adventurous surfer who introduces various energy and breaks the monotony of the scheme of the hunter and light dams. His abduction on board the ship Tucker opens the central conflict and establishes the dynamics of survival, which supports the second half of the tape. Voltage occurs less than the danger of ugly sharks Digital than a psychological game between the kidnapper and prisoners.
A new type of “final girl” for “dangerous animals”
Marshmallows in many respects are a figure The final girl Modern, but with nuances. She is not only a young woman, who is destined to resist the duty of the human monster, but also someone with sufficient intelligence and determination to question the limits of the script. Harrison provides freshness and magnetism, which makes his character never feel like an accessory. Every time the camera concentrates on it, The film seems to be rising above his restrictions.
That, despite the fact that his chemistry with Moses (Josh Hueston), his solid guy is quite incredible. The romantic relationship between them is built so hasty that ultimately they become one of the weak points of history. Moses survives for the role of a boy on the mainland, who is trying to save her, an archetype that does not add too much and This interrupts the stress with sequences that seem to be added by obligations.
Nevertheless, the film does not fall at all thanks to the contrast that is installed between marshmallows and takeer. Both characters keep history because they understand an exaggerated tone and use it without shame. The film lacks psychological depths, but reaches a balance between ridiculous and tense. In this ambiguous field, where the grotesque Cross with a comic book where Dangerous animals Find your true personality.
Exaggerated and cheerful scenario
The script of Nick Lapard without shame for ordinary cliches of terror: false deaths, absurd dialogs, predictable turns and the third act that borders on implausible. Not hiding him, the tape hugs it and makes it part of the show. The film plays with the expectation of a viewer who from the very beginning knows that there will be no disclosure surprises or complex explanations. Takera does not need carefully thought out backgrounds to justify his cruelty; Just show Your scalp is to understand where your fixation comes from.
This economy of the resource for studying in his villain allows Jay Courtney to develop in an exaggerated and cruel character. Here this is not an unsuccessful hero of the militants or a secondary forgotten one: this is an antagonist designed for the theft of the film. Everything, in the midst of the absurd sequences of humor – or without intention – which turn the film into a strange combination of topics and circumstances.
This influence may seem annoying, but at the same time reveals the director’s intention: this is not a realistic experience, but a grotesque carnival, where everything is worth it. This mixture, although irregular, gives your own identity in a rich genre.The best that can be said about the film “The Great Shark” of this summer.
Source: Hiper Textual
