Latin America is a great source of quality content, as evidenced by the Star+ catalogue. Already in 1897, Latin-born filmmaking pioneer Eugene Pi He made one of the first famous films on the continent. Argentine flag showed the surroundings Plaza de Mayo, in front of Casa Rosada.. With no script or anything other than the image of a two-color banner flapping in the wind, it was a silent tribute to more than just the country. And also to the men and women who watched in amazement at technological progress and what the camera captured in all its naive glory. The work quickly became a model about what cinema can do, and especially about what it can mean for the country’s arts.
A few years later, Light, a triptych of modern lifePremiered in 1917 under the direction of Manuel de la Bandera, it became the first official Mexican work. By then, the entire continent was recognizing the power of cinema to tell stories and be a medium of communication. Although the region’s industry had to compete with that of North America – especially in terms of language – it became strong enough to develop its own identity. What has been emphasized for decades is still part of the artistic record of Latin America today.
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Nowadays, the region’s film world has moved to the small screen and has become part of the content of many streaming platforms. Beyond quality, it’s also a celebration of diverse perspectives and interpretations of the hottest topics across all genres. This is what Star+ takes into account when choosing a catalog. So, we leave you with five Latin American content that you can enjoy right now that somehow represents the best of the local industry. From an annoying – and at the same time irritated – resident of Buenos Aires to a narrative about a political phenomenon. The collection includes great options for thinking about new Latin American productions.
Nothing

Manuel (Luis Brandoni) is a sophisticated, surly and decidedly snobbish food critic. His millennial life in Buenos Aires is spent between visits to fancy restaurants and long conversations with his friend Vincent (Robert DeNiro). With the latter, share a dialogue from a distance about the good and tasty things the city has to offer. But also in a curious background is the pleasure of reflecting on existence and its contrasts through sensual luxury.
Everything seems to be going idyllic until his housekeeper and grounding cable Celsa (Maria Rosa Fugazot) suddenly dies. As a result, Manuel will find himself in the midst of the turmoil of everyday life and searching for an easier way to understand his circumstances. Namely: Like the loneliness of a privileged bachelor, it can become a territory of fear and despondency.
And although the tide ultimately turns in favor of Brandoni’s lovable curmudgeon, one thing is clear. Nothing will be the same once he realizes the limits of the humble pleasures awaiting him. With one season and five short episodes, Argentina Star+’s production is perfect for a marathon.
Responsible

The two-season, 18-episode series, created by Mariano Con and Gaston Duprat, is a dark comedy about modern obsessions. Eliseo Basur (Guillermo Francella) is the concierge of a luxury building thatOtherwise, he takes advantage and abuses the privilege of closely observing the residents.
But what starts out as a bad joke ends up becoming an increasingly tangled and dark web of manipulation. It with Eliseo is at the center and is willing to use his acquired power for his own purposes as many times as necessary..
From paranoia that a stranger has data and details about what is private, to the invasion of privacy through illegal means. This tongue-in-cheek satire touches on more complex and disturbing topics than one might imagine. But even so, he also uses sardonic humor to analyze modern relationships. An achievement that makes the series one of the favorites on Star+.
Elvira, I would give you my life, but I’m using it.

Everything that can go wrong will go wrong in this Mexican comedy from Star+. Elvira (Cecilia Suarez) is a happy wife and mother of two children, peacefully living the fourth decade of her life. That is, until one evening her husband leaves to look for cigarettes (such a corny excuse) and returns again. So his troubled wife begins a frantic search, only to discover that nothing in their marriage was as she thought.
Manolo Caro manages to use charm to turn this seemingly banal idea into a funny story. Elvira is much more than a lonely woman with a broken heart. It is also an example of the strength, joy and sincerity of those who accept a second chance in life. Gradually, the film leaves the moral dilemma behind and focuses on the development of its protagonist. And also in honor of female maturity.
In a cliffhanger ending and after a new balance is found, Elvira (and the audience) will learn what happened to her estranged husband. But by then, the answer will matter less than celebrating triumph and staying happy despite setbacks. crazy experience. The most encouraging moral of the film
I married an idiot

Fabian Brando (Adrian Soire) and Florencia Cormick (Valeria Bertucelli) are a couple of actors who fall in love and quickly get married. But what begins as a series of events of apparent happiness eventually turns into pitched war when both come to the conclusion that the other is not the person they idealized. Which turns the dream of a long, happy coexistence into a series of misunderstandings and increasingly hilarious arguments.
Of course, director Juan Taratuto isn’t telling a story that hasn’t been seen before, and perhaps not that much. But the point of the production is that it uses the humor of Buenos Aires to turn the plot into a glorification of the Argentine demon. Also, reflecting on love – with a flavor of Buenos Aires – and asking the big question of why we fell in love. And all this against the backdrop of beautiful Buenos Aires.
In its ending – a happy one, of course – the film achieves two important points. Make people laugh and at the same time think about adult love on the Latin American continent. A delightful dimension that makes the film a charming and curious experience.
Santa Evita

The Star+ series, which consists of one season and seven episodes, is an adaptation of the fantasy novel of the same name by Tomas Eloy Martinez. This is an overview of the history of Argentina. And also a long journey through the figure of Eva Peron (Natalia Oreiro) and her legacy to the rest of the continent. The result is a story that puts historical context into the political and cultural struggles of not only Argentina, but neighboring countries as well.

subscribe to Star+ and you will have access to the best TV series and exclusive films How Stranger, Simpson, X-Men And the walking Dead. Includes local production Star originals And all sports from espnlike La Liga, Champions League or NBA.
Star+ is only available in Latin America
Santa EvitaIt is also an acknowledgment of the importance of the controversial figure of the former first lady. This allows him to explore his myth—in life and after death—to reveal the broader landscape of his influence. The most interesting moment of this solid production.
Source: Hiper Textual
