In 2021 They surprised by the combination of psychological horror and uncomfortable social background. Prime Video’s story of a black family under siege in a white neighborhood in the late 1950s was inevitably painful. But the most amazing thing about the series was that the entire social and cultural approach to its characters was used to create a terrifying plot. Little by little, what begins as an analysis of prejudice and discrimination turns into a kind of paranoid tension caused by mortal necessity. Much more when every plot element, They came together to explore the cruelest and meanest sides of human beings.

But despite the obvious advantages of the script and visual effects, They upset. Particularly due to the lack of pacing and failure to bring the entire disturbing premise to a satisfying conclusion. The story of Livia “Lucky” Emory (Deborah Ayorinde) and Henry Emory (Ashley Thomas), a black couple at the center of a white neighborhood under siege, seemed left halfway. Moreover, the apparent supernatural background of this story was never fully explored. Or at least it was relegated to the category of a narrative trap that didn’t really matter.

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Nevertheless, They: Fear, the second installment in the anthology, is a brilliant example of body and psychological horror, much more interesting and better developed than its predecessor. In fact, with a solid plot and its visual offering, in all likelihood, this will be one of the most talked about series of the year. As proof, we leave you with three reasons why you should see the production. From his boldness in the way he tells an uncomfortable and provocative story, to the voice-over credits. A delight for horror lovers.

Brilliant social commentary

Although the anthology They bases much of its effectiveness on telling stories related to racism and discrimination, it does this much better in the second part. The story follows Dawn (Deborah Ayorinde), a black Los Angeles police officer who must deal with the harsh social and cultural climate of 1991. The streets of the city are aflame with discontent and indignation after the assassination of Rodney King. So the character must face the possibility of a serial killer who kills with extreme brutality, as well as an imminent urban outbreak.

On the other hand, the series tells the story of Edmund Gaines (Luke James), a failed actor trying to land the role of his life. But things will get even darker when disappointment, frustration and fear in your life become a monster of its own. It touches on the layers of discrimination and violence he has had to face throughout his life.

When both stories eventually collide, the connection between the horror of superstition and a terrible old secret will create a terrifying scenario. But the series doesn’t stop at exploring the complex consequences of very serious acts of cruelty and emotional abuse. The script by Little Marvin, Tony Saltzman, Malcolm M. Mays, Scott Kosar, Sarah Cho, Beverly Ohio and Matt Almquist reimagines its own concept. That is to say: it aims to mix social subject matter with pure horror storytelling. Which allows you to move to more twisted and kinky places, which turn the season into a full-fledged chilling story.

Impeccable visual section

In the first part of the anthology, cinematographer Cecco Varese worked on the visual part with symmetrical angles and cool pastel colors. An aesthetic decision that created a claustrophobic environment, increasingly uncomfortable and harsh as the plot revealed its secrets. Particularly when the modern evils it detailed became a collection of private horrors behind closed doors.

In this case, the series doubles down to create a scary scenario that also plays with the idea of ​​evil as small, suffocating spaces. Brendan Wegama uses the warm and ocher tones of a sweltering Los Angeles summer to capture the tension on the streets. But it is their work inside houses and premises that makes production a combination well-achieved fear and poorly controlled anxiety.

In them: Fear, the supernatural, manifests itself through horrors that slip through half-open doors, tiny corridors and winding staircases. Gradually, Dawn’s search for her origins will lead her to understand the horror that Edmund embodies. And this while the camera paints a landscape of horror and reflects on the insecurity and suffering of loneliness through increasingly dull colors. A solution that turns delivery into a small work of aesthetic art, surprising in its scope.

Guest of honor in the film “Them: Fear”

Like an anthology, it’s true They: Fear enjoy the creative freedom that a series with one continuous line cannot offer. In this case, this broad nature allows a talented group of directors to take responsibility for individual branches. From Craig William McNeil, Axel Caroline, Guillermo Navarro to Little Marvin. The selection of directors ranges from experienced directors specializing in short films to talented newcomers to the serial format.

But the biggest surprise behind the credits is the season finale. It features Ti West, director of several horror hits, including X and Pearl (both 2022).. This addition transforms the chapter into a terrifying fantasy in which body horror, psychological horror and, ultimately, hopelessness merge into a brilliant ending. One that also pays amazing homage to the first installment and brings the sinister story to an elegant conclusion.

Source: Hiper Textual

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