Season three Bridgertons, surprised for several reasons. Specifically, for showing the ambitions of Shonda Rhimes’ Netflix series. This is not only an interesting journey through its main plots. Plus, it shows that the series has matured enough to move into more complex territory, or at least move closer to controversy. Until now, the production has sparked a long debate about the inclusion of a multiracial cast in the Julia Quinn book saga based on it.
However, in this case, the series directly explored themes that not only opened up scenarios for future installments, but also made it deeper and more complex. From calling for respect for people’s appearance to exploring sexuality thoroughly and seeking freedom. In this case, Bridgertons They did more than just entertain and excite. Also use the complex scenarios of your story to analyze what the future holds for the production. An interesting move that makes the series one of the most important and popular on Netflix.
We leave you with three scenarios that the series is leaving open for the already announced and confirmed fourth season. From an intriguing look at one of the main characters – and a possible protagonist – to everything that the now-revealed identity of Lady Whistledown has to offer. This is a tour of the center of what Bridgertons can also suggest ways to transform production in the future.
Benedict’s sexuality
The character of Benedict Bridgerton (Luke Thompson) took one of the most interesting and exciting turns in the third season of the series. Namely, being part of a loving and sexy trio with Lady Tilly Arnold (Hannah New) and her lover Paul Suarez (Lucas Aurelio). What turned them into a curious plot, which, moreover, He made it clear that the middle son of the titular family was more complex than expected.
Until now, Benedict has been distinguished by being the most affectionate, crazy and also brave member of the titular family. Indeed, it was expected that it was his story that would be told in the new part. But due to the development of history After the production, a book remained on the screen in which he is the central figure.
I give you my heart, released in 2001, in pure Cinderella style, tells how Benedict falls in love with a noblewoman. However, due to the popularity of Penelope (Nicola Coughlan) and her romance with Colin (Luke Newton), the series was adapted. Seducing Mr. Bridgerton (2002), the fourth novel in the saga.
But now, thanks to this plot – which was unexpected and allowed Benedict to explore his sexuality in a natural and passionate way – it is likely that he will become the central character of the next part. Especially now that he himself admitted that he needs to learn a lot about himself. Also about his sexuality? Probably yes. It even opens up the possibility for the literary Sophie to change gender when she makes it to the small screen.
The fate of Francesca Bridgerton
In the books, by the time all of this season’s events take place, newcomer Francesca Bridgerton (Hannah Dodd) is already married to John Stirling (Victor Alley). What makes it even more difficult is that she is already widowed by him and is in heavy mourning. The only thing that was shown in the series was that the couple were going on a trip to Scotland in the company of older brother Anthony (Jonathan Bailey). and his wife Kate (Simone Ashley).
The group also travels in the company of Michaela Stirling (Masali Baduza), Francesca’s husband’s cousin. In the books, the character is a man, and he ends up falling in love—and being reciprocated—by a young widow. Now the gender change brings with it a completely new story for Francesca, which, in fact, can already be foreseen. In one of the last scenes of the third season of the series You can see the first meeting between them and how the obvious romantic tension arises.
What Penelope can do with her spine
Penelope spent most of the season trying to avoid detection as the feather behind Lady Whistledown. Firstly, at the insistence Eloise Bridgerton (Claudia Jessie) confesses her secret.
Then the obsessive and determined observation of Queen Charlotte (Golda Rosheuvel), who also wanted to reveal her most persistent and courageous enemy. And finally, the story of Cressida Cowper (Jessica Madsen), who tried to escape her plight in marriage market, through a royal bounty on the head of a mysterious author.
In the end, everything worked out for the better, including a royal pardon and Penelope being able to write under her own name. What’s even more interesting is that this caveat allows him to use the column for help beyond the usual gossip and backbiting. This could give the Queen an idea of what is going on in London. Also, turning Penelope into a powerful woman. One of the brightest turns of the season.
Source: Hiper Textual
