It is called hybristophilia to an attraction and interest in everything related to people who have committed crimes of significant gravity. A tendency that has become increasingly widespread – singular and obsessive – over the past few decades. Especially in pop culture, which reflects an obvious penchant for violence – or, in any case, curiosity – as a dark and shadowy dimension of the entertainment world. Recordings that analyze horrific crimes, to the most complex arguments that dig deeper and reflect on the nature of evil.

The truth is that the last forty years have been fertile ground for a whole new approach to thinking about violence through cinema. However, it is serial killers who are the figures that are of most interest in this dark perspective of the cinematic world. From exploring their psychology to showing in detail the most heinous crimes. A new look at the most brutal criminals is an important part of understand the genres of horror, suspense and violence in the modern cinematic world.

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To prove it, we leave you with five films that ponder, dig deeper, and show serial killers from a new angle. From one of the most terrifying films on the subject in recent years to another that offers an increasingly complex exploration of the idea of ​​evil, The Selection is a sinister look at modern-day violence and how it can manifest itself. But in particular, a look at cruelty, brutality and terror in a completely new context.

Long legs

Writer-director Osgood Perkins reflects on the horrors of the most horrific murders in a film that avoids all cliches and goes into unpredictable territory of fear. The result Long legs It is a sinister exploration of despair based on the figure of a serial killer so cruel and evil. that the script suggests that it could even be a supernatural being.

Only it isn’t, and that’s one of the most intriguing moments in this contemplative work about fear and death. The main killer (played as a prize by Nicolas Cage) is capable of the most horrific, horrific, and deliberately evil acts. And this is while a young FBI agent tries to anticipate his moves. Whether it’s the scientific method or the inexplicable ability to understand the meaning of the evil that a murderer represents.

But besides good plot decisions, Long legs He walks the dark paths of the human mind when he is forced to embrace his own darkness. Becoming one of the great premieres of this year, the film also, one that breaks stereotypes by exploring human evil.

Cruel by nature

Have you ever wondered how a killer sees the world? This feature film, written and directed by Chris Nash, answers that question. And it does, through a bloody and brutal journey driven by the urgent need to kill an unstoppable criminal.

A premise that might seem exaggerated if not for its nihilistic and straightforward approach is terrifying in its honesty. But At the same time, it is a recreation of how a killer operates, without any restrictions or limitations.

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So Cruel by nature This ranges from graphic decapitations – the film contains some of the most horrific and explicit scenes in years – to tracking the killer as he moves on to his next victim. Which allows the argument to examine, with almost scientific coldness, his actions, his views on the world, and even himself. One thing is clear from the grisly final scene, which left audiences vomiting and crying when it premiered. The scariest monster is not supernatural, but simply human.

Murderer

David Fincher has spent much of his career exploring the nature of evil and the modern view of horror. But it is this low-key, naturalistic work that is his most curious, and certainly the most insightful, into how that the killer – in this case a mercenary – is aware of his ability to kill.

Murdererbased on the comic book of the same name by writer Matz and the drawings of artist Luc Jacamon, explores the universe of a man dedicated to killing from the cold. It also does so by letting its character, the silent Michael Fassbender, narrate it is precisely how the act of killing transforms him and isolates him from the rest of the world.

“The Killer” is a complex work that focuses on the protagonist’s need to understand his capacity for evil as one of his core traits. But it ultimately leads to a dark place. Killing can become a mechanical act. A disturbing message on hard film about a man and his circumstances.

Zodiac

But for David Fincher, there’s more to a killer than his actions or his ability to hide his identity. So this 2007 film, reflects the director’s obsession with violence, cruelty and the need for destruction.

Namely: to delve into everything that happened around one of the most brutal and cruel serial killers in American history. ZodiacBased on the book by Robert Graysmith, it delves into the criminal’s behavior. But at the same time, in everything that surrounded the era, frightened by their murders.

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The result is a survey of pop culture in the shadow of overt violence, while also reflecting on a type of collective terror that has rarely been explored as Fincher does this in his work, which reflects on the origins of horror as a part of culture.

Misanthrope

Director Damian Szifron explored the collective conscience of serious crime in this rare film about serial killers. In the entire figure of a police officer traumatized by terror. And this, one way or another, represents the victims that an act of violence leaves behind.

Eleanor (Shailene Woodley) is a police officer trying to overcome her own mental and emotional wounds. But while she does, she must fight with every weapon and ability at her disposal against the evil that stalks her. Who, moreover, intends to suppress all his initiative to seek redemption.

Dark, intense and at its best, this is a rare example of the serial killer genre. Once Upon a Time, Misanthrope This is an ideal option for those who love uncomfortable and depressing films.

Source: Hiper Textual

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