Nosferatu It’s a lot of things at once. On the one hand, this redo An elegant classic horror film. On the other hand, it is a gothic story that takes the point of view of love into a dark and painful dimension. But beyond that, it’s also a dark take on the vampire. Moreover, one that departs from more modern versions such as the one shown in the saga. Twilight or Interview with a Vampireseries adapting the work of the same name by Anne Rice. A twist that allows its director explore darkness through drama and moral ambiguity.
It is the look at the mythological monster that connects the feature film with another cult film of the bloodsucker genre. let me in (2008), directed by Tomas Alfredson, which you can find on Movistar+, reflects on immortality, death and desire from the point of view of a being humanized by love. This is if you tell the story of Eli (Lina Leandersson), a vampire with the appearance of a twelve-year-old girl who is trying to survive amidst secrets and thirst. Circumstance which will lead her to befriend Oskar (Kare Hedebrant), a lonely and isolated boy.
Exactly the same as in Nosferatu, let me in he is more interested in exploring what lies beneath the vampire myth than simply showing violent or bloody scenes. Some of them are, and some of them are particularly alarming. But the plot of Alfredson’s film is much more interested in how love, friendship and need are shown when they unite an immortal being and a child. A pessimistic premise that uses a quiet and tense atmosphere. think about what really makes a monster.
A film for lovers of a sophisticated type of horror.
Adapted from John Ajvide Lindqvist’s book of the same name, the story uses the setting of Sweden in the middle of winter to raise several questions at once. From the possibility that there is a supernatural element lurking in the icy shadows, to the idea of a monster that must survive against adversity. The director takes the original story and transforms it into tender images with a gothic touch. What about deepening in the atmosphere as a parallel to the inner world of his tragic characters.
Eli tries to pretend to be a girl, so her prosperity necessarily depends on the figure of an adult. Something that leads her into a complex, slightly unpleasant relationship with shades close to dominance with Hakan (Per Ragnar). He is a middle-aged man, with all sorts of conflicts, who knows very well the true nature of the proposed young woman. Therefore, he takes advantage of this to eventually become an immortal being. A point that connects the grim figure to Herr Knock (Simon McBurney) from Nosferatu and this allows the film to ponder themes similar to those of Eggers. In particular, raising the idea of greed in the form of complicity.

Oscar, in turn, is a child who suffered from a dysfunctional family and a victim of bullying. This will push him into a complicated friendship with Eli. The film’s focus is on how it ponders why two such different beings manage to understand each other on the most primitive and real level. Beyond love, desire, or even curiosity, Oskar and Eli view the world in very similar ways. and they imply the possibility of survival with equal and determined vitality.
A completely different vampire movie

But besides his philosophical and spiritual thoughts, let me in It’s a vampire movie that pays special attention to the myth it tells. Eli does not age, he drinks blood and strives to continue living, no matter what happens. But his thirst also becomes a means of understanding violence and even how its nature separates it from human nature. Throughout the film, the character makes it clear that he does not consider himself part of the world and does not want to be one. although it must live in him forever.
Something that will make Oscar realize that he can explore love and violence from an unknown perspective if he wants to be there for her. Step by step, the film becomes more uncomfortable, but also more honest in its reflections on why someone would want to live forever. Although the story focuses on the two children, the film clearly shows who Eli really is and how her lust for blood helps her make the decisions she must make. The turn that will finally lead herto face the possibility of dying and Oscar, the righteous man, becoming immortal.

Fatalistic, touching and dark, the film presents a fragile and unconventional love story at the center of a classic vampire story. What allows the film to ponder difficult themes without leaving aside the best themes of genre cinema, which it tackles in unusual and new ways. A combination that makes the film perfect for fans of the classic monster myth. who want to delve deeper into the ideas surrounding his legendary personality.
Source: Hiper Textual
