The film rarely caused a contradiction, as difficult as the one who encounters Emilia PerezA field to succeed in Cannes and become an experimental rarity that fascinated criticism, its arrival in the rest of the world had the opposite effect. In particular, when the story of drugs, which crosses the gender surgery of statements, in order to finally become the heroine of deprivation, was accused of trivial and superficial. Not only for His stereotypical vision of Latin American problems of critical gravity.
At the same time, to show the complex scenario of Mexican violence from a romanted and stereotypical point of view. And although in the beginning they were specific signs, since the tape reached a larger number of cinemas, the scandal increased. All in order to finally become a sour contradiction that threatens the capabilities of the tape to win the ceremony of Oscar. But much more, demonstrate that the debates around him are focusing, directly like an argument He tells stories and situations from Latin America.
If you are one of those who left an unpleasant taste from the point of view of this point of view, we leave you three films that deepen in Latin America otherwise from how Emilia Perez. Modern classics about life in the poorest areas of Brazil, on a journey that challenged all types of taboos. This is a choice that allows you to delve into Latin cinema from a new point of view and, without a doubt ,, Richer than the experimental Opera of the Audard Jacques can offer.
God of God
(Movistar+ in Spain, Max in Latin America)
The adaptation of the book of the same name by Paulo Lins in many respects is an honest, frontal and painful portrait of street violence in Brazil. But much more, this is a bold approach to the life of its inhabitants, struggle and contradictions. Director Fernando Meyrells and Katya Lund Significant interest in realistic, without resorting to incidence or yellowing.
Thus, the title Favel is shown as a hostile and dangerous territory, as well as the house of thousands of Brazilians. The approach to the Argument of Briulio Mantovani, which allows you to deepen several different dimensions and all of them, respecting reality. But much more, this is a reflection on redeeming In impossible conditions and in the midst of unpredictable violent territory.
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In addition, this is a visual experiment that transfers a crazy struggle for survival, in quick editing images and urban aesthetics full of oversaturated colors. The visual decision that made the film is a more difficult story. In addition, success during the capture of the type of angle on cruelty andFear, closer to subjective, alone – a chronicle of bloody events.
All of the above is done God of God In unprecedented success in Brazilian cinema. The story continued in 2024 with City of God: The struggle is not forThis in the hexagonal season is reflected in conflicts between the police, criminals and the daily life of the inhabitants of the La Favel. A thorough approach to a difficult situation, which, both on the tape and the series, control with skill. Something, which, of course, could not be said Emilia PerezField
Fantastic woman
(Filmin in Spain, Netflix in Latin America)
But Latin American cinema has not limited itself to study in recent years in the field of social and cultural problems associated with violence. Or, at least, not exclusively. Fantastic woman From Sebastian Lelio, he noted the milestone of the film in the region, exploring the trans -identity against the background of masteness and feminine. But much more, in the investigation of issues such as sexuality, a search for a goal and atonement, From a new and original corner.
Marina (Daniela Vega) should face the death of a person who loved, as well as a rejection of his family. Everyone, trying to understand what his place in the world is, in the midst of an intimate tragedy that checks its future. Step by step, the tape devotes time, interest and, above all, deep sensitivity to show how marine gender identity, This becomes a painful area for others.
But much more, in a number of fears about how to express love, the idea of loss and duel. The script that the director also writes is quite experienced to prevent the only interesting interest in Marina in order to be his floor. In addition, the character is complex, rich and full of aspects, so its length I am heading until I accept all the white and dark in their personal history, it moves.
In the end, Fantastic woman He shines for the sake of his perception of love and the need for his main character, to be understood in all his complexity. A combination of factors that brought him the best not English film in 2018. Achievement that recognized the approach of his director and screenwriter on a difficult topicBut also the performance of Daniela Vega.
And your mother too
(Netflix in Spain, Disney+ in Latin America)
This story of the director of Alfonso Cuaron is the prospect of the saga about Mexico, in all its contrasts and deep points that are very different from Emilia Perez. But at the same time, from the joy of life and the emotional youth of the continent, which is reflected on itself, through surprise and joy. The combination of all of the above gives the film airE of bright memory, pure energy, as well as melancholy.
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History of Hulio (Gael Garcia Bernal) and Tenoch (Diego Luna, from Andor), On a trip that has forever changed their life, it is brilliant, strange and youth. But also this is a reflection of the nature of erotic desire and even the arrival of the first maturity. All the topics that the film faces when focuses on the novel, which both They support with Louise (Maribel Verdu), a woman with a painful past and uncertain future.
This will be an incredible love triangle that they form, which makes each of them discover unknown regions of their own life. Much more, an unknown aspect of the complex growth of all characters in the midst of intensive and painful situations. All of the above, traveling along Mexico on the road, which acts as an initiation rite of maturity. Ideal tape For those who want to discover the most risky Latin American cinema.
Source: Hiper Textual
