In the mudnew Netflix series, Spin off Argentinean success Marginal (Both creations of Sebastian Ortega) discarded violence is all. This is because the plot is exploring in the women’s prison of Quebrand and is built from the trigger. One of the prisoners manages to escape, which unleats the climate of the tension that pulls the rest of the dam into a spiral of conflicts. From there, the narrative feeds on extreme situations. Confrontation between internal fractions, Sexual exploitation, dynamics of human trafficking and many forms of institutional violence.
The script of Sylvina Frids and Alejandro Kesada does not stop at anything, and her clear violence is a brand of style. What makes production one of the most bloody and cruel of the recent Netflix catalog. And he does it without any modesty. From the very beginning, In the mud Bets on a crazy, almost chaotic rhythm, which seems to be intended not to allow the viewer to breathe. So, the presentation of the characters is a group of five women responsible for various crimes – It also shows a lot of rhythm and the tone of the series.
To do this, the plot focuses on Gladys (Ana Garibaldi), a desperate woman. After committing a disappointed abduction, it ends in the prison protection halls. As well as MarginalL – who used his main character as an observer of the dynamics standing behind the bars – explores the plot in the Gladys vision. But, in particular, his struggle for survival and especially his ability to remain a rope in the middle of the border situation. The circumstance that shares With a handful of prisoners in an identical or worst situation than him.
Honest look at the horror
One of the main strengths In the mud This is his way of solving suffering. Production deepens its history thanks to more and more obvious scenes, although not transforming cruelty into the center of the plot. Before that, try to develop a hostile context that their characters should face. Everything, without avoiding the realism of the prison under the pressure of aggression and pain.
Even in the scenes of sexual violence that In the mud Includes without romanticization or sweetening, there is a thorough point of view of what you want to say. Namely: as a prison is a script Outside the law, mercy from an indirect constant threat.
Through eight intensive episodes, In the mud Think about the idea of the horror of the system designed to not re -turn, but, by the same, apply pain. The point that shares the original premise El Marginal. In favor of this series, it is that the director of all chapters will be Alehandro Siyansio, responsible for most of the chapters of the original production. The result is the notorious smoothness in terms of the topic and way to solve its most controversial points. Something that gives In the mud Several of his best points.
Terrible world to prisons with a new prospect
Of course, it is not easy to turn to a prison life without showing his most dirty and cruel glasses. The fact that the production of Netflix manages to maintain interest in each of its characters, and the circumstances that they must encounter in order to cope with their situation. Before obsession only with the most violent turns in history, the plot decides to provide humanity to its passionate heroes. Especially gladeis, I decided to stand, despite the very stringent conditions that surround it.
The series also makes bold decisions for studying conflicting issues. Of the subtra, which shows how prisoners who record and sell sexual material against the background of instability as a survival strategy, injury. The truth is that In the mud The possibility of investigating the most gloomy places of prison experience, as well as the possibility of hope. Even in the same situation similar to the one through which their characters pass.
Thorough production for “mud”
Throughout its history, the Netflix series tries to show the idea of prison as a place outside the law and social conventions. This is a risky prospect that carries inevitable criticism of the legal system and institutions. But In the mudAvoid being just a brochure for denons or transferring graphic scenes in the key to prison violence. Instead, he carefully emphasizes the possibility of ransom, Even in cruel situations, Naidi out of cruelty and dehumanization.
For his last chapter, In the mud This makes it clear that, although he could take advantage of the obvious violence to scandalize, he creates a realistic environment for thought. Much more to ensure three -dimensionality for complex characters, which become more and more close and realistic. Combination that makes a series not onlyOne of the most interesting Netflix, but from the world of current entertainment.
Source: Hiper Textual
