In the fifth season of the series Crown, one of the great Netflix classics, Queen Elizabeth II makes mistakes. He is demanding funds to renovate one of his yachts in the midst of a global recession. He tries to hide his eldest son’s erratic and often embarrassing behavior. Privately, she complains about feeling politically marginalized, not understanding the political changes around her.
The new part of the series immediately makes it clear that the queen can be wrong. The monarch, played by Imelda Staunton, is closer to the earthly figure than to the incorruptible and symbolic one she has been until now. The new face of the queen has become more human. At least closer to fatigue, despondency and exhaustion.
Also to rage. With the feeling that despite his efforts, his years of service in front of the royal house might be in jeopardy. Perhaps for this reason, one of the first phrases of the fifth season Crown it is a symbol of the burden of duty on his shoulders. From the demand of history and the perception of one’s symbolic place on the map of the power of one’s country. “I don’t want to break any rules,” he admits ruefully.
You have to take a tour of the name of the real and recently deceased Elizabeth II. Annus is terrible. Faced with a significant personal and constitutional crisis. For Isabelle of fiction, the future promises nothing. But, as in many other situations, she will face it with the conviction that, above all, she is the moral pillar of England.
New faces for a new story in the fifth season Crown
fifth season of the series Crown he somehow faces the same pressures as his protagonist. Criticized for taking the recent history of the monarchy into tabloid territory, the series generated controversy even before it premiered. But the delivery is more interested in the politics of power than in the pain of inconvenient details.
Especially in the sense in which the crown had to understand the convulsive decade of the nineties. When the tale of Diana and Carlos turned into a media nightmare and an unprecedented scandal, The royal house must deal with the shame. At the same time, every element of pain that a crack in the original image of the Windsors could show was haunted by public attention.
However, the new episodes of the fifth season Crown they are particularly focused on the close study of the life of Elizabeth II of Stoughton. The head of the English monarchy is in the midst of a painful transition. Not just between the power she represents and her cracks. As well as the face of an institution that has been attacked, vilified and belittled by the currents of the new decades. Of course the queen will make mistakes. You will make all sorts of mistakes trying to find a balance between the public life and the privileged life. The point is that the argument Crown will explore with tenderness and a certain sarcasm.
Family at the epicenter of historical upheaval
Crown he always played with the advantage of historical distance. Which makes his portrayal of the monarchy tendentious, and at times even sly. The effect is more noticeable than ever in the fifth series, in which the erosion of the crown as an English emblem begins to show.
Especially in small uncomfortable moments that are now being discussed. Elizabeth II will have to face it The crown is a dead weight on the finances of England. At the same time, that the behavior of its members is no longer a secret and does not enjoy the protection of public opinion. what does he do with Crown harder is the very idea of responding to future concerns through historical review.
An infamous circumstance in a vision of Prime Minister John Mayor, played by Jonny Lee Miller. The argument shows that England’s political head is troubled by trying to deal with Queen Elizabeth II increasingly distant from the future of history.
He gives her advice, tries to make her understand her now diminished role in important decisions. There is something of a restless son in this slow-moving politician who seems to have an almost prophetic vision of the future. The gimmick that supports the rest of the plot twist, which is meditating on time as it mercilessly passes.
The fall of the internal and political world
Everything has changed at Buckingham Palace. Not only the faces of the main characters – the cast of the production was completely updated for the fifth season – but also a sense of power. The script is aware of this and builds a perspective on this path to irrelevance, one of the toughest questions to be tackled in season five. Screenwriter Peter Morgan once again explores the humanity behind power, but this time with a touch of decadence.
“Seeing the world you knew crumble is an experience no one teaches you,” laments the tormented queen. Next to her is Philip of Edinburgh (Jonathan Pryce), a comforting but icy presence. A couple survives old age from the turmoil of the new world. “Did you expect this to happen?” the prince asks more than once, surprised. The queen, with her hands folded in her lap, seems more and more depressed, dwarfed, resentful.
Morgan, who previously built a vision on the solidity of the British crown, this time acts out of frustration and cynicism. The story that Crown begun in 1940, reaches the last decade of the century from despair in its fifth season.
New country with old customs
England in the late 1990s is a country of disappointments and a series of severe pragmatic failures. He experiences an economic downturn, political battles and the queen’s surprise to see his family in the midst of an embarrassing public conflict. In the first three episodes of the fifth season Crown moving towards the erosion of the symbols of power.
This is also achieved by bringing into the present what appears to be a series of close historical events that solidly contextualize history. The script elegantly steers away from sensationalism through its coherence. But it shows that the British royal family is falling apart. From Carlos (Dominic West’s) apparent obsession with power to Diana’s (Elizabeth Debicki) erratic behavior.
Even the way the queen lost her ability to understand foreign policy. fifth season of the series Crown uses symbols of his slow decline, such as showing an awkward conversation with Boris Yeltsin (Anatoly Kotenev). The series is aware that the story it analyzes is relevant and at the same time part of the collective memory of a generation. That allows you to play with the feeling of a memory reconstructed from a sophisticated fiction.
fifth season of the series Crown shows a typical historical scandal
But, without a doubt, the focus of the fifth season – the progressive destruction of the marriage between Carlos and Diana. Crown avoid judgment, as well as morally analyze the turbulent moments between the royal couple. But that is not why he ceases to show separation in a series of painful symbols.
The character of Diana, who has lost her ideal version of love, is a ghost of herself. However, her lack of love pushes her in new directions regarding her importance as a figure of the masses. Something that the series analyzes through historical distance. Obsessed with fulfilling the role assigned to him by history, Carlos clings to his investment and his love for Camila Parker Bowles.
Between the two, the characters depart in a silent battle, watched with relentless attention by the press and growing public reproach. Morgan offers a version of this hackneyed story through a symbolic power struggle between the princes.
A fragile woman in a hostile environment
Diana becomes more radiant, important and significant in the public arena, and Carlos complains loudly that his mother will never abdicate in his favor. fifth season of the series Crown she is deeply interested in contrasts and defines the princes of Wales through them. The series advances in the perception of the bittersweet moral defeat of the British Crown in the face of the passage of time.
At the same time, he contextualizes the historical weight of the breakdown of the royal marriage in small announcements of the tragedy. Diana looks into the camera and sighs in defeat, but at the same time smugly.
Carlos is horrified when a private conversation comes up.. Farther and farther, shattered and wounded Crown manages to tell through the crack between them, the loss of England’s innocence. How the country discovered that its most respected figures were actually just deeply unhappy people.
The reality of the Crown shows its face
In the last episode of the fifth season, the queen looks at herself in the mirror. The one that hangs on the wall and reminds of the past years. A story that makes her realize that many of her people see her as unnecessary and anachronistic. But also his long public journey as a symbolic figure. “I’m just tired,” Elizabeth II of Stoughton says several times. “As if the journey had been too long.”
from Crown it is definitely and nearing completion. The fifth season ends with the feeling that the dispute has reached a turning point where it needs a conclusion. How is the British crown in the modern world more aware of the symbolic nature of the monarchy? For better or worse, the show’s fifth season raises the question of what lies ahead.
Season five leading up to the finale
Will the monarchy last a few more decades? Almost casual conversation Crown involves between the president of the BBC and the CEO more than obviously their intentions. “Whether we like it or not, monarchy is part of the British character,” says the former with some resignation. Have you ever wondered what we would be without her?” replies the second. “Of course, the new Britain, the other Britain,” he adds.
What is the sixth and final season? Crown? Nothing is clear, but something is clear. The series understands the historical significance of its end. Also the context that is likely to surround it. If this time he blamed the queen’s death for adding weight to the controversy, next time he would do the same with the new king. Will this have an impact on the grand conclusion of this saga of an important part of British history? Time will tell.
