Julián (Nacho Sanchez) has a rich imagination. At least that’s what fans admire, who love the monsters he creates for video games in the film. manticore. Its not only terrible, they are also amazingly dramatic.
An aggressive, violent and in most cases unpleasant creature that made him a celebrity in the virtual world. For a designer, a monster is a perverted idea of beauty. Just as expressive, artistic and consistent as any other work that expresses a person as a creator of private worlds.
This unique and seemingly simple premise is supported by history. manticoreCarlos Wermuth. But what’s the other version about masks behind which lies the perversity realism becomes, thanks to the director, something more. Much more disgusting than you might think. Moreover, according to the plot, it becomes clear that each creature of Julian is actually a symbol.
Not only from himself (what they are), but also from the tortuous path that he takes in order not to fall into the final darkness. Julian wears the secret on his back. So twisted, deplorable, and sinister that it can only be expressed through fearsome creatures. To manifest pain and fear through an alternate world where you can escape from this dark place inside.
Disgust turned into a creature with a life of its own
But not everything is so simple manticore even more so when Vermouth, the human-faced horror expert, pushes Julián into a layer of reality. After saving the boy from the fire, the abyss hiding in his virtual beings is closer than ever to tangible. For the hero, the supposed heroic deed becomes a link to this root of the conscious, the depraved, and the humiliated. From fear to drive to a monstrous need that barely controls.
A space of pure isolation and disgust from which the character tries unsuccessfully to escape. Julian suddenly has to face the fact that he is a ferocious predator. What can be at any step. Which is what will happen if every part of his life ends up containing something more terrifying and seemingly inevitable.
manticore and taboo pedophilia
The issue of pedophilia and pedophilia is one of the most difficult taboos to tell in any field of film and television. Vermouth achieves this by not digging into its dirtiest and most uncomfortable places, but by doing so in the darkness of what is on offer.
The real monster manticore It’s a tragedy waiting to happen. So close that repels already one of its opportunities. Vermouth cautiously approaches the core of the unpleasant, frightening, terrifying. He shows it, tells it in passages that may or may not lead to a terrifying conclusion.
But really, manticore he is not interested in what is happening or what will happen. What really haunts the film is the hint of impending violence. The whole story carefully works on the atmosphere, strives to create a suffocating feeling. Increasingly isolated, enraged, humiliated, Julian is a monster who begins to lose the boundaries of reality and what is happening in his personal world.
The jaws of fear are closing in
But this line, increasingly blurred in manticoremust face the same reality. The plot tells how Julian struggles with what is hidden in his mind, which little by little gets out of hand. The screenplay, also written by Vermuth, opens up spaces and storylines around something overwhelming. About the possibility of horror, which Julian embodies in his loneliness, about the search for violent dissatisfaction.
manticore This is the story of a slow reconstruction of an aberration that has not yet taken place, but is being built step by step. Fear becomes clearand disgust becomes an uncontrollable and dense tension.
One of the great qualities of the film is its focus on crafting a journey through treachery from a person. vermouth wants it manticore be a real test of what ordinary faces can hide. The unspeakable sins of the common man. Perhaps the scariest part of it comes when Julián transitions from the real world to the virtual world to show that darkness is at the core of his mind. The region, which is about to go out of control, will hold on to a bitter and cruel step that will turn it into a shameful creature.
The monster that devours and the man that devours the monster in manticore
The virtual reality metaphor that separates Julián from the outside world is obvious. The perversion that overwhelms him will never allow him to cross the invisible line leading to normal relationships or friends. The character looks at the world through a bonnet, which leads him to his own world of monsters.
In the same time, his vicious impulse separates him from any possibility of hope, happiness or emotional communication. All alone, in complete intellectual silence, Julian maintains himself in dark and increasingly deplorable suffering. Slippery terrain that the character must traverse, not knowing if it will eventually lead to a final fall.
After all, the monster that Julian is is tragic by the very fact that it is his inevitable fate. Like the creatures he creates, he is meant to fight to lose. Finally, to fall into a destructive abyss. The point that manticore filmed with skill, and it gives Vermuth’s film perhaps one of the most unsettling endings of the year.
Source: Hiper Textual
