With Puss in Boots, the hero of a thousand battles and a mercenary “when the occasion calls for it”, the unthinkable happens. After endless adventures, accidents, collisions and actions – “good” as the character puts it – he has a life of his own. The premise of the new DreamWorks movie, Puss in Boots: The Last Wishcould have been simple if it weren’t for Paul Fisher’s brilliant script decisions.
The perception of bitterness and impending disaster is brilliantly combined with black humor. But as if that wasn’t enough Puss in Boots: The Last Wish he is brave enough to create something completely unexpected. The need to overcome hopelessness is a theme that the script touches on elegantly and without fanfare.
Puss in Boots: The Last Wish she is a mocker thinking about the finite, about the passing time and about the hope of living. Also a slightly distorted vision of the need for survival as an absolute goal. Meanwhile, the film makes several points about the character and his context at once.
This is the same anti-hero who saved Shrek from his worst moments. But also someone who lived an exciting journey in his solo history. Only this time the idea of this curious figure is much smarter and makes better use of his qualities. Even his unexpected kindness and the subtleties of his mythology.
And all this in the midst of a brilliant animated scene that is actually a successful combination of technique and rhythm. What’s most surprising about this late sequel is its ability to be fresh and especially unpredictable. But especially to give the character (again voiced by Antonio Banderas) a more defined personality than in any previous case.
a long time ago Puss in Boots: The Last Wish
The story begins years after what was told in the original film. Which leaves enough space to say that the hero of a thousand deeds is not doing well at all. At the same time, that this small series of misfortunes cost him dearly. Argument Puss in Boots: The Last Wish it is intuitive enough to raise the possibility of death without fatalism.
But what is even better, how to create such a state of the inevitable through such a state that it would be brilliantly ridiculed. Puss in Boots: The Last Wish this is without a doubt the freest of all stories in the universe shrek. It is not subject to the limitations of meaning or concept. From the supernatural to existential conversations about life. The film swings from one extreme to the other with mischievous elegance. In fact, it is the narrative that takes itself the least seriously. The one who most enjoys this evil core of pop culture mockery that has always been a part of the franchise.
With amazing liveliness of narration, Puss in Boots: The Last Wish It successfully combines the general idea of the fallen hero and his search for redemption. But this time, Gato will have to face all sorts of enemies, and that’s when the movie reaches its best moments. From the Big Bad Wolf (Wagner Moura) to Goldilocks (Florence Pugh) to the Three Bears (Olivia Colman, Ray Winstone and Samson Cayo). Gato’s enemies increase exponentially, as does his fear of death and imminent death. But the script is clever enough to simplify things and turn the film into my fault for an ambiguous character.
Puss in Boots: The Last Wish he moves from one side of the spectrum to the other in regard to the personality of his central figure. When he finally has to live with Mama Moon (Da’Vin Joy Randolph), he discovers that life is much larger than he thought. And that all his adventures and misfortunes lead him to the place. The conviction that life is an experience in the eternal present, on a journey to more difficult points. Gato’s evolution is as noticeable as it is well built. Which makes his story arc a great reflection of the whole set of experiences that give him his personality.
Even when he reunites with Kitty Softpaw (Salma Hayek), his lost love in an unexpected reunion, Puss in Boots: The Last Wish Avoid falling into sentimentality. In fact, he’s much more interested in playing with the legendary chemistry between the two actors to also create puns that border on adult humor. But the argument never loses its meaning that this is an easy, carefree job and at the same time deeply connected with his huge heart.
DreamWorks, the animation giant that’s starting to make the right decisions
This year’s animated movie Bad Boys surprised with its combination of animation, brilliant script and appropriate use of vocal talent. Puss in Boots: The Last Wishseems to be a continuation of this updated inspiration. Especially when the idea is built that this game is mixing 2D and traditional animation, it’s a joke.
From his references to Mad Maxhorror films and even dramas like Forrest Gump, the film works thanks to its visual and narrative flexibility. But much more, for his sheer audacity to build an animated world beyond all expectations and limitations. With its mocking notion of life and death, Puss in Boots: The Last Wish, shows the growth of DreamWorks. At the same time as the franchise shrek She is still alive, and much can contribute to her great imagination. Good news for his ever growing fan base.
Source: Hiper Textual
