The strange connection between the TV series “Bear” and the movie “Menu”

As far as taste is concerned, Menu D BearThey have something to say. In fact, both productions share important aspects related to food as a meeting place.

In film Menucreated by Mark Mylod, available on Disney+ and Star+, Food is a way of exercising a kind of despotic power.. The script turns food into an allegory of decadence and arrogance. Chef Slovik (Ralph Fiennes) uses the pleasure of tasting as a status symbol. The plot portrays hunger as a twisted version of vanity through a group of characters with refined tastes, whose goal is to show the place where they are. Also a privilege to be part of a shared experience that includes designer culinary specialties. An impersonal view of the intimate act.

On the contrary, the series Bearfrom Disney+ reimagines the art of cooking as a solace. Most of his scenes take place in a gastronomic space, but they have little to do with food. Against the backdrop of the restaurant’s tumultuous activity, the plot asks questions about grief and suicide. Even on such abstract topics as the desire to please. Manufacturing bases its effectiveness on convincing that cooking is a way of expressing intellectual ideas.

Bearlove in a sandwich

However, this does not create a complex scenario. Unlike Menu, visitors – passers-by from the street and the team in the room, friends for many years. The reasoning script allows us to realistically and sensitively reflect on the nature of love, loneliness, and grief. In the dilapidated kitchen of an old Italian restaurant, the very process of eating becomes a symbol of humanity.

Surprisingly, views Bear D Menu come together in one scenario. Food as a way of understanding a person and his context. Also to make symbolic comments about urgent pressure, dark intellectual spaces and even hope.

All the time a group of chefs – in case Bear – or guests at a sumptuous dinner – in Menu— connected through the sky. How accurate is this view of the primitive impulse that embraces the personality of those who eat?

Bear D Menu two rooms united by the same concerns

This is not a simple concept. So much Menu What Bear they are obsessed with the pursuit of pleasure. But while the Boston street restaurant in the Disney+ series analyzes the approach from a utilitarian and candid side, the film glides through dark spaces. The film shows almost immediately that the Hawthorne restaurant is a closed, isolated and inaccessible place. Which what will be served on the tables is unique and that it should be consumed with that reverence.

At that time, Bearsee the possibility of food as a bond that can bring the characters together out of simplicity. For Carmi (Jeremy Allen White), a top chef trying to save a family restaurant, cooking is a challenge. At the same time, this is his only way to honor the memory of his deceased brother, whose suicide forced him to return to his roots. Processing of the series about food as a transition to sensory perspectives the person is concerned. Food is an attraction, an organic fact that can comfort.

Menu and their meals as a form of perverted luxury

AT Menu, the idea is pondered through cynical mockery. Feeding is not a kind act, but an aggressive one. Chef Slovik leads a group of chefs who blindly obey him. Even willing to kill or be killed to do their bidding. The restaurant kitchen is a deck of defects, quarrels and pettiness. Translation through food of the pitiful deeds and dark secrets of those who will eat.

Interestingly, both performances Menu D Bear, meet basic human needs. For a Disney+ production, food is a level of communication. In Mylod’s film, attack, waveform and punishment.

When we combine points of view Menu D Bear One thing is clear: food sharpens irrational instincts. Moreover, it shows to what extent the desire for the main action exposes the perverted elements of society.

Hunger and greed Menu D Bear

Menuhe mocks the gastronomic culture that turns food into a staging. This is achieved by transforming the diner into a person whose relationship with food is far from natural. elegant argument turns suspense into evil satire about posture snob in the process of eating. The twelve guests at this deadly dinner are part of a lofty concept that has little or nothing to do with pleasure.

Bear , with its claustrophobic atmosphere, colorful shots, and use of the subjective camera to narrate what’s going on in the small restaurant, is a tribute. Both the cooking, which Karmi turns into an atonement for family mourning, and the way it is done, is an expression of love.

It’s intriguing that Menu D Bear they link the same idea, but the former does so in its most insidious and poisonous layers. An invitation to “taste” rather than eat. Relinquish the will rather than enjoy the simple act of primary gratification.

Both sentences make it clear that food can become an understanding of the whole person. In the most difficult and emotional moments. Narrative experiment in which MenuD BearThey perceive such a simple fact as food in a new dimension.