WHALE This is not an easy movie to watch. In many of his scenes, he evokes an unpleasant feeling of disgust and pity. Charlie played by Brendan Fraser, is trapped between two well-defined limits. His small apartment is full of junk and excess weight, which prevents him from moving beyond the chair in which he spends a good part of the day. This writing teacher who reads aloud to imagine the presence of another person, afraid of loneliness. But he doesn’t know anything else.

As strange as it may seem, Brendan Fraser has repeatedly admitted that in recent years, and especially before the success of the DC series, doom patrolfelt the same. A Hollywood outcast and in the midst of physical problems, his career has been completely eclipsed.

In addition, Brendan Fraser has gone through a long series of personal conflicts, including a family breakdown and a depressive process that led to complete isolation. In addition, suffer from a pattern of obesity that made him feel self-loathing and caused him severe self-esteem issues.

Brendan Fraser and his character Charlie at some point experienced the same emotional suffering, which is reflected in WHALE. Director Darren Aronofsky commented in an interview with the publication Hollywood Reporter that obesity as a physical symbol for mental illness was taken into account for much of the film.

This is a topic that is rarely touched upon in films and which, in the case of WHALE, it was a challenge that involved making the character look realistic. “One of my first calls after casting Brendan Fraser was to my makeup artist Adrian Moreau. I asked him: Can we do something realistic? Because if it sounds like a joke, we shouldn’t be doing it.” The director considered it fundamentally important that this was not a mockery. Much less publicity.

Brendan Fraser faces his challenges in WHALE

But the biggest challenge was Brendan Fraser. Having a personal experience similar to that described in the article, he had to face your misery by putting yourself in Charlie’s shoes. In an interview ugh, the interpreter was candid, admitting that it was also a way to close a moment of pure pain in his personal life. Also acknowledging that it was a psychiatric and physical journey that took him into the dark areas of his mind.

“In addition to creative tasks, there was a material as a work. This is a man who lives alone, who regrets the choices he made and what life has done for him, and the deep sadness that he wears on his skin as a manifestation of the trauma he has suffered. I could identify with it. It is important to remember that you are a person, a person who deserves dignity and respect. Although his body type was different from mine at the time, I had my own body weight fluctuations, but it was useful to put them together to create Charlie from an authentic point of view and as close as it was safe for me. But without a doubt, I deeply understood Charlie in the midst of pain.”

Brendan Fraser

Based on the play by Samuel D. Hunter, who is also a screenwriter, the character is plunged into total isolation that becomes more and more rigid over time. The story, half based on a writer’s story, became a challenge to adapt.

Particularly because Charlie is disgusted by his appearance. Aronofsky, in WHALE delves into the concept of the body as a refuge. At the same time, what happens when this idea turns into a more perverted feeling. Capturing something like this on the screen, not a caricature, allowed both the director and the actor think about the limits of the cinematic story they wanted to tell. Frazier insisted that he should be careful about screening the sorrows of morbid obesity.

Charlie eats non-stop, despite the fact that he would like to control the feeling of hunger caused by the stress that torments him. But in the context of the tape, kilograms protect you from pain. From the traumas of a life full of sorrows that he cannot overcome. During the first cut WHALE, the attention of the script almost does not leave the cluttered room in which the character is teaching. Her face was contorted in pain, her greasy fingers clutching her food. Absolute isolation in which he tries to survive with effort. Brendan Fraser insisted on the importance that it is the emotions of the character, and not just their appearance, that deepen the central message of the story.

WHALE a realistic account of violence and contemporary fears

Charlie is blind. It does not look at itself and does not allow anyone to contemplate it. She never shows her face to her students online or looks in the mirror. “Sometimes it’s like it doesn’t exist,” the character says. In many ways, he is a prisoner of confinement in a small space, which the camera shows as a labyrinth of rickety furniture and debris. Due to his inability to move or regain control of his body. The character is a creature doomed to misfortune. So unhappy and unhappy that she analyzes her life “as a chain of useless mistakes.”

WHALE is a collection of scenes about despair. Brendan Fraser gives the character a believable vulnerability.. In the hands of another actor, he could be a pathetic person or just a disgusting figure.

But the interpreter, who has also gone through his dark time, and who considers it necessary to show, understands the role from a powerful side, because he had to overcome a very similar circumstance. Which allows us to understand the nuances of a physical disorder mixed with a psychological condition. His embodiment of an unfortunate spirit under pressure to escape his emotional burden in WHALE it’s deep and mature. It is one story within another.

Sadie Sink, Keith

During the advertising campaign WHALE, Brendan Fraser has admitted to identifying with Charlie more than he would like. Both are victims of sexual abuse and were subjected to aesthetic abuse. The one who was the idol of the nineties, harassed in the film industrywhich ultimately sank his career. Later, due to a back injury, he gained weight and limited his range of motion. At the turn of the millennium, the actor was a man who, by his own admission, was “barely recognized” and eventually forgotten in Hollywood.

Aronofsky adds actor experience to make optics WHALE. Charlie, who lost his beloved, came into adulthood and broke off relations with his ex-wife and daughter – an outcast. A broken man who finds a dangerous safe place in food.

The character suffers from all sorts of ailments, but cannot contain his obsessive greed. He’s always been “tough,” she says through tears, her eyes wide and terrified. But alone, he is “like a white whale” hunted for death or, even worse, for the most dramatic memories.

Step by step towards redemption

One of the great attributes WHALE the fact is that he never uses appearance as a mockery or as a symbol of shame. Both the script and the director’s point of view explore suffering through corporal self-punishment. In fact, close-ups of Brendan Fraser’s face are at the center of most of the most impressive scenes. Particularly when Charlie begins the journey to free himself from everything that binds him to immobility, emotional and physical.

Brendan Fraser,

WHALE, which tells about a week in the life of a character, does not stop exclusively at the study of grief. Gradually, Charlie realizes that he can and has every chance to avoid fear. Every conversation and presence breaks down the layer of self-pity that limits him.

From the kindness of his girlfriend Liz (Hong Chau) to the unique relationship that binds him to his teenage daughter Ellie (Sadie Sink). Step by step, Charlie goes in search of his identity. In addition to his suffering, the horror caused by what is on the other side of the door, the character discovers that life is worth it. Even if it’s just a last fleeting effort.

WHALE a kind of rebellion against the standards of beauty and the concept of aesthetics

In an age of image obsession, WHALE this is a kind of rebellion against the standards of beauty and the concept of aesthetics. However, the tape focuses all its interest on one clear element: life is much more than the wounds of the past. It is an open door to the possibility of recovery. Something that Charlie symbolizes better than any other character in recent cinema.

In delivery Critics’ Choice Awards, Brendan Fraser received the award for Best Actor. In her acceptance speech, she recalled the importance of self-acceptance and made it clear that WHALE This is a film based on love. An essential point that distinguishes him from many others who ridicule or base their effectiveness on appearance as an insurmountable defect. On the contrary, it is a powerful call to compassion. The most important moment of the production, exploring the value of hope.

Source: Hiper Textual

Previous articlePhysicists break records with 45-metre laser; Look
Next articleThe government proposed to relax the parameters of the “right to risk” in venture capital investments

LEAVE A REPLY

Please enter your comment!
Please enter your name here