understand well Spider-Man: Crossing the Multiverse, Joaquim dos Santos, Kemp Powers and Justin Thompson, we must delve into the sense of reality. At least as the plot suggests. Starting with the opening scene, which plays nicely with the last scene of its predecessor, the film is a wild journey through the world. spiderman. And about the character, and about his experience, and about everything that his story has to offer.
What starts out as a mystery is actually a way to get to the bottom of the truth. The script, written by Phil Lord, Christopher Miller and Dave Callaham, departs from the idea of a confrontation-based adventure to answer a question. What would happen if Nemesis had the power to erase the slightest trace of the existence of the hero he encountered? The question becomes more relevant when the plot touches on another of its main points. No Spider-Man can live without the others inhabiting the endless repeat of the multiverse. So the life of each of them is precious and important.
In addition, each of them strikes a delicate balance that pushes all versions of New York’s friendly neighbor to find the one gap in reality that can destroy them. Spider-Man: Crossing the Multiverse, who in his first part tells the best and fastest that his conflict is capable of, is not interested in adventure. Rather, to the extent that he fits into the vast web formed by the 240 versions of the superhero shown in the film.
Spider-Man: Crossing the Multiverse
Spider-Man: Crossing the Multiverse is a visual adventure destined to go down in history. Not only for the impeccable staging of alternate realities – which is already a technical achievement in itself – but also for the meticulous script that combines up to ten stories on one stage. It’s bigger and faster than any other superhero movie to date, far from the full plan. How to tell a story that is reinvented at every turn of the plot and requires a different animation for each character? In general, it achieves its goal, but towards the end it loses momentum in favor of staging. Overall, it remains the most amazing visual experiment seen in the animation world in the last decade, and a technological achievement that is unlikely to be matched or surpassed anytime soon.
Spider-Man: Crossing the Multiversea hero in all his dimensions
Spider-Man: Crossing the Multiverse It’s a carefully constructed story structure that unfolds into twenty or thirty parts in the first hour. He doesn’t do it on a whim or to surprise the public. Actually, it shows Marvel Publishing Multiverse on a level, breadth and detail previously unknown in cinema.
Apart from being a story and a visual experiment, a film is something else to the extent that each type of animation is related to a character and their context. In addition, this is a narrative that details spiderman like a figure. A tribute on a stunning scale to his heroic purpose and the power manifested through this element.
While the first film focuses on the Spider-Men and the Spider-Women united by a common history, the sequel is about potential destiny. Every spiderman -from Jessica Drew even luxurious resales such as Jefferson Davis– creates structure for what needs to happen. All of them, to a greater or lesser extent, depend on the fact that each of them will remain alive.
The multiverse is, finally, an infinite space where each possibility embodies a separate story. Spider-Man: Crossing the Multiverse he doesn’t try to tell them all at once – although he talks about the most important of them with brilliant skill – but he fixes their existence. Every spiderman, all over the world, at all times, in small variations of his personal history, has a goal to achieve. Inner kindness, which manifests itself in the colossal solidarity that the feature film manages to portray.
Strength comes with the conviction of good
The plot loses the quality of the emotional journey that accompanied Miles (Shameyk Moore) in Spider-Man: New Universe. But in return, both the character and the story gain an unknown complexity that takes the sequel to a whole new dimension. At the same time in the field of storytelling and visual innovation. It is not only about the journey that the character will begin – almost from the first moment – through all the possibilities of himself. And also about recreating their endless life and their understanding of the richness of love, solidarity and time.
From decision spider brooklyn accompany Gwen Stacy (Hailee Steinfeld) into the unknown Spider-Man: Crossing the Multiverse explore an interesting concept. Power manifests itself in various and confusing ways. Not always good in the traditional sense, but only occasionally truly evil.
Miles will move from his quiet student life to part of a complex structure connected to a whole story. No spiderman he alone, was or will be. The mystery of his life – overlapping tales of failed experiments, radioactive bugs, and deaths of family members – lead to one scenario. All heroes of different dimensions support each other, whether they are aware of this phenomenon or not.
So the mission of which Gwen is the standard-bearer is one. protect thousands a villain with the knowledge of using time and reinventing the material. The question of how the realm of alternative dimensions works is decided from the first scenes of the film. Spider-Man: Crossing the Multiverse. The multiverse unfolds in all its grandeur, and while the narrative is incomplete and hurried, the visuals make the film a spectacle that is hard to forget.
Spider-Man: Crossing the Multiverse it’s an amazing show
Film is not only an animated experience that takes the viewer’s imagination into new spaces. We also have to consider how complex and confusing it is to put it on the screen. Each of the Spider-Mans has its own visual space, which means patterns, colors and types of finishes in detail and movement that are different from the rest.
The argument will not be satisfied by telling another story, separated from the rest and told in quick, witty, and well-formed explanatory dialogues. In addition, he manages to connect the life of each of the characters with a new chromatic and motor experience.
What is he doing Spider-Man: Crossing the Multiverse in what is arguably the most complex and best constructed animated film in cinema. At least in the closest to being. A technical achievement that accompanies a story that unfolds over and over again. What makes it always new, surprising, painful and, in its ambiguous ending, touching.
Evil is a risk, even in the multiverse
He Michael O’Hara from Oscar Isaac is an anomaly in this army of well-intentioned heroes who will have to face each other in every possible space. Constructed much like the comic book it’s taken from – which depicts a man destroyed by pain – the character appears in a movie theater in the midst of malice. Although this won’t be the only source of evil that will emerge over the course of the film.
From vulture – a version very different from the one played by Michael Keaton – yet spots, sinuous and tenacious. Even a brief preview of the expected symbiote cameo. Everything converges, mixes and becomes more and more confusing as the plot Spider-Man: Crossing the Multiverse Keep it up.
However, perhaps the film’s biggest problem is that the need to reach a climax in the final minutes makes it feel rushed. But the accelerated rhythm that even communicates connections with Marvel Cinematic Universenothing but part of his power.
Spider-Man: Crossing the Multiverse it is connected despite its fragmented structure into dozens of different parts. The pieces are so skillfully combined with each other that its unusual ending brings to tears. Nothing will be the same in superhero movies after this experience. Not in animated films. A milestone has just been born and it will be difficult to surpass it.
Source: Hiper Textual
