Probably a lot of spectators in front of the movie poster or when buying a ticket Onlinewonder if it’s worth seeing Oppenheimer or Barbie. The protagonists of both productions voiced their wish that fans of one would see the other, given that both are in theaters around the world on July 20, 2023. In this context, criticism is usually the key factor. Which one is better in this regard?
So much Barbie How Oppenheimer received good reviews. In general, both feature films can be considered one of the best of the year. It is when you choose which movie to watch that the decision is made by personal taste. However, the following information should be taken into account in case there is doubt about a particular species.
One key aspect that usually mobilizes many people is the initial collection of each film. This feeling that “everyone is looking at something” may be of interest to someone who has not yet done so. But this does not overshadow the quality of other productions. In this case, it is expected that Barbie accumulate between $90 million and $140 million in opening weekends in theaters. From my side, Oppenheimer It will be between 40 and 50 million dollars.
Criticism about Oppenheimer And Barbie: which is better?
It is interpreted that Barbie can raise more money than Oppenheimer on the first weekend due to the doll’s popularity. This is in contrast to the story picked up by Christopher Nolan, much denser, darker and longer – the film is also three hours long. Therefore, it is aimed at a smaller audience. However, again, this factor is not always related to the quality of the feature film.
In fact, although both films have received very high marks from specialized critics, it is Oppenheimer who ranks slightly above Barbie according to the aggregator. rotten tomatoes: 93% vs 89%.
IN Metacritic the difference is slightly larger, but not by much. Oppenheimer has 89/100 points and Barbie has 81/100 points. The difference in both aggregators between the two films is minimal. And although one is higher than the other, it is clear: these are two productions of the highest level.
In this sense, our criticism of hypertext“Christopher Nolan makes history, literally and figuratively, in film,” explains the following about Oppenheimer:
“Christopher Nolan does not attempt to explore morality, let alone perceive the ethical dilemma. He wants something a little more daring, and he achieves it with a dense and heartbreaking plot. Make it clear that both Oppenheimer and the United States have done nothing but resign themselves to their inevitable fate. This is an advance against the times and a victory over the modern evil that was brewing in Europe under the shadow of the Nazis.”
Regarding Barbiein our review of “A satire that has everything to be the movie of the year”, you can read:
“Barbie from Greta Gerwig It’s a more complex satire than its sweet visuals suggest. Perhaps the most interesting moment of the production, exploring topics such as individuality, the search for purpose, the perception of reality, and even death. However, despite his ambitions – and the fulfillment of some – the plot stops halfway through, showing that he hints at a harsh critique of popular culture. Barbie she shines in her most difficult moments, much more often than in her weakest ones.
Reviews in other media
Hollywood ReporterO OppenheimerAs much character study as it is a sweeping retelling of the story, this is a smart, muscular thriller about the man who led the Manhattan Project to build the bomb that ended World War II.
Los Angeles TimesO Barbie: “It’s a flamboyant piece, sometimes tediously smart. (…) This is not just a resumption of the endless debate “Barbie: good or bad?”. He wants to act out this discussion, vigorously arguing both positions for the better part of two quick hours.”
New York TimesO Oppenheimer: “This is a dense and rich story, which Nolan, long accepted by the plasticity of the film environment, gave a complex structure, which he divides into revealing parts.”
BBCO Barbie: “[Es] a project of passionate art and essay so bold, inventive and politically charged that it is sure to be nominated for all sorts of awards. WhatBarbie as a nominee for Best Picture at the Oscars 2024? I wouldn’t bet against it.”
daily beastO Oppenheimer: “A film of endless contrasts and contradictions, this is the most complete expression of the writer/director’s art (Christopher Nolan) to date.”
NPRO Barbie: “This film is experiencing an interesting turning point in cinema and film consumption, where it seems that almost all ideas are born from a pre-existing product.”
Source: Hiper Textual
