On September 8, 1960, the film was released. Psychosis Alfred Hitchcock. At first glance it seemed like just another horror and suspense film, but in fact it was an interesting advertising experiment to promote it. The director appeared on various posters and newspaper advertisements asking the public to arrive at the theater on time (it was customary not to do so) and, in particular, to maintain secrecy. What did he mean? Of course, because of the shocking script twist that revealed that the real killer in the plot was Norman Bates (Anthony Perkins).. In addition, he kept his mother mummified after her death and pretended to be her. And all this in the midst of horrific psychiatric delirium.
Although this British film was not the first to feature a surprise and shocking ending, it was an important milestone in the tale of terror. Over the years, the film’s ability to create a story that can baffle audiences has become almost a subgenre. It’s also an ingenious way to come up with complex, unpredictable plots and use the audience’s imagination as a sounding board for complex stories. Moreover, use amazement to make watching movies in theaters more exciting.
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We leave you with five films with shocking endings that baffled audiences, but above all, marked a milestone in horror cinema. From a child who can see dead people to a cabin where the apocalypse will be solved. The selection covers all horror genres, as well as unusual stories that show that terror-themed stories can still surprise. Even to a distrustful and cynical public.
Fog
Based on a story by Stephen King and directed by Frank Darabont, the film achieved the status of a horror classic thanks to its unexpected and heartbreaking final scene. Oddly enough, this is not due to the fear it may cause. but also his view of the heartbreaking consequences of an impossible decision.
Like the narrative from which it is taken, the plot follows a group of people trapped in a supermarket, surrounded by a mysterious fog. Among them are David Drayton (Thomas Jane) and his son Billy (Nathan Gamble). They soon discover that this substance is inhabited by monstrous and deadly creatures. As they fight for survival, tensions and conflicts arise between the characters. This causes them to question the nature of humanity and the moral decisions they must make to protect themselves.
final turn
But what is truly confusing and shocking is the last scene. Confronted with survivors in the room, David decides to leave the place with his son and a handful of acquaintances. But once on the path and faced with the possibility that they will be devoured by the creatures around them, they make a decision. It’s death by one’s own hand before being dismembered by the jaws of the creatures waiting outside the car. With only a loaded gun, David shoots everyone present and ultimately kills his son. But, without a bullet at hand, he goes out to meet what awaits in the fog.
Only to discover that, finally, the phenomenon that caused the creatures to appear has disappeared and a military garrison has arrived to help. The final shot shows him on his knees. screamed in horror, realizing what had happened.
Sixth Sense
Director M. Night Shyamalan’s first great experiment with unpredictable endings hit the big screen in 1999. Thanks to a brilliant twist in the script, what seemed like a horror story turned into transforms into an unusual look at grief, pain and communication.
But the plot hides its secrets well. Dr. Malcolm Crowe (Bruce Willis) is a child psychologist who appears to be trying to find a new purpose in his life. And this after a brutal attack by one of his patients. The experience weakened him and his marriage was almost on the verge of collapse.
Trying to get his life back, he tries to help Cole Sear (Joel Osment), a boy with a unique, inexplicable behavior problem. However, Malcolm soon discovers that the boy is hiding a terrible secret: he claims that he can see and talk to dead people. As the expert begins to work on the case, he discovers that Cole’s gift is much more sinister than he could have imagined.
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Much more so when it leads him to discover the greatest revelation of all. Malcolm did not survive the attacker’s shots, but he does not know that he is dead. As a result, his entire journey in the film becomes the final act of redemption that will allow him to be freed from his suffering. Thanks to its carefully crafted plot that avoided overt signs of what was happening, The Sixth Sense has become a cult classic.
Other
Unfortunately for Alejandro Amenábar, the film Sixth Sense It was released two years before him. So his secret was not as new or as shocking as it could have been. Despite this, Other is an elegant historical drama that has more than just a shocking and painful ending. One day, He uses his visual and narrative resources to create the careful atmosphere that has become his signature.
The action takes place on the island of Jersey during The Second World Warplot tells a story Grace Stewart (Nicole Kidman), who is trying to survive the conflict. The character is a mother living with two children in an isolated mansion. And all this amid the pressure of children suffering from a strange sensitivity to sunlight. This means that the house must remain in constant darkness. As history progresses, Grace begins to suspect that her home is being visited by supernatural beings.
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The plot then turns the light and lurking ghosts into enemies to be defeated. Especially since it limits Grace’s ability to fight. That is, until he discovers that there is a goal in his memory that he refuses to remember that could explain what is happening to him. The memory finally reveals itself, and with it, a terrifying one. Both she and her children are dead. The latter is killed by his mother in the midst of a tragic mental collapse.
They’re knocking on the door
M. Night Shyamalan does what he does best again in this adaptation of Paul Tremblay’s book. With a claustrophobic visual style, purposefully shot in close-up, it tells an extraordinary story. Married couple Eric (Jonathan Groff) and Andrew (Ben Aldridge) are on vacation with their daughter Wen (Kristen Tsui). when they are being chased by strangers.
The quartet, led by Leonard (Dave Bautista), will attack them until they are subdued, and then explain the reason for what is happening. Everyone follows them through psychic visions, they are convinced that the end of the world is approaching. Moreover, the only way to avoid this is to kill one member of the other’s family. Committing a crime by one’s own decision and in the form of a kind of divine sacrifice.
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The plot gives no clues as to what is actually happening. The dilemma that this is the delusion of a group of attackers seems at first beyond doubt. But gradually everything points to the fact that it is something more. The plot skillfully plays with such beliefs and concepts as love and fidelity. In fact, it is not until the final scenes that it becomes apparent that what is happening outside is a supernatural event. In a disheartening ending, Andrew kills Eric and then escapes with Ven as the tragedies that plague the world disappear one by one.
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Good night, Mom
The Austrian psychological horror film from directors Veronica Franz and Severin Fiala has a script twist that surprised audiences. But especially because it changes the overall meaning of what the film has been telling so far.
The story follows two nine-year-old twin brothers, Elias and Lukas (Lucas and Elias Schwartz), who share a close relationship. Especially when his mother returns home from facial surgery. This is when the children begin to wonder if the woman under the bandages is really who she says she is or someone else.
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But what appears to be a terrifying tale of an ominous presence takes a complete turn when it becomes apparent that something is happening not to the mother, but to the children. Which ends with a painful discovery: one of the twins died many years ago, and the other, unable to bear it, refuses to acknowledge his absence. Therefore, he suffers from a dissociation of his personality, which will have dire consequences.
Source: Hiper Textual
