Martin Scorsese wanted to make a film about the destruction—and, between the lines, the hypocrisy—of the American dream, and he did it. Moon Killers, is a film that explores the insatiability of greed and guilt and focuses on incorrigible characters. And also in violence as a cruel conclusion to a series of historical circumstances demonstrating different levels of morality and ethics in the country. And all this in the midst of a story about the extermination of the Osage tribe by guns and how this wave of violence destroyed their heritage.
Of course, this is not the first time the director has touched on such topics. In fact, much of his film career has been devoted to exploring human evil and the consequences of the limitlessness of consciousness. With a more than obvious emphasis on responsibility (or lack thereof) for violent acts, Martin Scorsese takes a deep look at ethical failure. And also the use of violence as a way to explore human nature. The result is a series of films that, while telling different stories, share a vision of modern evil.
We leave you with five films that will allow you to better understand Moon Killers. Either because they cover the same themes or analyze their characters from the same point of view. One by one, they explore how Martin Scorsese dissects storylines, the contradictions of his characters, and ultimately their ambiguous underpinnings. There are several elements that made his work part of the high point of cinema in recent decades.
Taxi Driver (1976)
Travis Bickle (Robert De Niro) knows that the society he lives in – the aftermath of the Vietnam War – is full of wounds. The most incurable. With this story, Martin Scorsese began his long journey through devastated, twisted characters on the verge of madness. neo noir. One that also explores in Moon Killers: The collapse of the American dream of success and triumph.
A twisted figure from a taxi cab Bickle looks at New York as a collection of depraved lessons. This will lead you to the conclusion that the times you are living in are nothing more than a series of deprivations of wealth and opportunity. As in his last film, the director carefully explores the loss of faith in the country. This makes the film a very harsh look at the dark – and often secret – places of American culture.
One of ours
Martin Scorsese loves gangsters and especially delves into the dark hierarchy of the underworld. So this book adaptation Wise guy Nicholas Pileggi It was the perfect setting for the director to demonstrate ethical degradation.
With violent characters whose greatest desire is to become criminals, the film makes no effort to disguise its twisted vision of the dark side of society. Moreover, it makes it easy for criminal organizations and gangs to flourish. For Martin Scorsese, there are no heroes, but only villains who carry their burdens on their shoulders. to the point where they avoid being killed or kill to stay safe.
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Without trying to preach or explore America’s descent into hell, One of ours It’s uncomfortable because of what it represents. No one can escape the temptation of power, even that which is exercised by behind-the-scenes methods. It also frontally demonstrates the main evil features of the culture. He does the same thing (more painfully) in Moon Killers.
casino
This film, also based on the book by Nicholas Pileggi, tells the story of the breakdown of the modern optimistic spirit in the midst of cosmic temptations. For Martin Scorsese, gambling, money and desire are equated with the goal of possession. At the same time, to control – total and often cruel – over all areas that are in the world of law.
With a decadent and dark tone that grows stronger as the story progresses, the film shows how North American cities hide a dark side. Which, in turn, reflects that men and women who prosper in this world are doomed to unhappiness and pain. Not as a punishment (the director avoids any hint of a moral lesson), but rather as a direct consequence.
In the end, just like Moon KillersMartin Scorsese demonstrates that the legal and economic systems of the civilized world are corrupt. But in particular, that in its cracks there remain opportunities to thrive through the suffering of others. His most frightening lesson.
Gangs of New York
Similarities with Moon Killers This is obvious for several reasons. Not only does it show an America broken into pieces, poor and populated by creatures on the fringes of the law. At the same time, he analyzes how great inequality gives rise to unstoppable monsters that are the fruits of a lack of ethical boundaries. Just as Robert De Niro’s William Hale discovered it in Moonkillers, the characters Gangs of New Yorkthey know that legality is a fiction. It can be ignored or, at worst, subverted for personal gain.
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For Martin Scorsese—a Catholic obsessed with Catholic guilt—the concept of bloodshed is more than just an act of violence. At the same time, it is a twisted and disturbing allegory about how greed can seduce men of any era. A theme he would return to again and again in all his cinematic works.
Irish
This adaptation I heard you paint houses Charles Brand, is the closest to Moon Killers from the director’s latest films. The story of the mafia underworld, told in retrospect, is stunning, filled with the dark atmosphere of a twisted epic. Not only to make clear that modern evil is more complex than one might assume. At the same time, to delve into how anyone can become an unstoppable criminal under the right conditions.
Just like he does in Moon KillersMartin Scorsese reimagines the world of crime. Not to justify his brutal actions, but to show the people who commit them. Their motives and goals. Like its last film, The Irishman remembers that even the worst villains have a story to tell. Most of the time it is more human and painful than one would think.
Source: Hiper Textual
