IN Elevator: First Class Heist from Netflix, Cyrus (Kevin Hart) is a thief who likes to commit big robberies. But also do it for the reasons you think are right. So when he receives an offer to carry out one last big attack that will benefit his entire gang, he accepts without hesitation. What he doesn’t know is that what starts out as a challenge will become the biggest risk he has ever taken in his life before or since.
This premise is the latest to be added to a long collection of stories that make up a curious genre heist movies. Big heists, especially those that challenge the system or are driven by a more complex idea than just money, are classic movies. But at the same time, it tests the ingenuity of directors and screenwriters. It’s about finding the gap between the security – imagined or real – of a place of special importance and the possibility of blowing it up. Much more, to convince the potential viewer that what is happening on the screen is feasible. Which has made this genre a favorite among lovers of adventure, suspense and sometimes drama.
We leave you with five big heist movies you can watch if you liked them Elevator: First Class Heist from Netflix. From an elaborate plan to a group capable of blowing up security networks anywhere. This collection will make you laugh, move you, and also ask you the big question: is something like this possible? Its most interesting element.
hidden plan
Director Spike Lee took the idea of a perfect system of theft and tested it in this film with an unusual sense of perversity. What starts as an attack ends in a complicated hostage situation.
But more than that, it is a game of loyalties and interests that becomes increasingly complex as time goes on. Particularly when Dalton (Clive Owen) demonstrates that he is not only a thief, but also a sophisticated manipulator. who will not hesitate to take the situation to the extreme.
As always, Lee manages to create an atmosphere that is much more important than the central idea of the film. In this case, it’s a complex risk that turns the idea of bank robbery into thinking about public safety and other similar topics. Everything from the robbery conflict as something more than a criminal act and yes, closer to a symbolic event.
Ocean’s Eleven
Steven Soderbergh took Ted Griffin’s script and turned it into redo from the 1960 classic of the same name starring Frank Sinatra in a game between friends. Directed by George Clooney and featuring a star-studded cast, the film has the same premise as the original. Namely: a group of robbers will try to carry out an impossible robbery of a Las Vegas casino. And this while the mafia is watching closely and the police are suspecting everyone.
The result is a brilliant story, full of charisma and a tongue-in-cheek sense of humor that keeps the story going even in its most tense moments. Danny (Clooney) is surrounded by the best equipment money can buy. But at the same time they are also his friends and togetherthey love the mystery of the alarms going off amidst the irony and double meaning jokes. lift up He is often inspired by the film Ocean’s Eleven.
In the end, the robbery was completed. But at the same time, there was something else: the beginning of a saga that extended to three feature films and spin off. There will also be a prequel starring Margot Robbie and Ryan Gosling as Danny’s parents. A family circle of criminals that delights the public.
Catch Me If You Can
Frank (Leonardo DiCaprio) is very young, daring and smart. This allowed him to live out his youth in the midst of a web of intricate scams that become more and more complex. From forging a check to impersonating a doctor and masquerading as a pilot surrounded by laughing flight attendants to escape justice. The truth is that this criminal has no limits to his audacity.the opportunity to escape and especially to remain undetected by the law.
Except for Carl (Tom Hanks), who faces the biggest chase imaginable to catch Frank. Steven Spielberg turns this game of cat and mouse into a rare blend of tension and unintentional comedy. In the end, Frank won’t be able to escape at the last important moment, and Carl won’t catch him like he imagined. What will take the room to unexpected places and a brilliant ending that makes it one of the best examples of the genre. Okay, it’s not the same as Elevator, but it’s one of the great classics.
army of the dead
Zack Snyder took heist film traditions, including a luxury vault in Las Vegas, and combined them with a zombie movie. The result is a very strange version of the usual big heist, in which you also need to defeat a lot of the living dead. But at the same time, face a new generation of monsters, go through a destroyed city and, finally, a nuclear explosion.
Does this seem excessive? This. And add to that Snyder’s overwrought style, several parallel stories, including the redemption of a father and daughter, and a mystery. Things get even weirder when, in an extravagant twist, the film moves into science fiction territory, including the birth of a zombie baby. In its final minutes, the film feels like a clip from many other films. Still, it’s fun, and if you decide to take this unique excursion, you can find the film on Netflix.. Actually next to the Lift.
Thomas Crown’s Secret
This classic has everything it needs to be an outstanding heist film. It is, but it is also a kind of seductive thriller taken to the extreme. Thomas (a sophisticated Pierce Brosnan) is a millionaire who has everything at his fingertips. But perhaps because of this – or as a consequence of this – he makes from time to time some attacks which are pure ingenuity applied to deductive interpretation. This ends up becoming a mystery to various security forces.
For everyone except Catherine Banning (Rene Russo), who undoubtedly suspects that there is something going on at the crime scene that seems pre-fabricated. The film chronicles the investigation and also details the romantic relationships of both characters. A thought-provoking aspect that makes the film an elegant take on the traditional attack premise.
Source: Hiper Textual
