Anthology True Detective He has experienced all kinds of ups and downs. Especially since the first season, released in 2014, became an instant cult classic. The following deliveries were to compete with this success, and also try to surpass it. Nobody could. Now, True Detective: Polar Night Not only does it achieve the same level of quality, but it does something more. It defines what the style of a series of stories actually is. Achieve an uncomfortable, well-built and rigid atmosphere, in which the facts under investigation reflect the moral and intellectual darkness of the characters.

The script by Issa Lopez, who also directed the series, carefully examines what lies behind the case with supernatural overtones. And this is in the middle of the eternal night of Alaska. The plot may seem conventional – it’s not the first time the eternal darkness of the place has been adopted as a setting – until it connects myth and unsettling environment.

But instead of being plunged into complete horror, the writer makes a brilliant decision. Create a subgenre of sorts based specifically on these elements. A don’t go paranormal phenomena in which ghostly phenomena, fear of what is hidden in the darkness and even unexplained phenomena in the fauna are a unique scenario. On the other hand, two officers try to solve a multiple murder mystery when faced with a physics mystery. But also to the conflicts that divide and unite them.

Two complex women

Separately, Danvers (Jodie Foster) and Navarro (Kali Reyes) experience all sorts of conflicts that, in turn, will affect the investigation. Both have a common past that connects them to everything that happens in the region. The possibility that the answer to the numerous crimes both are investigating can only be solved if they cooperate with each other is obvious.

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But just like in the first season True DetectiveThe fourth takes into account the idea of ​​what fear hides. The writer and director takes everything from this complex context and delves into the death of a group of scientists. Moreover, turning the case – including through criminal methods – into an unpredictable horror story.

Indicative second chapter

In the second episode, the series makes it clear where it is going. This is not just about the reappearance of the spiral symbol, known and included in the plot of the first season. There is also a direct mention of the name of one of the victims, whose last name is Cole, like the character played by Matthew McConaughey. At the same time, the series returns to its roots, with the mention of the mysterious Tuttle Corporation. As you remember, these are the names of the leaders of the death cult in the first part.

All of the above makes it clear that True Detective: Polar Night, is closely related to the first story. This could explain the fact that the fictional city in which the story takes place holds a secret that is more obvious than ever. Thus, the narrative takes a completely new direction. While it’s still a detective story that sends Danvers and Navarro on a quest to find concrete clues, there’s an unexplained backstory at its core. This allows the story to combine two genres. The plot of the season is a detective story with the usual structure of an investigation leading down dark paths.

However, it is also the story of a city, its people, and the horrific events that spread like a shock wave through the Alaskan night. What’s interesting about Issa Lopez’s storytelling experiment is that she took Nic Pizzolatto’s (the original season’s writer) central proposal and made it meander. What happens when the law and the investigation of a group of police officers encounter an event that is beyond their understanding? Lopez then explores its characters, allowing the series to tie it directly into the acclaimed first season. Fear and horror are the extremes of a story with an unpleasant secret.

HBO’s Great Anthology Finds Its Essence

In the already iconic first part True Detective, there were no immediate supernatural elements. Even so, detectives Rust Cohle (Matthew McConaughey) and Martin Hart (Woody Harrelson) struggled to solve the case that would change their lives. Nic Pizzolatto and director Cary Fukunaga have delivered what could have simply been a tragic tale of two controversial protagonists. At the same time, the script used the region, its characters’ experiences, trauma and pain to create a journey into moral darkness. Gradually, the series made it clear that what happened was not as important as how the main characters remembered it. Something that created a sense of hidden horror and half-truths, which gave the production a dense and gritty atmosphere.

The same thing happens with True Detective: Polar Night. The massacre, which leaves behind corpses that testify to an inexplicable event, is only the first step towards something more. Moreover, the script makes it clear that everything that happens is connected with an event that completely exceeds the knowledge of those who are investigating it. Deer commit suicide without explanation: other animals’ reactions to what seems like an irresistible force. Appearances and voices in the night. A painful and mysterious past. Like the scene showing Danvers’ investigation, the series begins in a labyrinth of images that becomes increasingly complex—and therefore more interesting—chapter by chapter.

White and bloody night

But especially the second episode True Detective: Polar Night, explores a type of hybrid genre that makes it clear that the series is aiming for ambitious goals. With its paranormal overtones extending to an investigation that involves the entire legal apparatus, this version of the tactical procedural approach When it comes to creepiness, it’s a delicate balance.

On the one hand, there are images of horror and gore reinvented for the series. On the other hand, there is a cautious view that the victims’ deaths are a symptom rather than a consequence rather than a serious event. Season four True Detective Now he reaches the terrain that defines him. The assertion that all human work can be investigated and punished, but that there is something behind it, is also a threat. Point of greatest interest in production.

Source: Hiper Textual

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