From Miracles Nia DaCosta has said it all. That its humor is unconvincing, that its visuals are questionable, that its story goes nowhere. Even the very fact of such a production being released on the big screen was criticized. In the midst of the superhero genre’s crisis, the Marvel Cinematic Universe could not afford to lose tone and rhythm. So a film that brings together three superheroines in a light and almost humorous context seems like a major misstep on the brand. A miscalculation that shook the franchise and forced it to delve deeper into its future strategy.
But is the tape really that low quality? The problem is broader and has to do with the film’s obvious comparison to the rest of the universe to which it belongs. Particularly the fact that the idea is more about entertaining – and nothing more – than adding information to the central trunk of Marvel stories. In fact, much of Megan McDonnell, Zeb Wells and Elissa Karasik’s efforts on the script are aimed at creating a sort of different layer to the film. Aside from the struggle between good and evil and the battle against the current villain (although he is there and rather forgettable), the plot focuses on the path of redemption.
date high on Disney Plus now and save with an annual subscriptionwith which you can enjoy the entire catalog of TV series and films. Access to the latest issuesto the catalog star and the best National Geographic documentaries.
At one end is Captain Marvel/Carol Danvers (Brie Larson), who is trying to balance her power, cosmic responsibilities and an anemic love life. The plot makes smart decisions and transforms the once cold and distant superhero into a woman in colorful rubber slippers who lovingly cares for her cat. On the other side is Monica Rambeau (Teyonah Parris). who is still trying to understand what happened to her after gaining her powers.
A very human film
Both act as characters with different processes who, on screen, must learn to understand each other within the framework of a common scenario. And this is, of course, Kamala Khan (Iman Vellani), charming, charismatic, and with her family too.
Everything related to its plot is reminiscent of a sitcom. Particularly when the already known cultural and generational differences surrounding the young superhero become part of the central dynamic.
The result, then, is a film that isn’t overly concerned with telling the story of an extraordinary and potentially devastating conflict. The weight of the narrative is to ensure that these three figures, so different, work with each other and achieve a precarious balance. And while they heal their wounds and forgive each other (at least Carol and Monica)
A story to have a good time
The problem with the above is that the Marvel Cinematic Universe has gotten itself into a tricky place. After The final– the absolute success of the saga formula and the perfect conclusion of the third phase – every future film suffers from this. After all, The Russo Brothers’ film managed to combine a dozen different settings and nearly thirty characters into one narrative location.
Moreover, to achieve this without losing the tension, kind heart and sense of humanity that made Marvel famous. With Tony Stark’s funeral scene (Robert Downey Jr.) It was as if the saga was saying goodbye to its best era to begin, perhaps, a completely different one.
Only he didn’t succeed. The rest of the feature films and TV series do not match the quality – and, perhaps, nothing can – of the cinematic event, which took a decade to crystallize. With more demanding fans and a cinematic world cynical about any genre aspirations., all of the studio’s efforts collide with its greatest success and suffer accordingly. What ruined any attempt to make the film fun and charming in the first place was how Miraclescan succeed.
Marvel forgets itself
In 2015, Peyton Reed directed Ant-Man: Ant-Man, a mediocre film with all sorts of problems with the script and editing. Especially when the film went through two directors and several rewrites. Overall, the film was a box office success and even became a trilogy, which had a direct influence on Infinity Saga. Was it worse or better than Miracles?
In fact, each of them individually is the sum of all the mistakes of the franchise. Reed’s film is a mass of semi-parodic humor with no personality, relying on the charisma of Paul Rudd. This wasn’t a problem at the height of Marvel’s popularity. The hero, unknown and not mentioned other than some comments from Stan Lee about his love for the work, came out on the big screen as an experiment. And it turned out to be so satisfactory that it became an important milestone.
subscribe to Star+ and you will have access to the best TV series and exclusive films How Stranger, Simpson , X-MenAnd the walking Dead . Includes Star originalsAnd all sports from espnlike La Liga, Champions League and Formula 1.
Combo+ He final package which will allow you to save while enjoying all Disney+, Star+ and all ESPN sports content, including football from the best leagues in the world. The best package at the best price
Miracles, with its simple, emotional and friendly plot, cat-shaped aliens and Nick Fury (Samuel L. Jackson) showing off his dry humor, is a delight. They will not be memorable and will not be better than the brand’s magnificent jewelry. But that doesn’t make him bad. Can Marvel afford that luxury right now? The answer is, of course, no, and that’s the film’s biggest problem.
Source: Hiper Textual
