TO Dinner table It took time, effort, and an unexpected recommendation to find its place among the horror-loving public. After receiving a refusal Sitges Film Festival, which distributors considered cursed and even discussed as a prerequisite for unbearable cruelty, the unexpected happened. Stephen King, a true master of the creepy mood in modern pop culture, recommended it with open enthusiasm. He not only emphasized the strangeness of her plan, but also the courage of its implementation. As if this was the boost the film needed, it was immediately announced that it would finally be released on streaming via the Filmin catalogue.

But in addition to the path to the big screen, and then to the small, Dinner table This is probably a work that is destined to be remembered. Its atypical, brutal and straightforward premise makes it one of the greatest genre stories in recent years. Moreover, it is a radical exploration of fear, human suffering and, ultimately, the suffering that lurks in family life. All, with visual and narrative control that is itself a showcase of the ambition of its director Kai Casas.

To better explain the above, we’ll dive into three reasons why you should watch Dinner table, now that it’s on streaming platforms. From his harrowing and savage view of suffering to his ingenious way of telling an increasingly complex story. This journey through horror is a twisted experience that fans of the genre will appreciate. And even if it doesn’t, perhaps this horror story that defies expectations will surprise you more than you imagine.

An argument that is stated without obviousness

IN Dinner tablethe greatest tragedy—and the one at the center of the plot—happens off-screen. This allows director and screenwriter Kay Casas to show the complex dimension of fear. One that arises solely in the viewer’s imagination. Little by little, the plot, like a series of threads, stretches towards what seems to be a huge, bloody and heartbreaking tragedy. But the script, before going into detail, builds an atmosphere that becomes increasingly unbearable, painful and, ultimately, close to madness.

It all starts with a trivial event. Couple Jesus (David Pareja) and Maria (Estefania de los Santos), who recently became parents after years of trying, go shopping. At least that’s what the argument shows, although the discussions between them, about discomfort and discomfort, have obvious implications. The obvious discomfort is evident in the way each other is subtly accused of all sorts of inattention, forgetfulness and mistakes. Thus, the film immediately suggests that something unseen, or at least hidden, is going on between them. The point is so confusing that it makes the relationship they share feel somewhat claustrophobic.

Things get even worse when Jesus wins an absurd argument and ends up acquiring the ugliest and most monstrous dining table imaginable. This touch of morbid humor will serve as a counterpoint to what is about to happen. This encounter may seem to be leading nowhere, until it becomes clear that this is a prologue to a fateful event that awaits the couple and their child. A strange and deeply unsettling element that will keep the film moving along.

Exceptional use of humor

Premise Dinner table He moves from fear, deep suffering and a kind of inner melancholy to dark laughter. Everything, like the tragedy that is the center of the conflict, spreads throughout the plot like an infection. Gradually, no matter what happened while Jesus was caring for the newborn child, It is declared as a catastrophic event that could destroy your life.

But while this is happening, the film will take all sorts of turns, mixing horror with sarcasm so sharp and unsettling that it will end up permeating every scene. Dinner table This is not a simple film, and it doesn’t pretend to be. Until then, he tends to leave most of the decisions about what matters to the viewer. Namely: what do you want to believe, understand, or connect the dots? an argument that doesn’t clearly explain what’s going on and doesn’t need to.

To achieve something like this, the director and screenwriter created a whole version of dark humor that is the context, as much as possible, of the horror. One of the most striking elements of this rare and unclassifiable work.

This is rare in modern horror films.

The most amazing thing about Dinner tableThe fact is that its entire plot and the tragedy it tells deviate from the most famous tropes of the horror film genre. It does this by innovating in its approach to exploring its history, but also by breaking some of its most obvious conventions. Therefore, the film avoids overt bloody scenes and excessive explanations. what the background is guessed at or even show what the fact is in which his reasoning deepens.

Until then, the script spends most of its time complicating the premise. From the suspicion that an unimaginable tragedy has just occurred (but try not to make it obvious), to hints of the grotesque and even the supernatural. Dinner table surprises, causes discomfort and disgust. All thanks to careful staging, compact storytelling and, in the end, the idea that fear is worse when it is not fully visible or noticeable.

Source: Hiper Textual

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