Chronological order of the Mad Max saga to better understand Furiosa.

IN Furiosa: From the Mad Max saga.George Miller brings back the best of his complex apocalyptic universe. Not only by studying the main character, this time played by Anya Taylor Joy. Also because of the way it analyzes a devastated future in which water is wealth and human fertility is currency. Gradually, the director manages to explore the most curious aspects of the world, which was born almost by accident. And over the decades, it has become a richer, more powerful and more fundamental part of the action film.

But perhaps, since the franchise began as an ever-expanding experiment, it needs a thorough re-examination before the final installment. Moreover, George Miller had the ability to add unexpected elements that deepened his view of the future. What began as a wild version of the one-man army trope continued into the 1970s and 1980s as a visual and narrative experiment. the one with Furiosa: From the Mad Max saga. reaches its highest point.

We leave you with a movie viewing schedule if you want to better understand George Miller’s latest film. From the production that brought Mel Gibson early success to what is now considered an action classic. This is a journey that will allow you to delve deeper into a monumental and over-the-top saga. It is also a litmus test of the cinematic resources that allow us to tell impossible worlds.

Mad Max, Wild Highway (1979)

With a budget of just $350,000 and a gross profit of $100 million, George Miller launched what would become the beginning of a franchise that distinguished itself by telling a lot with little. Drawing on his own history, the director made a minimalist epic about a dystopian era in which water and gasoline are scarce commodities. Much more, which causes confrontation between factions and savages. on the roads, amid growing disorder and chaos.

The film follows Max “Mad” Rockatansky (Mel Gibson, in the first starring role of his career), a police officer who wants to confront anarchy in a devastated Australia. But what begins as a story in which he tests his abilities against gang members and pirates aboard modified cars ends with an all-out and destructive revenge. This is when Max’s wife and son become murderers in the middle of the journey.

The film ends with the promise of a much more thorough tour of this universe in decline. But it also lays the groundwork for an apocalypse story from an industrial, mechanized, and exaggerated point of view. All characteristics that the saga will retain from now on.

Mad Max 2, The Road Warrior (1981)

Again helmed by George Miller and with a writing team including Terry Hayes and Brian Hannant, the film’s direct sequel already explores a world devastated by nuclear war. Featuring a punk aesthetic and post-apocalyptic features, the film doesn’t shy away from its core plot. Namely: how the world experiences its own ashes and especially, confronts the various factions that arose as a result of the destruction.

The film, with music by Brian May, already creates the atmosphere of a violent epic about the ruins of a world turned to ash. While the previous film hinted at a possible nuclear showdown, this time Miller dares to explore the scenario. It comes as he travels to Australia – back in the spotlight – and its shattered scene. Under Max’s (Gibson) direction, the plot becomes an exercise in shocking imagery on the pavement.

More ambitious and deeper than its predecessor, Mad Max 2: The Road Warrior Follow the settlers as they face hordes of savages on the asphalt.. And all this in the midst of a frontal and primitive war for control of gasoline and water.

Mad Max: Beyond Thunderdome (1985)

For the occasion, George Miller shares the film’s direction with George Ogilvy, making the plot slightly less experimental and featuring more dialogue. Another interesting addition is the presence of singer Tina Turner as the villainous Aunt Ama alongside regular Mel Gibson. This allowed the film to move away from its usual independent style and move towards a more blockbuster.

Overall, the film is a wild ride through an apocalyptic world. With a larger budget at his disposal, Miller innovates in his analysis of caste, tribe, and the aspects that destruction left in its wake. In fact, the first scene shows Max walking away from the last remnants of civilization to make it clear that even Memories begin to be left behind.

Even more interesting is the way the script constructs alternate stories, such as the tribe of children around the plane and the town of Negociudad. Although it was not as well received as previous films, It is considered important to understand the scope of Miller’s proposal.

Furiosa: From the Mad Max Saga (2024)

In terms of the chronology of the saga universe and especially the quality of the prequel. Furiosa: From the Mad Max saga.the story takes place immediately after Mad Max: Beyond Thunderdome. Or at least in the way events are narrated. although they obviously take place decades after the events detailed in the 1985 film.

On this occasion, the film explores Furiosa (Anya Taylor Joy) and her entire journey in the midst of an apocalyptic world. Based on a complete sketch of what happened in Miller’s universe, The film takes one of these stories and develops it parallel to the main world.

So, it follows Furiosa from her childhood (Alyala Brown) to her vassalage to the warlord Dementus (Hemsworth). Then talk about her young adult life (Taylor-Joy) that has earned her a place in Immortan Joe’s (Lachey Hulme) hierarchy. Closer to the 1980 versions, the film shows a post-apocalyptic world and what happened after the final fall of civilization.

Mad Max: Fury Road (2015)

In the chronological order of the Universe, This film comes in last and has the honor of bringing Mad Max to a new generation. This time, performed by Tom Hardy, the film begins immediately after the events of Furiosa: From the Mad Max saga..

It tells how a hostile group kidnaps Max and makes him their prey. It crosses the map of Furiosa’s (Charlize Theron) rebellion against Immortan Joe (Hugh Case-Byrne) and his elopement with his five wives.

It’s also the film that introduces Furiosa to the cinematic world – this time as an adult version of herself – and, ultimately, how he ultimately rules after defeating his enemy.