During the 2000s, Bridget Jones became a special heroin of loneliness of all ages. Between the humor, drama and the satirical perspective at the middle age of female age, the first film was a problem for a romantic comedy. But since this success has already passed this success, problems and points of view about women have not coincided. Hence Bridget Jones: Crazy for himThe fourth tape of the franchise seems a little outdated, focusing on such problems. Especially, there is not enough spark, which distinguished at least its first two deliveries. Much more when again the eponym of the heroine goes in the search for love, awareness and happiness. All in the midst of cliches jokes about elderly people and menopause.
But over time, this does not go in vain. In this case, Bridget Jones (again performed by Renee Zeleweger, who limits himself to repeat himself), is a widow that is undergoing a personal crisis. The man of his life, Mark Darcy (Colin Fert, in an uncomfortable and spectral cameo) died and left the vacuum in his path. But the script Helen Fielding, Abi Morgan and Dan Maszer recently to deepen the character of the character. Instead of doing this, he soon goes into grain and without a large dissimation. Eternal single again. And although he is now two, He never loses its ability to look for love between clumsiness and extravagans.
Of course, part of the charm of the world of Bridget Jones should explore humanity of his character. And the success of the first part was in this sensitivity of a woman’s deepening in the midst of questions, uncertainty and emotional doubts. But the new tape shows this potential and instead of providing In order for Bridit the opportunity to ripen, returns to common and threshed spaces.
Bridget Jones: Crazy for him
Bridget Jones: he is madly trying to return to him for the better from the humor of the franchise, without reaching her. He resorts to cliche and the general places of his clumsy romantic hero, now the widow and mother of two children. But instead of deepening the vulnerability of his character or in the difficult time he is experiencing, he decides to focus on his search for love. This, without sparks and irony, which always mattered in capital in the saga.
In 2000, in 2000, it was not a very big difference, which in 2000 fled in half -naked snow and the current one. The whole development of the character seems to come and leaves between attempts to demonstrate that widowhood is just a step in life, and this, recovered from pain, Bridget wants love. In fact, this is the center of the premise.
Predictable story without a special joke
Michael Morris’s film begins four years after the death of Darcy, so the life of Bridget is a desperate mother. However, the plot Bridget Jones: Crazy for him Time – and depth – demonstrating that Bridget is what the public recalls. The humor, with whom his life is shown as the mother of two young children, in a hurry to teach them alone, is more simplified than brilliant. Loss that the argument is more complicated in the deepening of the ideas that he proposes.
In the end, Bridget is a mother who should face loneliness and at the same time try to provide a better life for her children. This, trying to remember what a woman should be when, for almost five years, she focused on motherhood. But topics are hardly justified for a boring conflict and to a large extent. This time, Bridget will have to deal, not routine of unsuccessful meetings, But with his modern version. What is nothing but applications and social networks.
Everything, while the film uses a common place of medical consultation to offer the context of what happened earlier and where Bridget is today. The film has no great interest in being deep or, at best, demonstrating more complex dimensions of its character. Instead, he uses conversations with Dr. Rolings (Emma Thompson) so that the character finds his course. That is, for something surprise – restore the joy of life And, no doubt, the need to be loved and loved.
The plot that remains half
Most of the humor is not to encounter Bridget with the world outside the internal borders, but again in its awkward and, in addition, anxiety about finding love. The latter, although contradictory, spends time to assume that Bridget is only trying to do this to please his inevitable group of friends. It is like a good romantic comedy that can boast They return to support, encourage and maintain heroin at a new stage of his life.
However, although Bridget Jones: Crazy for him This has a random moment when he makes you laugh for the ability to irony or just Ramplón, the script clumsy and repeating. Step by step, Bridget returns to the famous area of being a woman between two different men (and to the third) who are trying to attract their attention and devotion. Meanwhile, The main character is discussed between questions and doubts about whether he can love again.
Famous return return
How could it be otherwise, some of the best points Bridget Jones: Crazy for himThey meet when he recalls that he made a successful franchise in the first place. Daniel the Error (Hugh Grant, with evil humor) gravitates to the life of Bridget. Chemistry between both characters is interesting, and, in fact, how they relate, raises a completely new scenario. But this argument has a much greater interest in increasing the inevitable love triangle. Thus, the appearance of the British character is slightly smaller than special and more focused to be more than a womanizer with gray hair than to wear in tow.
Thus, the script is focused on attempts by the protagonist to achieve something similar to a romantic relationship with Roxster (Leo Woodoll), a boy who knows almost accidentally. But the alleged novel has a forced and even artificial dynamics. In particular, when a significant part of the scenes that the pair shares shares, they are focused on clarifying that Bridget is very old and their very young love interest. It complains about it Bridget Jones: Crazy for himBe a kind of combination of cliches about what should be the search for romance of a mature woman.
This, forgetting that Bridget became his best, an icon like subversive and cheerful femininity. Nevertheless, such a prospect is not enough on the tape, which is more formed, showing jokes Without grace and uncomfortable scenes, without another goal, than trying to laugh.
At its end, Bridget restored the impulse to continue, and everything seems to indicate that we will see him again in the future adventure. But in fact, this opportunity knows little. Lost charm, the character is convicted to repeat himself. The worst news that leaves the tape in his way.
Source: Hiper Textual
