IDENE This is a horror film and does not hide it. But Stephen Sodelberg’s hand, who seems to be a n -g -overview of the topic of houses with ghosts, this becomes something bold and subversive. Everything, turning the spectrum that is hidden, to the point of view of the public. The script of David Kepp tells a complex story that is told in scenes that may seem dirty. Anonymous main character goes from room to room, character in characterTrying to create a card to understand what is happening, without its achievement.
The director’s ability turns above, which is a reflection of time, memory and nature of the inexplicable. Topics that the film carefully touches on how a very strange production is shown. The maintenance camera is not just subjective. In addition, this is the only link that your observer has in the real world. Thus, his slow wandering, on the one hand, becomes, in fact, a tour of what he remembers and should know. The trick that the director becomes exciting experience.
Of course, this is not the first time that Soderberg proves that from an original point of view it seems that it seems to be the plot of Troy. Since his debut on Sunday in 1989, the director has demonstrated his fears regarding the cinematic language. So he turned Sex, lies and video cassettesIn the story of incorrectness and fear of proximity through interviews and the first invasive aircraft. Something like this is achieved with IDENEAvoiding the fall in the cliche of the genre and concentrating on the sentence of something original. This, without losing the atmosphere, which makes the tape become more and more dark.
A terrible story told by the first person
Great element in favor IDENE This is that, despite the more or less maintaining the main history of horrors, it avoids simple ones. Thus, the game in the prospects and angles that shows the center of the plot are never obvious and tiring. Although at first glance, technology Found shots Become a cheat -optic, the truth is that youberg is It is clear how the story works with supernatural dyes.
Thus, the director is trying to move from smaller to more. Of the quiet pictures that show an empty house – and make it clear that he will spend a good time of the unemployed – before the arrival of the characters, an ordinary family who just bought real estate. Soderberg comes step by step, setting the situation. Simple: this is a group of people with problems who are trying to adapt to a new place.
Thus, David Kepp, a kind of game, transforms the script. First, show how his main character without a name does not obey physical laws. So far, the room To another, without more obstacle, crossing closed walls and doors.
The second is to clarify that the family that now lives in the house is very far from the perfect, and that it has secrets. Rebecca (Lucy Liu), an obsessive mother who also has a strange relationship with her son Tyler (Eddie Madai), a classic school bandit. For his part, Father Chris (Chris Sullivan) is trying to awkwardly cope with the obvious disagreements of his relatives. Something, which becomes much worse from depression and mourning, the youngest daughter, Chloe (Kallina Lyan) passes than This is not possible to recover well from the tragic stage.
In such a tense panorama, the invisible presence that sees is another layer of problems. Especially because it is not harmless and soon, it is obvious that it can do more to observe. With its long sequences, which, it seems, do not occupy anywhere, at first it may seem absurd and even wear a little. But in fact, the director spends time to create an ominous atmosphere with small things. Finally, when the mysterious presence detects By chance, what you can do, real problems will begin.
Some bad decisions of the steering in the “Company”
The new film by Stephen Soderberg is not the first to use the ghost to tell the history of horror. In 2017, To the story of the ghost He did too. But instead of focusing the plot on fear, director David Loury used a promising trick to think about duel, loss and pain in the absence. In a sense, IDENE He also does, but in fact his intention does not move.
In fact, the best moments of the film are when the director uses his idea of silent protection. Especially when he begins to know himself – a turn of events with which he brilliantly processes the tape – and give subtle tips about his personality. The argument avoids being too obvious, and is also interested in revealing its secrets very quickly, Thus, devote interest in monitoring the mental evolution of your main character.
Maybe that’s why there are times when IDENE This seems dirty, cold and disconnected from their own history, as if it were engraved personnel only to fill the space. The plot hardly rises at these moments, and when he does not, the film enters in long minutes when it does not happen much. But if the viewer is patient, the tape ultimately shows the best of its history, in the last turn, which surprises to be natural, Not being immediately predictable.
For his last scene, Stephen Sodelberg seems to lose his pulse a little to follow a slightly abstract argument. However, history ends around and answers your questions. Something that does IDENEIN Something more than a brave experiment of horror films.
Source: Hiper Textual
