belief, New film Netflix was released and, as feared, disappointed many Jane Austen fans. It’s a messy job with lousy cinematography and a worse script. The result was a collection of nonsense that angered fans of the British writer and even fans of historical drama. Lack of adaptation the iconic shade of Jane’s subtle flair Austin to talk about the times she lived in. At the same time, this is a bunch of nonsense about cinematography. In the end, Netflix’s attempt to bring historical drama to a new audience turned out to be a major mistake.
Halfway between speech innovations bridgertons and with an erroneous addition to the style flea, Belief lacks individuality. And what’s even more worrying for fans is that it’s built on a bland storyline built to be far more usable than the original work. In the end, this is a romantic comedy without a certain tone, general and with a mediocre production.
So, perhaps it’s time to delve into other films based on the works of Jane Austen. At the same time, analyze that Netflix failed in its attempt at adaptation. Dull and superficial perception of the writer’s work? Or, conversely, has the platform tried an ambitious vision for the subject that could make connections with new generations?
We leave you five film recommendations for the work of Jane Austen, which will allow you to appreciate all its depth and beauty.
Sense and Sensibility
Eleanor Dashwood (Emma Thompson) only cares about her family. His sister Marianne (Kate Winslet) dreams of love. But between both things there is a situation of considerable difficulty which they will have to face. When the father of a family dies and leaves his son as heir to the family fortune, the Dashwoods’ lives change forever. And not only because Elinor will have to give up her hopes and emotions in order to fight, but also because Marianne will learn the bitter side of disappointment. All this in the middle of the English countryside, curious neighbors and, in the end, a magnificent extraordinary love story. Or rather, two.
This magnificent work of art directed by Ang Lee is arguably one of the best adaptations of Jane Austen in cinematic history. Written by Emma Thompson. The film is a detailed look at everyday life in Regency England.. But also a passionate and well-crafted transition into the emotional world of his characters. The combination of both creates a version of the story in several different dimensions of incredible elegance.
Remember? Brilliant performance by Alan Rickman as Colonel Brandon, the epitome of gallant, chivalrous and faithful love at its best.
Love and Friendship (2016 version)
The film adaptation of Jane Austen’s epistolary and posthumous story came to cinema with a mockingly sweet take on love and social savvy. But beyond that, it’s also a brilliant journey through the concept of female identity in a challenging time. Jane Austen, who never saw the novel published, turned the original story into a clever take on belonging and emotional connections. At the same time, a work full of humor, surprisingly, reflects something more complex than what is obvious in human nature.
Director Whit Stillman manages to make the story of the young widow Lady Susan Vernon (played by Kate Beckinsale) sparkling and dynamic. But at the same time, linking the idea of convenience, cultural and social pressure at a darker point. The result is a film full of nuances, analyzes the concept of femininity in a difficult time without drama.
Instead, he analyzes a powerful original work from the concept of the sensual to the subtle dialogue with dissimilar points. From the search for identity to love as a panacea in a hostile society. The film manages to build a version about beauty, time and the only thing that surprises with its sophistication.
Mansfield Park (1999 version)
Fanny (Frances O’Connor) must handle her the best she can. poor relative status of a wealthy family. Also with the weight of society, which he cannot please despite his attempts. In the midst of this complex scenario, the character longs for love. But this is not among your options. Especially when the weight of her life and her decisions make her future a great unknown even to herself.
Mansfield Park it’s a nostalgic work, but it also makes Jane Austen’s brilliant sense of humor permeate even her melancholy scenes. Also, the film is a concrete example of an adaptation that manages to link the historical period with current and contemporary social commentary. And all this without losing a sense of emotions, sensitivity of approaches and connection with good, evil and pretense of reason.
Through careful staging and a brilliant journey through its characters and suffering, Mansfield Park respects the source material. Also it is an intellectual film that connects a sense of morality with fate. A major story achievement that turns it into a beautiful work of art.
Emma (2020 version)
Emma (Anya Taylor-Joy) is rich, smart and single. But at the moment, her biggest aspiration is not to find a husband. Or not immediately, which is quite unexpected for the tough English society in which he lived. Emma is convinced that love is a profession, and marriage is a matter of honor. So she will do anything to ensure that her friend Harriet (Mia Goth) achieves the dream marriage she knows is essential for her future.
But while she succeeds, Emma will discover that not everything is so simple in the world of feelings. And that she herself would have to face the difficult part of understanding the long road to happiness. With its unusual production and lavish visuals, Autumn de Wilde celebrates the spirit of Jane Austen. Also, an accurate visual and story work that managed to capture the best of the original work and incorporate new elements.
All with deep respect for the imprint of Jane Austen and her perception as a writer of great importance in the literary world. With his radiant tone, sometimes thoughtful, but always elegant, Emma is one of the great gems of the Jane Austen adaptations.
Pride and Prejudice (2005 version)
Director Joe Wright has the rare honor of directing a generational classic romantic film almost by accident. Wright was not the first to decide to implement this project. In fact, the production fell into his hands after being rejected by several producers. And he got on the big screen only thanks to the director’s determination to create a “sublime” play based on a particularly beloved book. The rest is history.
This adaptation of the Jane Austen novel of the same name is not only one of the most appreciated by fans. Also, an extraordinary work that takes the best of history and sublimates it to create a warm, deep and sincere atmosphere. When Lizzie (a very young Keira Knightley) falls in love with the strange and distant Mr. Darcy (Matthew Macfadyen), things get complicated in her life. Especially when this condition of love is a consistent and powerful view of personality, spiritual strength and will.
Known for its meticulous timing and superb script, the play transcended its identity as a historical rarity. A cult classic, it’s also a fitting and elegant take on the idea of adaptation. Something the movie achieves with particular sophistication.
