Los Sin Name, a series of horrors, about which everyone is talking about what you should see this weekend

NamelessThe new adaptation of Roman Ramsey Campbell, available on Movistar+ saves the expectation and drama of the original story. But, in addition, it provides a new format – and, therefore, great depth and complexity – to a dark premise. The one that has already been delivered to the 1999 Balaguro movie. The result is a story that explores more than six episodes in the horror of an apocalyptic sect from several points of view. Also, Give a fresh overview of a well -known fucking child, capable of the worst.

Director Pau Freix and the adapted Paul Cortokans, the series begins at the same starting point as a memorable Spanish film. Claudia (Miren Ibarguren) crosses the border situation. Years after his daughter Angela (Valentina Guy Alisia Bravo) disappeared and received the dead, the latter returns mysteriously. Everything, through an alarming call that stirns All that Claudia believed was a few years ago.

From there, Nameless This becomes a personal study with the supernatural dyes of the thriller. Something, which leads directly to the trace of the apocalyptic sect. The testimonies that Claudia herself and the former inspector (Rodrigo de La Serna) are trying to continue the whereabouts of a young woman, who is now part of the culture. But the new version of history no longer rotates around demonic rituals, as in his version of the film. Instead, he chooses a more scientific reading.

This is thanks to the charismatic leader, obsessed with a change in the future of mankind using minors with certain abilities. A change that is reflected in the smaller elements of esotericism and in the approach of the series in rational and scientific discourse. So before it was a pure evil, here he becomes a perverted version of progress.

The story of modern evil for “nameless”

One of the most amazing changes in the adaptation of Movistar+is how Angela’s character is decided. Instead of leaving its appearance as the last surprise, the series decides to actively integrate it to the last stretching. In addition, gives it a more leading and less symbolic role. The move is strong: Now this is not a devilish figure, but a teenager who is able to return life.

This new perspective completely changes the center of history. And although some elements that relate to a religious imaginary, especially the end, remain, a prospect with which the character of the character is less ambiguous and more literal. Angela is no longer a hook to catch her mother, and a figure with concrete abilities. The method in which family ties are rewritten is also significant. In this version, Claudia not only pulls the loss of his daughter. At the same time, she is pregnant with a new child who adds an additional level of drama in history.

New characters and points of view for “nameless”

In the figure, the detective also experiences the appropriate transformation. Instead of a sober and tanned inspector, who is the fiery central character of the film 99, the series shows a person completely stunned by his past. Rodrigo de la Surna plays a former policeman with a tragic personal story, Noted by stolen childhood during the Argentine dictatorship.

This forced biography, included through a rather unnecessary memory, seems to be an attempt to provide the character with an emotional density that is not always justified on the screen. The character is already loading his own failure as a researcher, with his drift to marginality and, of course, with a clear absence. So adding more layers does not add more layers, but is saturated.

Another invented the other, especially for the Movistar+series, trying to ensure the context of Angela’s abilities. Laura Rei (Milena Smith), after Angela revived her, becomes a successful author, writing about his experience as part of the sect. This storyline, which introduces the media and editors, serves to combine history with problems such as operation of pain, the market of injuries and the cult of testimony. But although the idea is interesting, its development does not end at all.

More stories to tell in a new format

Of course, the serialized format makes the story expand, and with it, often, often unnecessary. The result is a story that seems to feel more comfortable, complicating itself than increasing tension organically. Closing, far from providing clear answers, Choose a few free ends that indicate a possible continuation.

If there is anything, that deserves the allocation in this re -reading NamelessThis is visual work. The photograph responsible for Julian Elizalde manages to maintain a dark atmosphere without resorting to reloading the formulas. Unlike a feature film of the late nineties, which rely on a very noticeable Gothic aesthetics, the series chooses a more raw, more naturalistic image. There is a clear intention to create horror to coexist with everyday life.

This appearance, which is never explained, is perhaps the most effective offer. This is where fear works: when he is not emphasized when he does not scream. At that time, the series leaves noise and finds a more accurate impulse. Freixas’s hand also shows in the direction, Especially in the rhythm -solutions and how it controls the space.

While the story is scattered on many fronts, at least the visual plane supports some consistency. In a set so saturated with ideas, this official order prevents everything from collapse. This is not perfect, but at the best moments he manages to bother, not to mention.