The Netflix movie catalog can be a box of surprises. One that is confusing due to its ability to contain products of all kinds. And also for being a unique space that combines Oscar-worthy works of great quality with other mediocre ones. The result is a long list of options that always surprise with their variety, as well as the many nuances they offer about the world of cinema. A journey, sometimes confusing, through the language of modern cinema and all the nuances it can show.
Transformed into a versatile screen capable of creating instant hits, Netflix is a look at how visual ideas are expressed today. Among all kinds of films and series, the platform also includes curious story experiments. Some of them are so unclassifiable that they cause long discussions. Others are direct explorations of the nature of cinematic art, surprising in their versatility. Netflix, which is often criticized for a lot of superficial and low-quality content, also holds some noteworthy treasures.
From bizarre fantasies of reality and talent to extravagant takes on famous characters. Weirdest Movies on Netflix an interesting journey through the discourse and the way cinema meditates on itself. We leave you with five Netflix movies that will leave you confused, bewildered and, at best, they will blow your head off. A completely new look at the idea of visual language as a transformative element and awareness of its impact on modern culture.
OK
Before Bong Joon Ho made a conceptual revolution with Parasites, presided over a strange gem that still surprises today with its unusual quality. The story of an unclassifiable being destined to become the object of the greed of a ruthless world. it’s a sinister tale. As well as a deep and well-constructed perception of alienation, fear, and especially how nature is the main victim of modern hubris. But the South Korean director never makes life easy, so this is also a tour of a few of his favorite themes.
From collective and social cruelty to individual thought, which can become a tool of abuse. Pong Joon – Joe walks awkward places about our time’s relationship with nature. At the same time, it gives great importance to how we understand the possibility of hope. Join the search for reasons to plunge into goodness and even, in single elements about the ideal, fear and tenderness. All under a careful look at what time can be, a modern idea of success and recognition of the other.
With his obviously reserved air, With a powerful script and an engaging point of view on issues of great importance, the film is embarrassingly beautiful. And it’s certainly an odd addition to the Netflix movie catalog. So much so that there is a big dilemma as to its real message – is it an environmental fable or something more sinister? — is still under discussion.
Velvet Circular Saw
Art and the supernatural have often been mixed in idiosyncratic and very strange ways throughout much of Western history. Director Dan Gilroy takes a premise and turns it into something more intriguing in Velvet Circular Saw. This is a unique hybrid of comedy, critical, slasher and supernatural horror. All this is seasoned with a good dose of artistry as a hypothesis about the collective identity.
With all his cargo of a cynical version of the art world and its intrigues, Gilroy (aka screenwriter) ponders disparate questions. From the overtones of the commercial, the ambiguous and the evil in the artistic, to the horror in its purest form. The Netflix movie is a disturbing mixture of clichés about human nature and its nuances. So, what starts as a light satire turns into an exploration of death and the supernatural. Everything is a form of beauty.
Gilroy plays with the common symbols of corruption in the art world. But he also develops a very sophisticated, tongue-in-cheek theory about the history of art as commerce. “You’re selling art, you’re selling your soul,” the Netflix movie hints in a weirdly twisted tone. Gilroy’s version of perceiving art as part of the need for intellectual commerce, It’s hard, but it’s also fun. The heroes move from one place to another, laughing, flirting with each other, demonstrating their knowledge, and finally dying in the midst of horrific bloody scenes. An extravagant landscape that is becoming increasingly impossible to comprehend and understand in its entirety.
slug
The found footage genre is usually an ideal opportunity to experiment, create and especially take cinematic languages and dialogue to the next level. And Patrick Bryce’s Creep doesn’t just do that. In addition, he turns what at first glance seems like a terrifying plot into disturbing questions about identity, reality, and the very substance of time.
With his understated, strangely fractured air and sickly look at human nature, slug it’s a surprise. But at the same time, this is a sinister and neat rethinking of the view of collective darkness. Who are we when no one is looking at us? Bryce uses cameras, videos, computer screens to create a sense of imminent presence. About unhealthy and dangerous observation. And, finally, the idea of the terrible, overwhelming with its terrifying power.
From simple – Sending a record continues in everyday life is not new — slug includes elements from several different genres. Horror, suspense, drama and existentialism coexist in this extremely rare sense of identity. But this is his last segment, the one that asks the most questions about man and his context as part of something more sinister. What is beyond the shadows that coexist in our minds? A question that a Netflix movie doesn’t provide a linear answer to, much less a simple one.
Shells
This uncomfortable version of discrimination directed by Eduardo Casanova reflects on the perception of the other from cruelty. The director immediately establishes that society is cruel. Also that it is a set of horrors that are associated with the perception of the concept of identity as a stigma. The result is a twisted story, heavy and in most cases so painful that it creates an invisible scene of suffering and blame. Also for raise the idea of intellectual and moral journey through the idea of modern bustle, to new spaces and places.
Piles, implements the idea of difference at a distance and the idea of some kind of moral evil that manifests itself little by little. How important is appearance today? The question is posed from several different versions, as well as about the concept of the formidable, enclosed in a secret. The Netflix movie is a well constructed story. about the quality of the culture of our time to point out, devastate and devastate different things.
Secondly,Shells it is a version of who we are as part of an aggressive and ruthless consumer society. Little by little, Casanova manages to create an idea of modern evil, as new as it is simple. After all, what is so scary and terrifying about who we are as individuals? Perhaps the answer lies in the reflection of the mirror.
Jim and Andy
Jim Carrey is one of the most unique actors in Hollywood. Andy Kaufman was an eccentric who died leaving behind a long shadow of mystery and an unnerving eye for humor. Combining the talent of one and the legacy of the other makes Chris Smith’s documentary a dense look at talent. But not the bright and uplifting side of artistic abilities.
Ironically, the documentary asks questions about what lies behind the undeniable ability to create. A darkness woven from the laughter, jokes and antics of two men so similar to each other that it is terrifying. In the end, Smith manages to piece together how Jim Carrey managed to almost mimetically transform into Andy Kaufman for director Milos Forman.Do it from a harsh, cynical, and depressing point of view.which featured more of the actor than one might think. But also more from Kaufman than one might expect.
Jim and Andy is a disturbing mirror between two notions of the game, insanity and total alienation. But it’s Carrey’s slow, measured, almost sinister transformation into Kaufman that makes the documentary such a painful gem. Especially when he shows – from one to another – that creative talent is separated by a very thin line from madness.
