Long marchThe new adaptation of Stephen King, directed by Francis Lawrence, has a problem of study in a small original premise. The deadly game, whose prize seems to be the greatest incentive to risk dying or, in the worst case, kill. In the same year, the last season Calmar’s game He investigated the same assumption. And he did this from the horror of the competition without real winners. Something that the director is tanned in the famous saga Hunger games – This leads to a new level. That, raising the future in which life becomes currency For a despotic regime obsessed with control.
But, in addition, Francis Lawrence explores in the history of Stephen King from a completely new angle. A book that tells the story of a deadly walk of hundreds of young people, in which only one winner can be simple and perverted. Especially because the writer’s approach is minimalist and more focused on the investigation of the suffering of oppression than on the cruelty of the route. Thus, the JT Mollner script decides to combine both in progressive urgency in order to win. What makes all participants in potential killers and awards – The only desire that power must fulfill is indefinite.
Part of the success of the film is in the style of Francis Lawrence, who leaves no room for complacency: the commitment of rudeness, repeating and tiring as part of the experience. However, this is not the only reason that makes Long march This is not only one of the best adaptations of Stephen King, but also one of the best cassettes of the year. To show this, we give you three reasons to watch the movie. About his research and concentration in rare work, one of the greatest writers of modern horror, to his youth. Everything in order to explore in production aimed at labeling milestones in dystopic science fiction.
Intellectual prospect of an unconventional novel
Stephen King wrote a novel in just 19 years. Most of the dissatisfaction and suffering of his characters becomes a realistic reflection on youth and hopelessness. And although in the end he published it only in 1979 under the pseudonym of Richard Bakhman, the novel retained the feverish energy that permeates the story. Lawrence uses this youth rage, directs it and makes it a story in which the nonsense of the deadly competition reflects the rotten rot of the country that lives in ruins after the war. So the director creates a central competition in the plot on a dark reverse reverse television. More cruel, more exciting. The result is as inconvenient as absorption.
Another element that Long marchKeep from the initial text to be misleading simplicity. Fifty teenagers, one for each state and selected by the lottery, should go without stopping. If their passage from five kilometers per hour, they receive warnings and, to the third, shot. The competition was developed by the military, known as the mayor of El (Mark Hamill), who leads this event as a national show. The winner receives money and the opportunity to ask Desire, any desire, as if this reward could justify barbarism.
Unlike Hunger games The tape deepens the idea of such a show from some sobriety. There is no television structure, storytellers or impressive production. Long march Show a walk without jewelry. There are no complex units, simply isolated memories, because everything focuses on this endless route through the arid landscapes. The decision of Lawrence is clear: to take fatigue, physical clothing, a mind that slowly breaks. An alarming thing is how the route routine becomes a show. This is not an exciting effect, But accurately removed agony. Thus, repetition becomes a narrative resource.
Physician characters in the middle of the death script
With a similar approach, the characters become a key part. So besides heroes or villains, the plot Long marchHe deepens common adolescents who are forced to expose to death risk. In the center of the premise of Ray (Cooper Hoffman) a young man whose motivation is not just material. Thus, in addition to greed or its decisions to win at any price, there is His humanity. Next is Peter (David Johnsson, from Alien: Romulus), with an optimistic attitude that contrasts with the firmness of the event. In addition, whose friendship with Ray is one of the emotional engines of history.
Secondary strengthening of the idea that this competition is a portrait of a destroyed nation. Hank (bin van) provides ingenuity, art (here is a nobo) enthusiasm, which seems naive, Stebins (Garrett Waring) The distance of those who carries secrets, Barkovich (Charlie Plammer) – rage without control and curly (Roman Gryffin Davis) The vulnerability is too young for such punishment. Although some have barely time on the screen, their death is not indifferent, Because Lawrence includes them with humanity, even in their fleeting.
One of the strengths Long march It is also his ability to reflect on the isolation of violence. Instead of decorating it or providing worthy air, all competition is associated with human degradation. The decision that provides a terrible point of view on the country that allows such a situation of such cruelty and barbarism. A rare way to show dystopia and, above all, analyze violence as social evil.
Terrifying vision of greed and fear
Unlike other dystopia, Long marchThis is concentrated on a feeling of wear and horror of his characters. The journey takes place mainly in what the American Western environment looks like, with empty roads and endless fields, a landscape that acts as an open prison. The screen with the screen indicates the kilometers passed, and the days that have passed since the intersection starts, As if the public was involved in this gloomy accounting.
Much more interesting is the country that describes scarce civil passers -by, which observe the passage of the walkers. Standing, in the middle of free lands, with broken clothes or only in an unsuccessful physical condition, they demonstrate what is happening outside of competition. Hence Long marchLearn a difficult turn in the middle of totalitarianism. Inability to overcome the system, without weapons or opportunities for this.
And in the midst there is power. In another of his great terrible performances, Mark Hamill creates an ominous character like few. The eldest, always with sunscreen glasses, offers a Heart, loaded cynicism and blasphemy, as if his cruelty was a form of motivation. On the other hand, there are connections between participants who are built in the middle of the disaster. The relationship between Ray and Peter moves beyond their simplicity: they do not need big gestures, Enough with small acts of mutual support to give humanity to the film.
To finish and lose among fear, the characters must cross the worst human nature. Thus, Martin Lawrence makes the audience live with fatigue, suffering and impotence of pedestrians. This is not an easy or friendly film, but only there is his strength. This is a reminder that dystopia, in the hands of the king and Lawrence, does not require explosions or mass effects to disturb:Just make you walk to the end.
Source: Hiper Textual
