dragon house from HBO tries from the first scenes to make it clear what comes from the famous Game of Thrones. In fact, he begins by clarifying that the events he tells take place 172 years before birth. Daenerys Targaryen. Clearly, the tragic queen whose story traversed Poniente (Vesteros) with the last traces of the fire of violence is a huge reference.

So much so that the prequel to the George R.R. Martin saga immediately reinforces his memory. In a sober explanation the series begins its journey on television, making it clear where it came from. And, probably, the significance that comparisons will have in his plot from now on.

It’s not a secondary or random precision. Success Game of Thrones it marked an entire decade and turned its characters into landmarks of popular culture. To Dragon House does not ignore this phenomenon. He takes it to another level and thinks from a point of view other than the essential.

If Robert Baratheon’s Westeros was dark and gloomy and somehow decadent, the kingdom ruled by the Targaryens has an obvious vitality. And, at least in the first five chapters, he tries his best to distance himself – not always effectively – from the narrative that preceded him.

House of the Dragon, a giant board of individual figures.

From aesthetics to the way of presenting one’s argument. HBO Max production ties its essence to travel to a complex family context. The voices, which will show the cruel and insane genealogy of people capable of riding a dragon, begin with a home scene.

A voice speaking of the astonishment of the mighty blood that makes them rule by the power of the sword and power in a hostile territory. And it is this look at examples of the intrigues of the kingdom, at the mysteries surrounding it, that will dominate as the premise progresses.

The name of the Targaryens was pronounced with horror in Game of Thrones, black, bloody and terrible legend. AT dragon house, they are super-presences closer to the mythical than to the human. And the show makes that clear with its opening sequence. Blond hair and an imposing throne room immediately catches the eye. And, of course, the journey to the Iron Throne is the place to travel to the origins of all mysteries. How did such splendor turn to ashes?

old myth

The production is also aware of the gravity of the myth surrounding its characters. And as a dragon, bigger and more formidable than the young Drogon ever was, sweeps across the sky, the show brings a vital moment to light. This is the story of a rich and sophisticated era when the influence of its monarchs was heavy and hard to ignore.

During the first ten minutes, the script marvels at the new spaces and reaches have an immediate impact. King’s Landing is a thriving city, over which a magnificent winged beast flies freely. These are not riddles, myths or rumors. They are part of everyday life. And the series is responsible for making it clear right away.

Before and after Targaryen in the foreground

duet showrunners Ryan J. Condal and Miguel Sapochnik are surprised to show the territories of the most powerful house in Poniente. More and more magnificent and menacing. As if the production was supposed to embody the ambition that led to the fall of the Empire of Fire, Dragon Housen expands all its weight in images. But unlike Game of Thrones, the scene is much cleaner, neater. And with less incentive than one might think, in an argument, you want to tell a battle in the shadow of power.

However, the show has a hard time handling the intricacies of the delicate balance of power it wants to detail. There is something hurried, obvious in the scenes, wanting to clarify, that this is a new story. And it is this sense of urgency that makes his proposal less effective. One that makes it seem like an unwitting copy of a denser and more complex point of view.

House of the Dragon is a new series in the Game of Thrones universe.

Watch House of the Dragon on HBO Max.

High flying dangerous kingdom

Game of Thrones it was located in the layer of the epic fantastic and was analyzed within the framework of the concept of the magical in its darkest version. Against, dragon house has a distinctly medieval flavor, which at times makes her seem incredible due to her artificial appearanceor. In the first chapter, everything to do with how power unfolds around the throne has no real weight. However, make it clear almost immediately that the violence gravitates towards real cases and that it will flare up soon.

Rhaenyra Targaryen (Millie Alcock as a teenager, Emma D’Arcy as an adult) was born with a predetermined fate. And this is to rule in Westeros. With all the splendor of House Targaryen behind her, she is not only the eldest daughter of a powerful regent. At the same time, this is a demonstration of the connection with the ancestral fire of the house in which he was born. The character has a pronounced look of a tragic heroine., with a face that will soon realize the misfortune of its privileged position. A soon-to-be-ready heir, she forges her path with the will to the Kingdom despite the horrors that surround her.

dragon house

Whether it’s because of the excessive resemblance to Daenerys or because the story takes effort to convey her personality, Rainier is disappointing. Or at least that portrait of her, a correct but poor adaptation of her literary version in Fire and Blood. Much more successful is Viserys I Targaryen (Paddy Considine), exhausted by debt, recent tragedy, and then love. However, this clumsy king, unable to understand the intrigues around him, is a pale shadow of his brother Damon Targaryen (Matt Smith).

War is about to break out

The divisions between them, and the weight of ambition surrounding the fragile peace of the Kingdom, are supported by unreliable eloquence. And what worries more not always with all the careful perception of the affected string pulling, which should show. The narrative is unconvincing, and more than once long explanatory dialogues get left halfway through. Between shocking images and increasingly violent events, this legendary and unknown Westeros is shown with no real impact.

Of course, Damon is in the spotlight. The character is a vivid portrait of a formidable and twisted villain who is destined to become the center of the story. Smith portrays him with a kind of fraudulent bravado that manages to add some poignancy to his violent discontent. But the argument doesn’t have them all with it fight the clichés that the actor stumbles upon with deplorable frequency. Much more interesting and complex is the Hand of the King, Ser Otto Hightower (Rhys Ivans), who will move the manipulation mechanism.

dragon house

Alicent Hightower (Emily Carey as a teenager and Olivia Cooke as an adult) is one character at the moment, surrounded by small plot bumps. During the first five chapters, the script fails to eliminate the lack of ambiguity. Or to achieve this, at least skill. And it is this central figure on the board that the civil war is coming soon, one of the weakest points in the series. Also, one of the least convincing when surrounded by formidable figures. Or at least they try to be.

dragons fly high

At all, dragon house makes a careful display of his script, which heralds a tense, violent season that will go down in history. Will he be as formidable as he was Game of Thrones? Too early for that lookbut it is clear that production is trying with all available means.

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With a bet that doubles down on sheer violence, sex, tricks of power and extravagance, dragon house try to surprise And he succeeds, in some of his best moments. However, he still fights for his identity, but without much success.

Is it telling an independent story, or is it the context of a larger event? So far nothing is very clear. But yes, it’s an important moment. The House of the Dragon is made up of legends. And perhaps this is the most interesting in the middle of small white spots that often blur the scene.


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