In the last chapter She-Hulk: Lawyer She-Hulk, Disney+, Jennifer Walters (Tatiana Maslany) attends an old friend’s wedding. The character has every intention of dazzling with his magnificent alter ego with green skin, but ends up having another bad experience. A snub of her human version, a few jokes about her appearance, and finally a scene in which the heroine shows off her powers. All this in the midst of a trivial atmosphere loaded with a certain socio-political commentary.

So far, the series has been limited to the same format week after week. At the same time, with some periodicity, hints are included that sooner or later a more serious conflict will arise. Of course, he also made it clear that the long-awaited Daredevil cameo, played by Charlie Cox, would be coming. But besides this, the production is a collection of platitudes about sexism and a supposedly unreliable feminist vision.. So little believable and effective that it turns the series into suspense.

Where is your argument headed? Does a nine-episode production that is really nothing more than a comedy make sense? Perhaps Marvel is trying to shift its register to a lighter tone and pay homage to the iconic comic that the series is based on. However, in general, She-Hulk: Lawyer Hulka has serious problems with combining all of its parts into a single approach.

She-Hulk: Lawyer She-Hulkhuge unknown

In the middle of the fourth phase of the saga – unconventional and highly criticized – production seems to be a particularly low point for Marvel. Even its technical part is an element in the midst of a debate about the studio’s ability to cover such an ambitious project. The company that tripled its content in streaming and doubled its theatrical releases, it seems to have real problems maintaining its quality standard with so many new releases.

Before the premiere, early previews of the series showed the production’s poor digital effects. Something that, despite the promises of research, hasn’t improved a bit since the series aired.

Most of the criticism around She-Hulk: Lawyer She-Hulk they are associated with a combination of a scenario without depth and a bad visual part. Between both things, the series finds itself in an uncomfortable gray area that questions even its simple quality as part of a larger saga.

What does a script that uses its obvious feminist and light-hearted background as a stage to represent a new aspect of Marvel point to? Despite good intentions, the series’ execution is sloppy, mostly nonsensical, and simple at best.

Production without direction or real meaning

The story, which includes all sorts of allusions to the saga it belongs to and its impact on immediate events, doesn’t delve into what it promises. So far, its primary purpose is to entertain, and much of its premise is centered around humor. What would be an innovation if the narrative did not lack elements to deal with the most confusing moments.

A big problem She-Hulk: Lawyer She-Hulk lack of clear goals. The research seems to have pushed his need for innovation into inconsequential territory. Its first four episodes featured what appeared to be an overview of the Marvel Cinematic Universe from real life.

Also a few strokes about a hidden danger for the protagonist. However, later chapters failed to develop the various storylines he got involved in. On the sixth, and only three left before the finale of the season, the series continues to move in foggy spaces.

Who is Jen Walters? Question left unanswered She-Hulk: Lawyer She-Hulk

Not maintaining the identity of its protagonist or its powerful alter egothe series insists on hackneyed jokes about the modern woman. Jennifer Walters is a stereotype of a thirty-year-old single woman on American television.. There is not the slightest novelty in the embarrassing and often humiliating situations he has to endure. Especially with the plot twist he has to deal with. alter ego which surpasses him in fame and recognition.

She-Hulk: Lawyer She-Hulk

A production that pays homage Ellie McBeal and similar series from the 1990s don’t balance each other out. There is something old-fashioned and out of place in her approach to the dilemma of being a woman with power in a misogynistic environment.. And this despite some interesting points that indicate that the series can develop in this direction. His social media allusions to toxic masculinity, attacks on inclusivity, and derision from disgruntled fans are witty.

But the series twists them to re-enter situations as unimportant as they are poorly planned. To this day, this woman, who has to deal with a seven-foot green-skinned version of herself, is obsessed with her love life. So much so that its fifth chapter is an overview of all the reasons Jennifer should feel humiliated.

At the same time, they joke about her appearance, how she dresses, about her talent as a lawyer. Some of them are no more than a recombination of all the clichés of romantic comedy heroines. Only this time in the form of a future superheroine.

In the end, the series pays homage to its humorous origins, but nothing more. Despite his slight hints that it could be a deeper production. A confusing combination that the production doesn’t overcome and ends up turning it into a side project. To make matters worse, the iconic Jennifer Walters in a 2D look that doesn’t go beyond bleak derision.

this is She-Hulk: Lawyer She-Hulk Marvel’s first real failure?

What has the series shown so far other than his cameo? From breaking the fourth wall? About a possible introduction of a cult character? She-Hulk: Lawyer She-Hulk it attracts lukewarm criticism and has little effect on specialized opinion. And, more worryingly, does not cross the line to become part of this great universe, seeking to expand with its new tone.

Is this an unsuccessful attempt to analyze an unusual character? Marvel, which is often criticized for the way it portrays its female characters, had a great opportunity to support an unusual heroine.. Passionate, independent, influential and humorous lawyer. But, in contrast, the television Jennifer is more concerned with her personal life – upstaged by She-Hulk – than anything else.

This may sound funny. However, is this enough for a series announced as a new experiment? The worry is that the same question could be asked about Marvel’s fourth phase, which is where the series is arguably at its lowest point.


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