AT American Horror Stories: Bloody Mary, the horror of a famous and sinister urban legend becomes a pop culture study. After all, a ghost that kills if someone says his name three times in front of a mirror is part of the legacy of generations. In the Ryan Murphy series too, and it is clear that the director drew inspiration from CandymanNia Da Costawhich also uses an element of folkloric oral history as its starting point.

Both spectrums are variations and consequences of violence. And also about the great horrors that created monsters to the extent of suffering, defiled innocence.

But, according to the argument American Horror Stories: Bloody Mary, vengeful ghost lacks substance and complexity a murdered slave who returned in revenge, to whom Nia Da Costa gave a new face. In fact, the script forces his character to become a superficial version of a much larger horror tradition. And even worse, in a less developed, denser and more dangerous perception of what it could be.

American Horror Stories: Bloody Marydark fairy tale turned into horror

And all this despite the fact that the episode has every chance to turn the traditional and well-known Bloody Mary into a terrifying story. From the disturbing play of a supernatural figure who appears to kill, to the menace that looms over a trio of distrustful teenagers. The setting could be either in a supernatural horror story or in slasher First level.

The plot tries to mix both things. American Horror Stories: Bloody Mary During the first ten minutes, he goes through the acute feeling that the evil is about to manifest itself. At best, show the strange context that surrounds him, as well as what can happen when it’s more than a threat.

But the argument loses time—and substance—in long explanatory dialogues without meaning or depth. He does this by immersing himself in this supernatural presence, halfway between collective horror and the element of evil. Bloody Mary from American Horror Stories: Bloody Mary he is a ghostly figure who goes out in search of victims. But, at the same time, he is also a hostage to the endless cycle of ideas about the terrifying.

An unfortunate take on a sinister story

The script fails to easily balance the two points of view and, in fact, there are moments when the story stops in the middle of confusion. Is the ghost trying to get revenge or be justified? What message is this creature trying to convey, halfway between a nightmare and an unresolved yearning for justice? American Horror Stories: Bloody Mary it doesn’t explain it, and one of the episode’s biggest problems is the use of the mirrors metaphor as a line that slips into the dark corners of the human mind. Could Bloody Mary be the deepest expression of horror? A form of mass hysteria?

American Horror Stories: Bloody Mary

Such a suggestive premise could turn the episode into a search for meaning in the dark. But it isn’t, and in fact, much of the story is about the idea of ​​a large-scale game of cat and mouse. Once summoned, a Bloody Mary cannot be stopped.. On the contrary, he only gets stronger as he kills. But a script that too often ignores its own rules loses a lot of effectiveness in trying to create a backdrop for its being.

From his origins in bondage – perhaps one of the episode’s most famous moments – to the first appearance of the spectrum. American Horror Stories: Bloody Mary uses the essence of a folk tale to ask questions about the nature of evil, terrible and invisible. Little by little, however, the character turns into a rare mixture of frustrating menace and contrived presence. So much so that it causes the story to lose effectiveness, meaning, and finally all of its horror qualities.

American Horror Stories: Bloody Mary

Night of dark mirrors American Horror Stories: Bloody Mary

American Horror Stories: Bloody Mary ventured to rethink the traditional figure of the horror genre and only succeeded in some of its most compelling scenes. However, everything else is a random combination slasher hardly believable and a ghost story that lacks mystery and structure.

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In his last episodes, the abundance of mirrors reflecting the face of evil is tiring. And what’s worse: they destroy the atmosphere that the head created with care and good taste. For your end American Horror Stories: Bloody Mary he fails for the same reasons he could have succeeded. The need to link the view of the terrifying according to new rules. But the episode lacks the brashness to live up to its own premise. Perhaps his biggest mistake.


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