In one of the most unusual scenes Goliath, written by Frédéric Tellier, Patrick (Gilles Lelouch), lawyer and activist, worries about the impact of social media and post-truth. Suddenly strength trolls and bots it becomes close, complex, to be taken into account. “Poison is already well-received,” complains the character. Despite the fact that the case he is involved in is actually a complex lawsuit with little to do with the virtual world. But the director makes it clear that in the second decade of the 21st century, justice must go through a difficult path in order to be embodied.
The screenplay by the same director and Simon Mutairo brutally admits that in our time True, this is a nuance with multiple interpretations.. He does this in the midst of his heroes’ despondency, when they realize that the law isn’t always fair, or that it won’t be right away. GoliathIn fact, he always moves in an ambiguous and complex area in which circumstances must be subjected to malicious analysis. Even in such a complex and difficult business as public health.
In a year when films are liked she saidMaria Schrader returned political and ethical dramas to the cinema, Goliath This is a strong reflection. Especially when the script forgoes half-measures and asks uncomfortable questions about the possibility that the truth must collide with force. Under what conditions can he do this and in what cases can he win in an unequal battle.
When a small town learns that a pesticide can cause very serious illness in its inhabitants, it will try to fight. But in order to win or, at best, to achieve something close to justice, you need to understand what you stand on. And that, of course, is something that has to do with clumsy lobbying, political red herrings, and, no doubt, fighting in and out of court for credibility.
Goliath and the balance of good and evil in our time
Tellier does a great job with the current perception of honesty and incorruptibility. scenario Goliath Little by little, he shows his characters as the centers of a battle that is being fought in the dark. Patrick is, on the one hand, a lawyer with a sense of legal feasibility that might seem idealistic if he weren’t so practical. On the other hand, Matthias (Pierre Niney) is a symbol of political power, which relies on money and influence.
Of course, this is not a new optic. Although this is how Tellier tells scenarios that overlap. From the possibility of truth being tested before a judge, to the bedside of a sick person contemplating ethics. Slowly, Goliath shows various battles that are fought in a hostile environment in which corruption and hopelessness are linked to a sense of duty.
The director does not try to show how good and evil are understood today. Rather, it delves into its nuances. In what a tireless lawyer thinks about in the most difficult moments, in the worries of a politician, among moral decisions that surpass him.
Goliath This is not a look at how to defeat a giant enemy with a small amount of weapons, although the title suggests it. In fact, arguments about why the most personal decisions are made are becoming increasingly uncomfortable. Just as it affects the small and painful daily difficulties.
Pain and fear as a search for ideals
The French legal system opens up in several different directions to show its complex aspects. But Goliath Try not to sound too local. In fact, it is more of a well-constructed reflection on What are the scenarios for the great legal battles of our time?.
Further, when money and influence can be the difference between success and a distortion of trust. Goliathwhich avoids direct judgments, is much more interested in exploring the real possibility of defeating large companies and consortiums.
Definitely, Erin Brockovich, the brave woman of Steven Soderbergh, set the pace and meaning of such dramas. But Goliathwhich is far from the spectacle of Hollywood, bets on the discretion of a more intimate card.
“Justice is not born spontaneously, you need to find its roots,” says Patrick, sitting next to the bed of a sick child. A simple image, but one that sums up the power of this film based on its symbols and moreover its great silent lessons.
Source: Hiper Textual
