In film Renfield, Dracula he is a narcissistic, melodramatic and cruel creature. The Beast is convinced that immortality is the privilege of the few and that it should be enjoyed without any moral restraint. The sleepy reimagining of the classic figure is nothing short of a new addition to the vampire movies. However, in this case, we are presented with a hedonistic character, convinced that blood is a means of knowledge, and murder is an act of vanity.
Undoubtedly, Nicolas Cage’s performance brings a unique touch to the well-known story of a ghostly character who must kill in order to live, and opens up a new dimension to his long cinematic history. From NosferatuFriedrich Murnau, up to the trilogy Blade. Arguments about immortal life from the darkest and most sinister places have become an extremely popular genre in the seventh art. And also how they immerse themselves in topics as different as fear, loneliness and death through their terrifying existence.
If you are one of those who love this genre, we leave you with five vampire films that reflect on eternal life from new perspectives. Religious guilt, tragic love or humor are key in this horror genre journey through human nature. An immersion in the collective concept of death and life is perhaps the most important feature of this strange collection of stories about a kind of evil that never loses interest.
Thirstwhen religion meets vampire movies
for the priest sang hyun (Song Kang-ho), the violence and cruelty of the modern world is unbearable. Precisely because he has to deal with both on a daily basis and is almost always on the losing side. In this whimsical vampire film, cult director Park Chan-wook creates a horror exploration of the existential void through a character wounded by hopelessness.
This man, convinced of the reality of the supernatural, especially in its kinder version, has no explanation for the spread of evil. And he realizes that there is little he can do to fail in any of his attempts to comfort the poorest and most destitute.
So when a health accident turns him into a bloodthirsty monster, he has to face a world that goes beyond moral boundaries. The Korean director manages to make his character go through intense erotic and bodily desire until he reaches remorse, which becomes more perverse. Gradually, sang-huin he will lose his humanity and realize that perhaps goodness was never real, other than a religious mirage. In its bloody finale, this film about a colorful vampire shows that the protagonist is not just an unstoppable monster, but a victim of his own intellectual pain.
What are we doing in the shadows
This mockumentary is a humorous take on the vampire myth that surprises with its ingenuity. Viago (Taika Waititi) Vladislav (Jemaine Clement) and deacon (Johnny Brug) – immortal people of different ages and backgrounds. They live together in an apartment, experiencing occasional discomfort as they try to record their existence in the shadows on video.
The camera closely follows them throughout the long nights in search of blood. And also in their crazy discourses about life, death, fashion and love. And, of course, in his diatribes about the great and small inconveniences of the world in the shadows, inhabited by monsters and their minions.
Directors Taika Waititi and Jemaine Clement turn what might seem like an absurd plot into a very rare vampire movie. A brilliant parody of the beliefs, prejudices and moral anxieties of the modern world. The result is a provocative plot in the form of a large-scale satire on the horror movie and its usual codes. With his particular eye for fear and distortion, the script moves through clichés and clichés with skill, but above all, with deep sensitivity.
Dracula by Bram Stokerthe most mythical of vampire films
It may seem that this is a simple adaptation of the literary classic of the Victorian era. But in fact, the work of Francis Ford Coppola is a risky experiment with very good results. Halfway between gothic romance and sheer horror, it’s also a decadent and morbid love story. It’s all wrapped up in a great baroque aesthetic and a meticulous visual section.
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The big novelty is his deep approach to Count Dracula. The plot of this vampire movie, played by Gary Oldman, shows him as a creature that goes through every place in the classic story. From a young voivode, immortalized by historical chronicles, to an aged waiting Jonathan Harker (Keanu Reeves) at the gates of his castle. The vampire in the film is an absolute presence that runs through the ages in the wake of a rush of blood and love.
An amazing journey that will end when he meets Murray Mine (Winona Ryder) London under the authority England victory. The film thus reinvents the classic in a tragic romance that can only end in death. Despite the predictable ending, the script avoids clichés and offers the lovers an epic conclusion to their quest for immortality.
Girl comes home alone at night
This vampire movie shows a nocturnal creature traveling through the modern world from a sinister and distant vantage point. In an unnamed Iranian city, a girl (Sheila Vand) wanders in the shadows. He wears black clothes and barely speaks.
Director Ana Lily Amirpour follows her character through tangled streets and alleys with a barely lit light bulb. The camera focuses on her in all her strange pale beauty, in long silent black-and-white shots. Which reflects his attempt to count on immortality in the midst of bitter loneliness. The plot is more interested in exploring the feelings of a being unable to die than in its tempestuous passions. Which gives the classic story a dreamy and sad air in this unique vampire movie.
The narrative delves into how this woman-faced creature’s inner life is as strong as her bloodlust. It contains in itself both that, and another, carrying out exclusive and exact justice. The girl kills not from hunger – not always – but from a strict sense of morality, which, after all, is the central point of the film. Haunting in its ability to convey the tension of fear, this film is a rarity in the vampire genre.
only lovers survive
Eve (Tilda Swinton) and Adam (Tom Hiddleston) have been together for over five centuries. In the new millennium, both live in different parts of the world, but they continue to have strong romantic ties. For this reason, when she realizes that immortality is beginning to be an unbearable burden for him, she goes to meet him in a dilapidated Detroit. Together they will begin a new chapter in their lives and a new exploration of immortality as a hedonistic and intellectual experience.
Jim Jarmusch has created perhaps the most unusual vampire film of the last twenty years. There is almost no blood in it – only in popsicles – and the cruelty of the immortal world is not visible. The true interest of the director is to convey through a couple of beautiful monsters the subtle and mournful serenity of existence without measure and comfort. Circumstances that overwhelm them and time that runs parallel to their earthly worldly wisdom.
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After all, this vampire movie lacks a moral other than the passage of time and the eternity of love. The subtle message left after the last scene shows the true nature of these beings, doing nothing but hint at their supernatural nature.
Source: Hiper Textual
