Mermaid Rob Mashallah is not only the latest – and most advanced – live action Disney today. It also shows for the first time that recent reimaginings of the studio’s most famous classics are aimed at a new audience. So while essentially the same plot is kept, the new films have twists and turns for the younger generation. Something that adds an innovative dimension, enriches both the cinematic language and the staging of various projects.
In the case of the history of the classic novel between Ariel And Ericthe narrative becomes more mature without losing the tender concept of first love. In addition, he analyzes his characters from new perspectives and gives them more depth. This decision allowed the script by Jane Goldman and David Magee to tell a story that included the evolution of the main characters. Likewise, more detail in its context and a much more mature conflict than in the plot of the classic Mermaid.
We’ll tell you what are the most significant changes between the original Disney version Mermaid, released in 1989 and current. From new insights into the motives of his central figures to a more sensitive approach to their pain and hopes. The new film is a journey through unpublished territories in a story intended for an audience other than that of the animated film. A solution that enriches remake in especially valuable ways.
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Mermaid explore your personality
One of the great new live action from Mermaid it’s growth Ariel like a character. In addition to Halle Bailey’s brilliant performance, which brings vitality and charisma to the role, the script devotes time to her inner growth. Including the fact that his motives go beyond chasing an unknown man on the mainland.
New version of the smallest of daughters Triton (Javier Bardem) is an independent and curious spirit who seeks to understand the world. Which makes her leave her kingdom in search of answers. An adventure in which he will have to go through emotional and intellectual discoveries.
Ariel is not just a mischievous and naive creature. She is also a growing woman who needs to understand herself through her aspirations. Which makes her decision to risk her life for Eric when the little mermaid falls in love more understandable and less controversial. The twist in the script enriches the plot, turning it into a story of growth, maturity and inner search, even more inspiring than its first version.
Prince with more personality
IN Mermaid since 1989, Eric there was a reason why Ariel desperately trying to become human. In this case, while he is still the protagonist’s love interest, he is also a person with his own context and significance.
The new prince, played by British actor Jonah Hauer-King, has his own conflicts and worries. How Ariel, he feels out of place and finds a space in the sea with which he can identify himself and explore his inner world. So his passion for the sea is not an accident that benefits the plot, but a consequence of his decisions.
The same goes for your relationship with Ariel. Both feel a deep mutual attraction, and their connection is a natural fact, and not an event predetermined by higher forces. A bond that comes from mutual understanding, intellectual understanding and true chemistry. for script Mermaid, it’s important to show how the instant attraction between the two characters develops into something deeper. A perspective that allows the plot to move towards feelings not explored by the classic film and that will no doubt arouse more interest in a new audience.
Eric has a mother and a trustworthy environment.
Another major change to the character of John Hauer-King is that, unlike his animated version, he has a mother this time around. Queen Selina (Noma Dumezweni) provides character Eric the sense of belonging that the context provides. In addition, the relationship between them suggests that there are events in their past that go beyond Ariel. The fact that the prince is adopted also makes it difficult to understand how he analyzes the kingdom and his duties.
The same goes for his life outside the palace. IN Mermaid since 1989, Eric he practically retired to his castle, but in the new version he is a born explorer. The young man is crossed by the need to prove himself and grow up, which allows the viewer to understand his point of view.
World Eric it is colorful, bright and full of enthusiasm. Light is everywhere, and unlike Ariel’s underwater realm, this is a warm, well-constructed space. The visually Caribbean aspect, with its friendly faces and constant sense of prosperity, evokes curiosity and questions. Aspects that will eventually bring the couple together in an unexpected and realistic romance.
Painful past of the father Mermaid
Although it is hardly mentioned – one of the real problems of the first part of the film – Triton Javier Bardem also has a little background. His distrust of the human world – and his seemingly cold and distant attitude towards his daughters – stems from an old trauma. Mother Ariel she was killed by humans, so any contact with the mainland world is forbidden by the monarch of the ocean.
Little help doesn’t fit Mermaid Rob Mashall, but allows you to link the film to one of the plots that continue the original animated plot. The Little Mermaid 3: Ariel’s Beginning, written by Peggy Holmes, released in 2008, analyzes what happened to the character’s mother. Including his tragic death due to an encounter with a pirate ship. The version that live action restores, resizes and gives it a new meaning.
The Kingdom of the Atlantic is getting bigger
Something that doesn’t necessarily benefit the story. The scenario hints that Triton’s domain is much wider than what is shown on the screen. In other words, that his strength is essentially related to the sea. Something, moreover, is established through the seven daughters of the sovereign, who hint that the kingdom extends to the seven seas of the world. However, the visual Mermaid it is so limited that this sense of majestic scope seems false and ends up being an addition that never develops.
Especially when the monarch’s appearances are rare and, unlike the animated film, have little to do with his need to understand his daughter. A possible conflict between the surface and the underwater world is described unconvincingly and superficially. What makes a good part of the plot Mermaid unable to support the possibility of a future clash between cultures, Ariel And Eric should be avoided.
A villain who knows her strength
character Ursula, played by Melissa McCarthy, is one of the few who doesn’t benefit from further exploration of her character. In fact, it works against you. From a treacherous being ready to do anything to destroy his brother’s youngest daughter, he becomes an evil figure, aware of his ability to manipulate.
Especially when it comes to power and how he can use a young mermaid’s desperation to further his own personal machinations. In addition, the plot gives him an absurd co-existence between the lines – completely unnecessary – with Triton and his family, turning what could have been good context into information that adds nothing to the narrative chain.
Or because the script Mermaid announces many possibilities without completing any of them, or because the character is left halfway there is little to say about Ursula it’s not from an animated movie. In general, his death, more painful and peculiar than in the 1989 version, could be classified as a significant change that affects even the perception of a person. Ariel.
Scuttle’s new role in Mermaid
This is not a very appropriate change for the argument Mermaid, but it allows us to understand how the film world is currently being explored. In the 1989 version run awaydear friend and sporadic adviser Arielwas voiced by comedian Buddy Hackett.
In his most recent version, Aquafina’s version; so the character changes gender and tone in his sense of humor. From a funny creature with simple jokes and almost childish puns, the actress’s humor is much more sophisticated and unique. Especially when he has to offer his “wise” point of view to the mermaid protagonist.
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But the script Mermaid he also changed the character in more significant ways. in animation, run away it was a gull, whereas in Rob Mashall’s film it is a female northern gannet. The solution allows the figure to float in water and even dive into it, making a dear friend – now a friend – Ariel be present in many other situations than his previous incarnation.
Source: Hiper Textual
