Netflix still hasn’t found the formula for comedy success. Or rather, it goes on in the midst of what seems to be a messy and sometimes desperate attempt to make the audience laugh. year of my release, starring Rebel Wilson, is once again in the dilemma of being a sleeper hit with no substance. And to make matters worse, in one of the films on the platform that shows his original productions are at an awkward point. The fact of the spectator phenomenon is only that you have at your disposal a considerable audience of channel subscribers.

Especially, year of my release deal with a complex problem. Rebel Wilson, whose career has been based on physical and explicit comedy, is trying to adjust to the new register. One that doesn’t rely on her looks or the ability of the films she’s in to use her as the center of some sort of offensive ridicule. The change – thank you – could be effective if it weren’t for the lack of it in the Alex Hardcastle film. The film lacks the ingenuity to exploit Wilson’s naturalness and vicious vitality.

And when he does, he mixes it up with a version of subversion that borders on the ridiculous. The film attempts to pseudo-critique the dilemmas of culture, the structural changes of the last decade, and our perception of time, but fails. As if that weren’t enough, he also dares to pit biting humor against contemporary sensibilities. Neither, and not because the argument lacks tools, but because the script’s interest is in a different space. It is among the ill-armed gossip about modern teenage life, its contrast with life decades ago, and hope. All in an embellished and tedious package that proves Netflix can’t find the comedy formula – if there is one.

Year of my graduation, boring Netflix call

One of Wilson’s greatest qualities is his shy and at times outrageous and subversive humor. Trapped in the Hollywood stereotype of the fat, abusive woman, the actress has spent most of her career laughing her ass off. But now a complete registry change is forcing him to change his style, or in any case, reinvent himself from the basics. Especially with a public attitude in which he made it clear that he needed to move in a different direction. My senior year was the perfect opportunity to show that his sense of humor has a new dimension.

But Wilson fails. The actress, whose comedy career is based on high-profile supporting roles, has serious problems surviving the film. Much more troubling is that she resorts to her usual tricks, this time without an accompanying script. The result is a cheap copy of much more solid films like Never Kissed Raja Gosnell or the mean teenage movie Mean Girls.

The plot tells the story of a teenage girl who fell into a coma and woke up 20 years later. absurd by necessity. But instead of exploring the impossibility and its consequences, year of my release It is focused on the irony of modern culture. This is true, but without the effectiveness to prove a point – generations and social change – and, in the end, year of my release falls apart on impulse. Wilson goes to great lengths to showcase his talent for—no doubt—pranking. Because this time the film focuses not only on jokes, but also on a deep dilemma. This 37 year old woman with the mind of a 17 year old girl needs to find her place in the world. And this must also take place in the midst of a sense of disappointment in the future. But whether it’s because Wilson needs his usual platitudes, or because the Netflix movie doesn’t set its tone, the movie is a failure of narrative imagination.

Netflix and its fight for laughter

Netflix, which has a long history of absurd comedies with sour overtones, is trying to make year of my release be more than fun. But in fact, the movie is another one of the originals of the platform, created with the help of an algorithm. At the very least, that’s what the fact that every joke and every plot twist is meant to stir up pointless controversy hints at.

But it’s especially disappointing that Wilson misses the opportunity to show that his curious sense of humor is more than just a grotesque sneer. Halfway between irony, light joke, and simplistic morality, the film falls into disrepair because it is inconsequential. And what so far shows that the platform continues with empty successes that question its content. year of my release This is perhaps the 100th attempt by Netflix to make people laugh. And this time the failure – just as persistent and chaotic – is more obvious and painful than at other times.

Source: Hiper Textual

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