The film industry does not stop development and mobile technology plays an increasingly important role in this transformation. A clear example of this after 28 years, 28 days after Danny Boyle Cult Classic’s expected continuationThis summer will be released with a revolutionary strange: it was completely saved with iPhones using up to 20 devices at the same time to obtain scenes that may be impressive.

If you don’t know, they are considered a cult classic and two of the best works in Living Dead in horror films after 28 days and more than 28 weeks. This third installment is coming on June 20, 2025

Saved with an iPhone … or rather, many

The film was shot only using the iPhone 15 Pro Max, but not one: Three special equipment that integrates more than one iPhone to capture the action from impossible angles. Among these towers, 8 camera configurations, the other is 10 and one, especially with 20 simultaneous iPhone.

According to the production team, this final configuration Used for a “incredible graphic” scene It appears in the second half of the film. The result is an effect that the camera director describes as “a kind of bullet time for low -budget people” referring to the famous visual effect made by Matrix. This technique allows you to capture 180 degrees vision and to choose a “jump over time” to emphasize certain moments from a classic point of view in the version.

The sequel to Aaron Taylor promises a wonderful category visual scenes thanks to the iPhone

DAnny Boyle clearly stated that this is not a random decision. As described in an interview with IGN andL iPhone use was strategic and conceptual. It makes sense to capture chaos and fear images with daily devices in a capitalptic world like the legend. As in 2002, cameras represent the camera of our iPhone period today.

In addition to being a narrative choice, the iPhone offered a logistics and creative advantage: compact size, 4K image quality, advanced stabilization and ease of integrating into the cranes or babies given to the cranes in difficult places with more freedom than a traditional camera.

With the planned premiere for 20 June 202528 years later, not only takes us back to the infected universe created by Boya, but also shows the cinematographic potential of a device that millions of people carry in the pocket. The use of iPhones is not new in independent cinema, but this is one of the first major -all productions that can bet completely on this technology and mark the beginning of a new era in visual realization.

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