Insidious: Red Door Patrick Wilson is obviously the latest chapter in a saga that began in 2010 with the hands of James Wan and has become a benchmark for horror films. This part restores the history of the Lambert family, as well as its sinister connection to the past and the supernatural.

Much more like the origin of a sentence that obeys the appearance of familiar demons. So the plot on this occasion explores the idea of ​​good and evil in the form of creations of collective memory. Just like the elements that the victims of darkness must discover in order to maintain their sanity and even their lives.

All, of course, against the backdrop of the appearance of ferocious, vile and frightening creatures. For the occasion, director Patrick Wilson captured the best of the franchise’s mythology in a collection of terrifying demons. From the well-known ones that fans will immediately recognize, to new versions of the Lambert nightmares inspired by blood-curdling imagery. Movie delves into its visual section based on innovation and giving its objects a terrifying unmistakable personality.

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We recommend five horror films that resemble the tapes and are their direct heirs. insidious. Scary monsters that reinvent the disturbing saga, even the terrifying doll. Every evil creature is part of the way the modern cinematic world reclaims the sense of evil in macabre allegories.

Hell’s Obsession: Awakening

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Lee Cronin’s work is dedicated to the saga created by Sam Raimi from innovation. Particularly meditating on the feeling of evil, this time in downtown Los Angeles. With an argument far removed from the forests and isolated huts of the previous installments, this time it’s about fear as an urban aspect. Which completely changes the setting and brings a new dimension to the story.

But the most interesting thing is the evolution of acquaintances the dead. Zombies and demonic spirits created Necronomicon Ex-Mortis, this time they have a much more complex meaning than just power containers. At the same time, they are expressions of the larger idea of ​​the terrifying, spreading like an invisible infection. This is among the usual sense of bodily horror that has made the franchise famous.

Gradually, the story turns possessions from an open door into unhealthy secrets, tying the supernatural to something more terrifying. Which builds a version of what the idea of ​​fear expresses that is closer to human nature than one might immediately realize. One of the strengths of the tape.

papal exorcist

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Julius Avery’s feature film combines conspiracy theories with the idea of ​​essential evil. This is through demonic possession and how the Church could connect them to the foundations of the faith. Gabriele Amort (Russell Crowe) is the head of the exorcism of the Holy See. Also a person who knows the manifestations of darkness near. What he never imagined was that evil would manifest itself through ever more sophisticated and sinister ideas right between the walls of the Sacred Place.

The plot, over the top, extravagant and grotesque compared to many horror films, explores the perspective of the demonic through its relationship with the human. Just like how it’s connected and remodeled to keep fear alive as part of human nature. Gradually, Father Amorth will discover that beyond the fortified gates that surround the places where he received his education, an unimaginable horror lives. Not exactly with the face of the creatures he fights daily, but with the face of the people he must obey.

In its final phase, the film makes it clear that paranormal travel manifests itself in hundreds of different ways. At the same time, it is subject to the idea of ​​reality and time as analogous forces struggling with each other. One of its most original elements.

devilish light

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The film by Daniel Stamm explores how evil is connected to the past, the future, and the possibilities of redemption. Sister Anna (Jacqueline Byers) will have to face a demon that has already destroyed a significant part of her life. Thus, a new encounter with the terrifying has a lot to do with trying to understand where your perception of good comes from.

The tape analyzes the problem of property from a new point of view. Especially when she turns the nun into an exceptional witness to the struggle with fear and the question of the dogma of faith. Little by little, the demon that haunts Ann will force her to confront the idea of ​​her own ambiguous nature and her view of cruelty. At the same time, the reason why combat becomes more difficult as the character’s story progresses.

With its simple visuals, the film maintains its impact with dark staging and dialogue with transcendental concepts. Although he fails to express all of his ambitious ideas, he achieves a version of heartbreaking and subtle horror. Which ultimately becomes the source of questions about fear as part of human nature.

Annabelle comes home

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The feature film, directed by Gary Dauberman and produced by James Wan, has a peculiar take on the malevolent. As the third part of the franchise Annabelle, has its own mythology in horror films. What is most intriguing about the plot, however, is his perception of horror, in the spirit of a sinister heritage.

Like the most famous films of the saga Warren File: Spellthe plot explores the life of demonologists Ed And Lorraine. In this case, what happens when they decide to leave the gloomy doll at home in order to prevent the eerie power contained within from spreading. They made it the focus of the attraction of the evil force, they are afraid that this can cause more damage. What will happen when the toy wakes up the rest of the evil spirits, which is located in the room where the cursed artifacts are stored. So a set of terrifying items will scare Judy, the daughter of the Warrens. Which explores the idea of ​​a doomed legacy passed down from generation to generation.

With broad imagery and rich detail, the film explores all sorts of urban legends, but in particular the relationship of the demon that clings to the wrist. Very similar to what is part of the argument Insidious: Red Doorwhich shows that they belong to the same universe.

exorcist

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The classic horror film, directed by William Friedkin and written by William Peter Blatty, remains the most memorable film about the influence of evil forces. More than forty years after its premiere, it is still regarded as an influential work in genre cinema and one of the most terrifying in cinematic history.

The plot follows the actress Chris McNeil (Ellen Burstyn), whose 12-year-old daughter Regan (Linda Blair) is possessed by a demonic entity. Chris seek help from two priests, Damien Karras (Jason Miller) and lankester merrin (Max von Sydow) to perform an exorcism and free his daughter from an inexplicable violent experience.

The feature film set the standard for understanding supernatural horror as a real event. Linda Blair’s performance as Regan is particularly realistic, and manages to convey many terrifying and heartbreaking emotions. In addition, the film’s soundtrack, composed by Mike Oldfield, is a cult classic and has become a key element in the history of the seventh art.

Source: Hiper Textual

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