Surely you already know. Winnie the Pooh: Blood and Honey This will be the first attempt to turn a child icon into a horror film. Take it further by taking the package to her more horrifying and bloody consequences. As it turns out, the horror movie will feature the nefarious versions of A. A. Milne’s favorite characters. Including even the death of Igor, the cute donkey.
It’s a bold experiment that explores new and creepy locations in one of history’s most beloved children’s books. Especially when in a horror movie the characters will be digging into alternative narratives. From Pooh, turned into a soulless and sadistic creature, to Christopher Robin, turned into a sinister figure. Winnie the Pooh: Blood and Honey seems ready to delve into all the horror movie codes to build a powerful and extravagant premise.
But, of course, this is not the first and not the most thoughtful attempt to combine cute characters with dark stories. Actually, there’s an entire filmography devoted to perverting children’s history until it turns into your worst nightmare. We leave you with three recommendations that will surprise you with their depth, good storytelling skills and, especially, the ability to scare. And yes, they are all based on childhood stories that you may not have expected to have a dark and definitely adult side. A whole confusing journey through a new vision of fantasy, confusing in its thoroughness.
Snow White: A Tale of Terror
A sinister and monstrous woman, a dangerous stepdaughter, an unsolved murder. Believe it or not, we’ll tell you the Grimm brothers’ version of the horror movie Snow White. Michael Cohn’s adaptation of the classic children’s fairy tale is full of horror. From the unsettling look at his characters – all ambiguous and in the midst of dark temptations – to his twisted approach to history. The notion of evil that conceives Snow White: A Tale of Terror It is suffocating and paradoxical, especially when kindness is called into question at the best moments.
What pushes us into the darkness of violence? What makes us lose our doubts? The horror film asks elegant, well-constructed questions about the nature of human behavior. But besides this, abandon all notions of moralityto give free rein to its premise about the inexpressible. What is hidden under the mask that we show to another? With Sigourney Weaver as Lady Claudia Hoffman – the incarnation of the wicked witch from the original tale – the question could have horrific answers.
With its grotesque, offbeat look and more than effective use of stranger speech on the hunt, this horror film turns history around. Snow White in a brilliant thriller. Also in the unusual perception of the sinister from the side of its most subtle nuances.
Gretel and Hansel
Gretel (Sophia Lillis) and Hansel (Samuel Leakey) face darkness and witchcraft in this contemplative and visually stunning tale. Based on the fairy tale of the same name, this tale is a sumptuous interpretation of mystery and power. Everything is mixed in the concept of horror and the mysterious through the inexplicable.
Oz Perkins, who has the experience of turning horror into an introspective experience, turns the original story into something new. Especially when the witch figure is used as a link between the troubled realms of power and faith. As if that weren’t enough, the horror movie takes it to the next level, the symbolic substratum of the story it comes from. In the second part, the film finds its rhythm and horror film identity in a brilliant apotheosis of ideas about inner darkness.
But Gretel and Hansel It’s much more. It is also a clear selection of amazing images associated with the gloomy twilight air. As the story progresses, characters get deeper, darker and more dangerous. And not only the well-known witch from the house in the forest. In an unexpected plot twist, Gretel and Hansel are not just victims. But much less than heroes.
red slippers
Based on the fairy tale of the same name, this Korean horror film is a dramatic journey through the original mythology. When a recently divorced woman finds a pair of red shoes on the subway, she has no idea what will happen. Or, as their fate will be intertwined with unexpected horror and especially the increasingly dangerous and latent ones. With the air of a gritty, shabby urban thriller, The Red Shoes reflects on horror in a dizzying and all-consuming way.
It is when he decides to use all the representations of a fairy tale to create something unknown and dangerous. What is real and what is not? The line between the dreamlike, the ghostly and the supernatural is rapidly blurring, and the horror film moves into increasingly unnerving terrain. For his finale, he not only found a way to honor the story he came from. At the same time, to create a type of sublime terror that combines the chilling of the soul with a cautious discourse of beauty that surprises with its effectiveness.
Red shoes In addition, it takes the connection between fear and the invisible to an unknown level. Little by little, the plot reveals its secrets, and when he finally manages to show everything that is hidden under his symbol of evil, he surprises. With a creepy ending and an extraordinarily effective take on secrets in plain sight, this is an option for fans of the most mysterious horror genre.
Source: Hiper Textual
