The 1990s are historic for the seventh art and especially for the Hollywood industry. It features modern classics such as Silence of the Lambs, scream, Virgin suicides, Jurassic Park And In the name of the father. But also, cinema has gone through one of its most fruitful phases in terms of themes and resources. From the triumphant return of superheroes to the exploration of terror as an integral part of the cinematic world. The last decade of the 20th century produced a number of games that are still favorites of a large part of the public.
This is not something random. The cinema of the nineties was a mixture of experimentation and updating of common themes. These were the years when Sofia Coppola redefined the idea of women in art and culture. And also when Wes Craven managed to give a second wind to slasher films, which had been in decline since the eighties. It was an era of dark films dedicated to analyzing collective memory and celebrating great epics with new beauty. The return of musicals and even experiments with genre cinema to bring it to a new quality level. This means that even thirty-three years later, the influence of pre-millennium cinema continues to generate interest.
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We leave you with five classic films from the nineties that you can watch right now on Star+. From a scandalous work that is still discussed on social networks to a strange suspense film. The selection shows that the cinema of the nineties continues to be avant-garde and, perhaps, the best legacy that the end of the millennium left to the public.
Fight club
Director David Fincher recently defended the film’s significance. Fight club, compared to those who consider this a harmful argument. So he tried to deal with critics who insisted that the film had become a favorite of various hate groups. The story, he says, is more than just a look at wrongdoing and a collective fear of failure. Moreover, it is a free interpretation that you have no control over.
It is curious that the feature film based on the book of the same name by Chuck Palahniuk is still causing controversy. But the truth is that the story of a violent underworld that an anonymous man stumbles upon almost by accident is still fascinating. Controversial, politically incorrect, inconvenient. Fight Club does more than just explore the paranoia and pain of our culture. Moreover, in an obvious parallel to the man without a future who finds purpose in the clash with the system, on a universal premise.
This makes the film a strange reflection of greed, the need to be recognized and the primitive desire for cruelty. Little by little, what begins as an adventure in the urban underworld becomes a discovery of the rupture of modern identity. An allegory that remains surprising and pessimistic today.
The task is impossible
Brian DePalma took the story of the famous 1960s spy series and turned it into a complex thriller, using paranoia as a central premise. The first part of the already cult saga. The task is impossible, had a sinister and dense appearance that he had lost in the rest of his performances. Particularly because that initial entry summed up the risks he took. Ethan Hunt (Tom Cruise) as an undercover agent based on mistrust. Moreover, from the first scene he dismantled his team and turned them into fugitives who will have to demonstrate their skills on the screen.
The director then turned the character into someone on the verge of murder or murder. But at the same time, a new type of hero has emerged, capable of both attacking the CIA through a complex system of blocks and crying out for love. This, by usurping identity, was capable of linking communication programs with just two code combinations he saved the world almost by accident.
From a distance, the first film in the franchise appears smaller and sleeker than its successors. However, it retains all the tightness of the cunning script and visual vivacity that its director was able to provide. Another great nineties classic.
Romeo+Juliet
Baz Luhrmann, in his 1996 version, turned the Shakespearean tragedy into an urban romance with shades of crime drama, managing to give young lovers all the debauchery, fierce happiness and desperate need for love of their literary peers.
The result was a film full of visual and narrative contrasts, which in turn elevated a very young Leonardo DiCaprio as a teen hero. Overall, Romeo+Juliet takes the essence of the text from which it comes and transforms it into a search for collective identity. Which made her a symbol of youth and love in these frantic times.
But the director, known for his musicals, also gave the film its own unique personality. Urban, with a street atmosphere that gives the characters greater depth, the story of two lovers doomed to death reaches a new level. Especially for distancing itself from most of his reimaginings, which emphasize romance and make it clear that death is part of passion and life. One of its distinctive features.
Summer Night Dream
William Shapeskir has works that can satisfy every conceivable human emotion.. That’s something director Michael Hoffman capitalized on in a film that is at once a faithful adaptation of the original, a romantic comedy, and a look at faith. And this is in the middle of a seemingly endless night, which allows the plot to make you laugh and cry in equal measure.
In fact, one of the film’s strengths is its gentle look at emotion. The action takes place in 19th century Tuscany. The novel is analyzed through disappointment and the search for hope. All of the above takes place in the midst of a fantasy landscape where fairies do their thing among the unwary. ORAgain and again, Simon Boswell’s script asks questions about feelings and their purpose.
About the hatred and love that unite couples. About the need to understand how romance can heal the deepest wounds. The film at times departs from the playful tone of the Briton’s work to carefully examine the desires of the human heart. The cast is led by Kevin Kline and Michelle Pfeiff. The film is considered one of the greatest Shakespearean adaptations of our time.
The hand that rocks the cradle
In 1992, director Curtis Hanson produced a disturbing story that ushered in a generation of villains on the big screen. The Hand That Rocks the Cradle raised various ethical and moral dilemmas, including sexual violence. But at the center of his script by Amanda Silver was a mysterious woman played by Rebecca De Mornay. This widow is searching revenge was not only terrible, cruel and bloodthirsty. And also mysterious, brilliant and insightful.
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This combination created a unique character, more akin to the women of Hollywood’s golden age than the evil women of recent decades. Especially when De Mornay managed to infuse his role with a strange duality that David Fincher would take into account in his work years later. Amy V The missing girl. With a dark ending that opened the door to a sequel that was never made. The film is still considered one of the greatest thrillers of the 1990s.
Source: Hiper Textual
