When evil lurks Damien Runya brings a whole new take on the horror and zombie genres. Moreover, he mixes this with the theme of possessions to create a story where paranoia, fear and disgust become the center of the plot. Little by little, what begins as a series of inexplicable events in rural Argentina ends with a demonstration of the root and essence of evil. At the same time, about creepy elements as part of human nature and how we interpret the darkness of madness and anxiety.

The film surprised and enchanted horror fans in equal measure last year. What allowed him to win the 2023 Sitges Festival? and take its place as one of the most iconic stories in genre cinema. Something that makes it a rarity in these types of spaces. And also to demonstrate that the horror story argument is in a constant state of renewal and development. Especially when they have to reach a younger audience, with new sensibilities, and they are not easily surprised.

To explore similar feature films, we leave you with five films with themes as intricate—or more—than When evil lurks. From a collection of chilling stories, anxiety turned into a monster to a small experiment that was crowned with success. This selection of horror films features the latest and how it became a kind of experience beyond the simple purpose of inducing fear. One of his greatest qualities.

Frightened

Damien Runya had a good time exploring horror. But it was in this 2017 film that he showed off his curious take on gender. The plot, which tells the story of a series of supernatural incidents occurring in a residential area of ​​Buenos Aires, begins with tragedy. However, what appears to be a random event It soon turns into a dark judgment that spreads like an infection among everyone involved.

That’s when the director, who also writes the script, finds a way to give a whole new meaning to several themes. From ghosts, paranormal activity and attacks from invisible creatures to a zombie perspective. Nothing escapes the way the director connects cinematic horror with phobias and even primitive fears.

To its alarming end, The film explains little.. This gives the whole plot an air of mystery and mystery, which adds to its scary premise. An element that the director took to a new level. When evil lurksis now his most famous work.

Tell me

Directing duo Danny and Michael Philippou have turned the famous TikTok battles into a scary story tailored for Gen Z, resulting in one of the scariest horror films of recent times. At the same time, a new take on the recurring theme of ghostly domains and ghosts. Hablame is more than just a room that wants to shock. But in reality it is more of a clever, creepy game that turns into a collective nightmare.

Mia (Sophie Wilde) is barely recovering from the death of her mother. In addition, he will have to deal with suspicions that it could be suicide. In the midst of anxiety and fear, she finds herself in the middle of a creepy game of allowing herself to be possessed by seemingly invisible creatures. At first it all seems like a twisted joke, until the experience spirals out of control and begins to demand victim after victim.

What’s considered one of the creepiest films of 2023 is also a showcase for the genre’s flexibility. The film surprises, halfway between tongue-in-cheek satire and a chilling dimension of suffering. At the same time, it makes clear that today’s horror stories are much bolder and more ambitious than one might assume.

Infernal Possession: Awakening

Sam Raimi’s saga of supernatural and gory horror films gets a new chapter in 2023. But beyond continuing the franchise’s popular mythology, Lee Cronin’s film gave new meaning to its most famous elements. Among them, everything related to Necronomiconclassic grandfathers and the feeling of malice surrounding this room. This, from a modern point of view, it equates the horrific with an unhealthy inheritance that cannot be avoided.

Ellie (the magnificent Alyssa Sutherland), a recently divorced mother who lives with her three children in a building that is about to be demolished. There he meets his sister Beth (Lily Sullivan), who is trying to get her life back in order after becoming pregnant. Gradually invisible forces containing the famous cursed book of the saga, will ultimately turn both sisters’ last night into a nightmare.

With numerous references to previous films, Infernal Possession: Awakening This is both a tribute and a new part of the saga. Much more, an exploration of the roots of the sinister in an urban, claustrophobic and disbelieving era.

Bo is scared

Bo is scared

The third feature film directed by Ari Aster, it is also his most personal. The story of Beau’s (Joaquin Phoenix) mental and physical suffering is a journey through modern anxieties. But not from a psychiatric point of view, but by turning the character’s consciousness into a terrifying scenario.

From birth to adulthood, Bo must face phobias, trauma, and pain in a dark and foreboding environment. Much more so when he discovers that most of the monsters he fears and tries to escape from are They are inevitably connected with your life.

Astaire, known for his disturbing views on family relationships and darkness, finds in Bo is scared new area. Likewise, a cautious vision of good and evil, which becomes much more unhealthy as time goes on. This is one of the best horror films in recent memory.

Smile

Director Parker Finn made his film debut with one of those horror films that was destined to become an icon of the genre. The premise of supernatural judgment that spreads like a poisonous infection becomes a reflection of emotional pain in Finn’s hands. However, the story goes much further. and is plunged into the horrors of a cruel and malevolent creature who kills with violence at every opportunity.

Perhaps the most sinister thing about the story is that the enemy to be defeated could be anyone. Especially when the script gets more violent in all the supposed darkness. No one is safe from death in the midst of their deepest fears. An idea that becomes an ominous scenario that covers every point in the story.

Source: Hiper Textual

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