With forty years of liberation, blade runner Ridley Scott is a work that summarizes man’s transcendent opinions and obsessions about existence. Next, the permanence of memory, human identity, and how the philosophical perception of the nature of reality is related to technology. Transformed into a cult classic, it has become a reflection of the type of cinema that raises significant questions about the individual. But beyond that, it’s also a journey through the idea of the value of science, the human mind, and all the little links that come together to form something higher and more powerful.
The film is essentially a fusion of a strange series of events that seemed to come together to create an unlikely classic. At first, Scott was not too eager to make a film, which in all likelihood would have led to his work being classified in one genre.
After resounding critical and box office success Alien, Eighth Passenger, the director wanted to advance in new themes. However, Hampton Fancher, a very young screenwriter who managed to compress the Philip K. Dick universe into a coherent cinematic plot, convinced him. “I pursued him to the point of exhaustion, I insisted on him as best I could. He once told me that he agreed to direct more out of boredom than out of interest, ”said Fancher. Diversity.
The result of a collaboration between a seasoned science fiction director and a writer who captured collective obsessions, the film has become a complex project. Blade Runner has received a great visual ability to surprise and touch. First of all, a bitter perception of reality, which makes the film an intimate work, although it may not seem so.
blade runner it is a statement about the fragility of human nature. Corrosive and cruel. The argument involves big unanswered philosophical questions about man’s responsibility for what he creates, or better said, for what he imagines. The premise is deep in spite of itself, unintentionally epic, and ultimately transcendent by necessity. A production that summarized the science fiction visions of the time with new complexity, with a dystopian vision that seemed to revolutionize the genre.
“Blade Runner” and the realization of collective failure
Until, sci-fi films were meant to be fun, warning, or horror. Soon after, it became an allegory for something deeper and more disturbing. In particular, a vision of what awaited a person in decades. The future seemed clean, precise, neat. At least that’s what Stanley Kubrick thought, who years before had revolutionized the genre with his impeccable 2001: Space Odyssey. Contrasts with blade runner They couldn’t be more visible. While Kubrick revels in the incredible neatness of technology, Scott sees it as a gray and dirty, notoriously tarnished and decadent universe.
Responsible for aesthetics blade runner designer and illustrator Syd Mead. The artist gave the atmosphere of the film a dilapidated vision of the future. The city of Los Angeles in 2019, with its spaces full of contrasts of light and shadow, is definitely noir. blade runner dystopia with a pronounced mournful personality. Halfway between a technological paradise and a claustrophobic vision of the loss of humanity in urban spaces.
blade runner it also shows the future in how spaces and places affect the society that inhabits them. Tall buildings separate the hyper-tech world from the stress of the street. From the persistent feeling that the whole world seems to be about to collapse or, at best, barely survive the inevitable fiasco. The film is a series of images about the inevitable. A strange and deep collective suffering associated with the loss of hope for the future.
Scott, who pondered similar questions in Alien, found in blade runner a way to capture the existential pain of a generation in symbols. The people in the film are cruel, ruthless and arrogant.. They inhabit a world of extended shadows in which they seek nothing but control. Or at least the film highlights that single motivation by slipping into questions that no one answers. Androids move among people, their lives are fleeting and torn apart. She is about to explode from fear, or at least from rebellion. Between two things blade runner it shows their pain, fears and falls in a technological hell of extraordinary beauty.
Tears in the rain and other pains
AT blade runnerreplicants – made in the image and likeness of man – perpetuate the virtues and pains of the time. They cry and suffer and riot. Everything, among the conditions of their existence, which resists the violent demands of a society that cruelly excludes them. Paradox has created a whole sub-genre of film versions of a sense of tragic dystopia. For Scott, the future was essentially a revolt of artificial beings’ emotions against human rule. The idea is so discouraging that it is still new.
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blade runner impressed by her mature approach, but especially by her status as a unique work, delving into complex issues, starting with subtleties. With cities that never stop raining and androids in awe of the beauty of the universe, Scott’s world doesn’t just show the future. Also the nuances of a thorough study of the nature of man as a creator. Despot, cruel and in the end erroneousamong creatures that surpass him in courage and determination.
Source: Hiper Textual
