Kingdom of the Planet of the Apes It’s already in cinemas. Big success movie, as in the three previous parts, is the design of the animal protagonists. The intelligent primates are created entirely using computer graphics. However, the care and detail of the special effects make them realistic. In addition, they rely on another very simple element. Not only do they look like monkeys, but they physically move and behave like monkeys.
And this part is entirely his fault. Alain Gautier. This motion coordinator is responsible for “transforming” all the actors in the film into monkeys. His in-depth study and knowledge of the human body has enabled him to train performers to animate, through motion capture suits, the monkeys that star in the project. A careful and special work revealed to us at Hipertextual.
“I grew up as a gymnast and acrobat. And at school everyone called me Cheetah, monkey Tarzan in a TV series from the 70s or 60s. Being a monkey has always accompanied me as an acrobat. I became a circus acrobat in Circo del Sol and my body evolution has always been there. It made all the sense that it came into my life at that moment,” he admits. Gautierexcited about the opportunity to work in Kingdom of the Planet of the Apes. “My mouth said yes before my mind thought about it. It was automatic. This is what I have been preparing for my whole life,” he adds.
Monkey research
Despite his deep knowledge of the physical structure of primates, Gautier He admits that for the film he had to carefully study them for quite a long time. “More than a month has passed since they called me. But when I came to Sydney and was given a studio to work in the office, I started doing research every day. From morning until the end of the day, nine hours a day. I just take notes every day,” says the movement coordinator. Kingdom of the Planet of the Apes.
Little by little he began to combine his new discoveries with his previous knowledge. And based on this information, he began to develop a plan for the transformation of the film’s actors. “Within a month, I was able to figure out a starting point for what I was going to do with them,” he says. Gautier. It’s time to start working with translators Kingdom of the Planet of the Apes. “When they arrived, everything was ready and they could start working,” he concludes.
Working with actors
“I was very careful at first because when you meet actors, they have different personalities and everything. And I wasn’t sure how they would react to my work because it’s very specific, my approach is unique,” he says. In fact, for a job like yours in Kingdom of the Planet of the Apes, other specialists might choose completely different methods. “Every movement coach has a different approach because they have a different learning curve in life, in their relationship with movement. My approach was sometimes even esoteric. This is how I work,” he explains. Gautier.
“I wasn’t sure they would get to work. But they just loved it. Everybody was into it and it was like, ‘OK, this is real, we’re doing this and it’s phenomenal,'” he said. celebrates. It was a great relief for him to see that the film’s actors embraced his method and formulas. “They learned things about their bodies and their habits that they didn’t know before. And I helped them understand themselves and understand who they are. And then letting go of some of those things that didn’t belong to them so they could pull themselves together. to break down and become a fusion of the actor, his personality and the real monkey in his body,” he confirms, happy with this part of the work.
Work with the director
Once the connection with the actors was established and their transformation into monkeys was achieved, their work in Kingdom of the Planet of the Apes There was one more stage left: filming. Gautier He was very involved and constantly communicated with the director of the film. Wesball, as with other departments. Now the idea was to be able to materialize these conceptual creations of each character in front of the cameras.
“At first we met once a week or once every two weeks. He was very busy preparing for his business. I was impressed by how my registration there went, because there was an understanding, a trust that was there from the first moment. I’m doing my job, my job,” the coordinator is happy. Perhaps this was the great key to bringing his ideas to life. Kingdom of the Planet of the Apes and the result was as successful as it looks on screen.
“Wes I started coming later when I heard that the monkeys were starting to come to life,” he says. Gautier. “Then we got to the set and my job after training the actors was obviously to maintain their acting level not only as monkeys but as actors. the day before in motion capture if the actor crosses the line or format… What can happen because. Wes I came in to give them comments and make some small changes,” he offers.
“And a human actor, an actor who plays a monkey, when asked to change his routine, will tend to become what he is used to being, which is a human being,” he says. “I would notice slight differences in their postures, make them look at me to give them orders, and tell them, ‘Be careful, your level has changed, your head is in the wrong place, your hands are not working.’ This is true”. “It was a constant adjustment,” he concludes his explanation, pointing anyway to his work on the film. Kingdom of the Planet of the Apes It was “very smooth.”
Source: Hiper Textual
