“Veil” brings back the best of the spy genre with Elisabeth Moss at her best.

The spy genre often reduces the world to a binary scenario. Even mainstream stories of the genre tend to create incorruptible heroes who are in complete confrontation with villains without redemption. Hence Veil, much more interesting is the very fact of a rather complex understanding of what evil and good can be in our time. This is when, in addition, both points of view are subject to loyalty, betrayal and divergent interests. The series, the first two episodes of which you can already watch on Star+, takes up the idea that the world stage presents a complex and often disappointing idea of ​​justice. One that, moreover, manifests itself in bad decisions of organizations, institutions and officials.

Screenplay by Steven Knight (same as from Peaky Blinders And Taboo) tells the story of Imogen Salter (Elisabeth Moss, returning to the series), an MI6 agent with a difficult mission. He must not only enter the Turkish-Syrian refugee camp to rescue and bring possible informant Adila El Idrissi (Youmna Marwan) to safety. At the same time, it must face doubts about the data it processes and the extent to which it will be compromised in the event of a possible terrorist attack. Things will only get worse when Adila’s threat forces Salter to The obvious question is: who benefits from bringing a woman who poses such a threat to England?

In the first and second episodes, the plot intelligently develops in at least two different settings: physical and political. On the one hand, Salter must cross conflicted territory, allowing him to discover that what he thought he understood at a distance of academic analysis becomes a blurred map in real life. On the other hand, Adila, for all her importance as a figure to be handed over to the CIA, is more than just a villain or a trigger for violence. Gradually, the series explores its characters and shows that on the battlefield it is not so easy to know exactly who the enemy is.

“The Veil”: A Harsh Look at Current Loyalties

Of course, the big question the series asks is what the real battle will be with Salter, the CIA, or any other global security agency. This is where the plot fragments and the best moments emerge. Knight explores his story to such an extent that it becomes more than a little difficult to side with any of his characters.

They are all full of good and bad intentions. Everyone is capable of murder and can be killed. The chiaroscuro landscape that unfolds in the series becomes increasingly complex as it shows that both Salter, like his superiors and connections with the governments demanding Adila’s extradition, they have their own plans.

More seriously, each layer of lies, secrets and manipulation creates even greater danger. Adila could be a necessary informant for several governments at the same time, but at the same time a way to plan an attack on innocent targets. It could also be a terrorist who carefully thinks through the strategy and uses Salter’s doubts about what is happening to her advantage. The script processes item by item skillfully. This is to create the feeling that nothing is what it seems as the story progresses in three different countries.

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Veil manages a sense of imminent threat, plays with caution in the most difficult and best-told places. Thanks to the superb performances of the duo Moss and Marwan, the production manages to create the feeling that the mission they are both on is going to end badly. Moreover, this failure will have all sorts of consequences that could jeopardize the complex scenario of global terrorism. That, since the argument about the monopoly of violence is called into question, presumed just causes and necessary evils.

A series for lovers of complex stories.

From a snowy camp where refugees barely survive, to Turkey, Paris and London. Veil uses an interesting combination of world settings to tell a political story. Little by little, what begins as a mission that must have a concrete conclusion turns into an internal struggle. First, to demonstrate who is entitled to the power of direct aggression. Namely, which government – or official – could use the information Adiba carries with him to his advantage. This concerns his country, but also his own interests and the convergence of forces.

At a fast pace, not stopping at explanations, Veil It turns out that the story gets faster as it progresses. All the while, without losing its complexity, density, or its careful moral underpinnings. Gradually, the characters must show their faces and admit how they manipulate violence. But while this is happening, they must hide their true intentions. A map of interests that details the series and makes it perhaps the best source of political tension of the year.