In 1989, a phenomenon occurred that surprised both the specialized critics and the public. Within a few months, two films were released in which a policeman and a dog had to interact in a more or less similar way. Partners and hounds And Super agent K-9 At their core, they had the same argument. Namely, as a troubled and cynical law enforcement officer, he had to assume that his new partner was a charming and brilliant German Shepherd. Even more unique? Both explored their protagonist’s badge-wearing past through the behavior of his canine ally. Which makes the film – both – a strange look at duty, loyalty and, ultimately, a kind of family humor.
This is not the first time that such a coincidence has occurred in cinema. As early as 1942, George Cukor noted in an interview that Hollywood tends to dwell on the same topics and at almost the same time. But an incident among the records of the dog detective showed that there is a possibility that the circumstances may be even more curious. Precisely because both productions were filmed at different times, on completely different equipment. What causes this? From a tendency to the need to explore similar points of view, coinciding in cinematic interest, the reason could be anything. A much more curious vision of cinema as an art and a discipline.
To explore the above, we leave you with duos of films that share a common plot and even a common point of view on the plot. This means that not only do they tell a very similar story – which would be interesting – but also from a point of view so similar that it can be surprising due to its similarities. From two classic disaster films to two sci-fi milestones that essentially show the world through the same idea of dystopia. The truth is that there can be seemingly inexplicable coincidences in cinema. What this group of tapes shows at its most unique.
“Armageddon” and “Deep Impact”
On May 8, 1998, a story came out that delved into the collective paranoia about a global cataclysm. Significant impact Mimi Leder tells a dramatic and moving story about the last days of civilization before a comet collides. Which means the complete extermination of the human race. If, of course, a group of heroes can prevent such a catastrophe. Or mitigate its consequences.
As extravagant as it may seem, on June 30, 1998, he also appeared on the big screen. Armageddonwhich essentially said the same thing. Directed by Michael Bay, the film was a drama with epic and patriotic overtones, telling the story of a group of people trying to prevent the destruction of the world. This time, the threat was an asteroid, which, like Significant impact, threatened the survival of life on Earth.
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The most unique thing is that both films were made at almost the same time and had such a similar ending that they could be mistaken for each other. The only thing that really differs is its importance in pop culture. So far Significant impactThis is a touching gem that tells the human perspective on natural disasters, Armageddon It’s a classic, a box office hit, and a song for the ages. Colossal I don’t want to miss anything from Aerosmith.
“The Illusionist” and “The Last Trick”
On August 18, 2006, a romantic drama was released on the big screen, the main characters of which possessed magic and the ability to perform miracles on stage. Directed by Neil Burger, the cast is headed by Edward Norton. Illusionist It was a story in which nothing was as it seemed. Much more, hinting that behind the most famous and greatest magical acts of all time there were secrets that were best kept hidden. Adaptation of the book Eisenheim the Illusionist Steven Millhauser, The plot asked questions about time, fear and the human capacity to create.
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To the surprise of audiences and critics, it hit theaters on November 3, 2006. The last trickdirected by Christopher Nolan, told much the same story. More violent, focused on science, and starring David Bowie as Tesla, the film was a dark vision of magic. But at its core, it was also a meditation on miracles, in this case scientific ones, and how to understand good and evil. What tied it directly to Burger’s story? and even more directly explored its most important points.
In this case, too, there was a popularity duel among the film-loving public. While The Illusionist went almost unnoticed at the box office, the sinister beauty of The Last Trick surprised audiences and brought it success. Despite this, both films are now considered to be different takes on the same controversial topic.
“Ant” and “Bugs: A Miniature Adventure”
In 1998 – and while the tragedies Armageddon And Significant impact They caused a public outcry – the two films confronted animation lovers. And also studies seeking to find their place in the genre. About Ant and B.ihos: miniature adventure, which had very similar premises, in a sort of symbolic vision of our culture through insects.
On October 2, 1998, the first film by directors Eric Darnell and Tim Johnson brought the story of an ant society with a strong political focus to the big screen. But that’s not all: behind the interesting animation lies an adult theme. The feature film, produced by DreamWorks, tells the story of Z (Woody Allen), an ant who is dissatisfied with the totalitarian system in which he has to exist. And so he went on an adventure beyond the anthill to find his place in the world.
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On November 14, 1998, another ant, this time voiced by Dave Foley, also tried to save the world—and his anthill—through the greatest adventure of his life. A Pixar production, Bugs, a miniature adventuretold a story in which he used the natural order of insects to delve into some social issues. Not as cleverly as Antwas much more geared towards children. But the truth was that not only did both say the same thing – and in the same way – but they even came to similar conclusions.
“The Trap” and “The Thomas Crown Mystery”
The following year, there was also a duel of practically identical films, which also took place in such similar settings that one could confuse one another. April 30, 1999 Trap has come to cinemas around the world to tell how veteran thief Robert “Mac” MacDougal (Sean Connery) could fall for the tricks of investigator Jim Baker (Catherine Zeta-Jones). She is obsessed with the idea of catching him and proving that the series of undetectable and spectacular robberies is the work of one hand.
But, to the bewilderment of producers and viewers, on August 6, the same story came to the cinema, told in almost the same vein. The Secret of Thomas Crown, remake Norman Jewison’s 1968 classic tells the story of how a sophisticated millionaire (Pierce Brosnan) becomes the object of interest to an insurance investigator (Rene Russo), leaving the two with a complicated love-hate relationship seduction and desire, while she tried to prove that he was the consummate thief.
The two films are so similar in so many ways that it is obvious that the first is a loose adaptation of Jewinson’s classic version. This has forced them both to take the same viewpoint when talking about modern evil. At the same time, cunning and, ultimately, seduction. One of those coincidences, of which there are not many, that are part of the world of cinema.
“The Matrix” and “existZ”
And as if that weren’t enough, another synchronous work that defined the sci-fi genre appeared that same year. A programmer obsessed with virtual reality discovers that he can tap into an alternate world and that everything he knows isn’t real. Does that premise sound familiar? Of course, that’s the main conflict. Matrix Lana and Lilly Wachowski. The premiere of which took place on March 31 of the same year with a resounding box office success.
But this is also an argument. They existZ David Cronenberg, which hit the big screen on April 14, 1999. Both explore our culture’s obsession with identity, technology, and ultimately the fight against machines. And while The Matrix does so from a more cyberpunk perspective and Cronenberg’s from a body horror perspective, both films ponder the same ideas and from the same perspective. One of those cinematic coincidences that still surprises today’s viewers.
Source: Hiper Textual
