A few decades ago, the only place to see big new movies was in a movie theater. It was essentially a major cultural event, with studios and producers putting a lot of effort into advertising. One of the most famous jokes about this is all the times Walt Disney was personally responsible for inviting the public to theaters. Which, of course, was connected with a unique event – the premiere of the film.
As time went on and television came along, movie premieres became more accessible. Despite this, the distance between major film releases and a wider audience remained significant. If not, it was hard to cover. Especially since the studio’s resources included the most famous, beloved and popular films. Therefore, they were hardly ready to share them easily. But the emergence of cable companies was an important milestone. Not only in terms of understanding entertainment with an exceptional feature. At the same time, the concept of great premieres as triumphs of lbrands and valuable intellectual property falling into the hands of manufacturing companies.
With the arrival streamingThis revolution has reached a new level. Nowadays, major film releases and content in general appear on the platforms so quickly that they become a pleasant treat for subscribers. Disney+, as innovative as the studio from which it is created, often makes this clear. So, we leave you with five premieres that you can watch right now on the platform. From instant horror classics to tragic romances that have captivated audiences. All to enjoy the benefits of getting to know the best entertainment at the touch of a button.
Date high on disney plus now and Save with an annual subscriptionwith which you can enjoy the entire catalog of TV series and films. Access to the latest issuesto the catalog star+ and ESPN*, plus the best National Geographic documentaries.
*ESPN is only available in Latin America. Save compared to a 12-month monthly subscription.
The Best Disney+ Premieres
The First Prophecy

Director Arkasha Stevenson took the story of the famous 1970s horror franchise and explored its origins from a completely new perspective, making this prequel both an exploration of the evil presented in the original saga and a fresh take on the subject. Particularly for its focus on the women who surrounded the concept. the evil Antichrist and the church’s participation in such horror.
It’s the 1960s and Margaret (Nell Tiger Free) is on her way to Rome to learn her nun ways. Little does he know that he’s about to make a horrifying discovery. There could well be a sinister conspiracy around him to bring the devil’s son back to life.
A film with baroque terror reminiscent of the originals without losing its individuality, it becomes increasingly dark and brooding as the film progresses. Given the brilliant yet repulsive ending, it is clear that the film can already be considered one of the best in the saga to which it belongs. At the same time, it is an elegant and well-constructed work of art, worthy of being enjoyed in all its strange fullness.
The third season of “The Bear”

What is already considered one of the best series in recent secret screen history returns with an installment that directly confronts the events of the previous one: how Carmi (Jeremy Allen White) reacts to being locked down and isolated on the most important night of his life. Which leads to a critical decision: to break away from the usual a frantic pace to devote time to introspection.
The result is a new piece that asks questions about the place of cooking in the life of not only Karmi, but everyone around her. And how that importance It is important to understand their perception of success, failure, and even love.
Bearin this case, gives new value to quiet spaces, reflection and remembrance. What does the latest issue do in a successful experiment that provides production with renewed air.
Descendants, Rise of the Reds

Disney’s beloved teen musical saga continues with a new installment that not only celebrates the best of its predecessors, but also shows that time flies in the world of fairy tales. In the latest installment in the universe that explores the stories of the great heroes of beloved stories, Uma (China Anne McClain) is the principal of Auradon Prep. And this means that the air of renewal passes through the establishment,
This includes sending an invitation to Princess Red (Kylie Cantrall) to visit from faraway Wonderland. However, the goodwill gesture will soon prove to be nothing more than a well-armed plan by the young woman’s mother, the Queen of Hearts (Rita Ora). Which includes handing over power to the school, the entire kingdom, and seize power for the benefit of the villains of Neverland.
Fun, fresh and entertaining, this latest chapter in the successful franchise also pays tribute to young actor Cameron Boyce, who died last year. And that’s Disney’s way of doing it. Stylishly celebrating the performer’s kind and always brilliant spirit.
Our House 2: Messengers

Do you have more spiritual content? Our House 2: Messengers This is the perfect choice for you. The story of Andre Luis (Renato Prieto) and his decision to bring goodness to the world of men could have been risky and utopian. If not for the help of Aniceto (Edson Celulari), the messenger of the immaterial, but it will also show you that kindness is part of the nature of the world and reality.
But before this happens, both will have to go through all sorts of difficulties that will show them that free will can be a view of the shadows as well as the light. If you enter into any religious sphere and are more interested in its characters than in its dogmatic premises, Our House 2: Messengers This is a rare work about the quality of the immaterial.
We are all strangers

Adam (Andrew Scott, from Ripley), a depressed writer who reminisces about his life and past in the midst of loneliness. Harry (Paul Mescal) is her lover, who will somehow prove to be her only grounding cord. Together, they will weave a story with fantastical overtones that He becomes more and more sour and sad as he moves towards his most painful places.
Andrew Hay has accepted the job strangers Taichi Yamada and turned it into a deep and tragic love story. Much more, in an elegant and well-planned vision adult grief, loss of hope and, ultimately, the search for the origins of identity.
These may seem like disparate themes until the film manages to raise transcendental questions through them, particularly in its exploration of the value of love – even after death – and the ability of the human spirit to regenerate. from the worst situations.
Source: Hiper Textual
